1891. Etching and drypoint, signed and dated in plate lower right, 11.9 x 15.9cm. Slight foxing overall, minor cockling to image, chips and small creases to edges of margins. More

1892. Hand-coloured lithograph, text including date and title above and below image, 20 x 30.4cm. Minor foxing and tear to margins. Text includes “The Australasian Builder and Contractors’ News, January 23, 1892. C.H. Slatyer, Architect, Sydney. Image includes floor plan. More

1893. Hand-coloured lithograph, text with date and title in image, 30.1 x 39.1cm. Repaired tear to original vertical fold, some offsetting to image, slight foxing and crinkles overall, minor tears and missing portions to margins. Text includes “The Australasian Builder and Contractor’s News, June 10, 1893. Alan C. Walker, ARIBA..... More

1827/1893. Wood engraving, 8.2 x 12.7cm. Slight foxing, old mount burn. From an edition of 350, printed by Calvert’s son in 1893. Image held in the Art Gallery of NSW, the Tate and The Met, with the comment “In this richly detailed engraving, Calvert conjured an idealized medieval world. Made..... More

c1894. Letterpress and wood engraving leaflet, 31.2 x 21.7cm. Missing portion, slight tears and discolouration to edges. Text includes “Detective Cameras… Free Darkrooms. Free Lantern Rooms” and “Geo. Murray & Co., Printers and Stationers, …Clarence St, Sydney.” The Oxford Hotel was located at the top of King and Elizabeth Streets..... More

1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More

1893/1895. Woodcut, printed on blue paper, titled and initialled in block lower centre, printer’s line in letterpress below image, 15.1 x 12.2cm. Minor stains to margins, old mount burn. Printer’s line reads “C. Grumbach, Leipzig.” Ref: The Graphic Work of Vallotton 1865-1925, Arts Council, 1976, #49, noting that this portrait..... More

1896. Lithograph, butterfly monogram in image upper left, letterpress below image, 17.5 x 11.6cm. Slight stains to image upper centre and margins, minor creases and tears to edge of right margin, old mount burn. Trimmed text reads “Art Journal, March, 1896.” From an edition of 3,000, printed by Thomas Way..... More

1896. Etching, monogrammed in plate lower left, text including artist and title in letterpress in lower margin, 26 x 15.8cm. Slight offsetting from another image to upper portion, foxing and stains to margins. Text includes “Originalradierung. Pan II, 3.” Printed by L. Angerer, Berlin, published by Pan. Held in MoMA..... More

1896. Lithograph, initialled and dated in image centre left, artist’s name, title, process “originallithographie” in German with publication “Pan II, no. 4” in text in lower margin, 27 x 24.5cm. Old mount burn. “Walter Crane (1845-1915) was an English artist and book illustrator. He is considered to be the most..... More

c1896. Colour lithograph, accompanied with original postal tube, text below image, 71.1 x 48.9cm. Foxing and ragged edges to margins, slight handling creases. Text includes “From the original painting by the late Sir John E. Millais…President of the Royal Academy in the possession of Messrs Pear. The postal tube, dated..... More

1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More

1898. Two colour lithographs, text including date and title in upper and lower margins, 46.4 x 70.7cm (approx. each). Slight foxing and crinkles. Framed. Text includes (1) Presented with Father Christmas, 1898. Printed by Orford Smith Ltd, St Albans. From a painting by Louis Wain; (2) Penny Illustrated Paper, Xmas..... More