San Trovaso [Venice]
1926. Etching, signed and dated in plate lower right, titled, signed and dated in pencil in lower margin, 24.1 x 37.5cm. Slight foxing to margins. More
1926. Etching, signed and dated in plate lower right, titled, signed and dated in pencil in lower margin, 24.1 x 37.5cm. Slight foxing to margins. More
1926. Drypoint, signed and dated “Oct. 1926” in plate lower centre, editioned 86/100 and signed in pencil in lower margin, 19.9 x 27.9cm. Minor old mount burn. Illustrated in Syvret, Edmund Blampied, 1986, p147. More
1926. Etching, signed by Hoyton and titled “Seaside Farm” in another hand in pencil in lower margin, 13.8 x 22.6cm. Slight creases to upper edge and lower left corner of image, missing portions, rubbing, stains and creases to margins. Ref: Brooklyn Museum, USA. More
1926. Drypoint, signed, dated and titled in plate lower left to right, signed in pencil in lower margin, 28 x 22.9cm. Slight foxing overall, old mount burn. More
1926. Etching, signed and dated in plate lower left, signed, annotated “no. 141” and editioned 44/75 in pencil in lower margin, 28.4 x 37.5cm. Minor foxing to upper edge of image and to margins, old mount burn. More
1926. Wood engraving, editioned 12/50 and signed in pencil in lower margin, 20.5 x 17.5cm. Soiling and stains to margins. Held in Smithsonian American Art Museum. Dr. Alexander Simeon Masley was the founder of the Art Education Program at the University of New Mexico, then the Department of Art Education..... More
1926. Wood engraving, editioned 8/50 and signed in pencil in lower margin, 17.7 x 12.7cm. Ref: Alexander Masley website. More
1927. Drypoint and aquatint, printed à la poupée, with hand-colouring, “Louis Icart Society” blindstamp, signed by Icart and annotated “416” in an unknown hand in pencil below image, 48 x 39.2cm (oval). Perforation and tears to image lower left, minor surface loss overall, glue stains to margins, old mount burn..... More
1927. Drypoint and aquatint, printed à la poupée with hand-colouring, artist’s copyright with date and “Paris” in plate above image, “Louis Icart Society” blindstamp, annotated “e 412” in an unknown hand and signed by Icart in pencil below image, 48.1 x 39.2cm (oval). Minor surface loss overall, glue stains to..... More
1927. Folio of seven original lithographs, with contents page and frontispiece in linocut, title and date on contents page, each lithograph signed in pencil below image, 25.6 x 18cm (each); 40.2 x 32.7cm (folio). Tears and missing portions to contents page, old glue stains to upper edge of four lithographs..... More
1927. Drypoint, signed, captioned “Marseilles” and dated in plate lower right, signed and annotated “100” in pencil in lower margin, 21.3 x 29.8cm. Old mount burn. Ref: Mendelssohn #411. More
1927. Engraving, titled in plate below image, 17.9 x 10.6cm. Glue remnants and old fold to left margin. Illustration for The Brook Kerith by George Moore. A well-known engraver and illustrator, Gooden also engraved for the Bank of England. Ref: Dodgson #57. More
1927. Etching, signed in plate lower right, signed, annotated “100” and titled in pencil in lower margin, 15.5 x 25.5cm. Old mount burn. Ref: Mendelssohn #404, title also includes St Eufemia. Anacapri is a commune on the island of Capri, in the province of Naples, Italy. French composer Claude Debussy..... More
c1927. Drypoint, signed, titled and editioned 12/30 in pencil in lower margin, 23.9 x 21.4cm. Slight stains, soiling and crinkles to margins. More
1927. Etching with drypoint, signed in plate lower left, signed in pencil on image lower right, 34 x 21cm. Stains to margins, old mount burn. Held in de Young Museum, San Francisco. More
1927. Drypoint, initialled “L.” in plate lower right, 13 x 9.3cm. Minor paper loss and repaired tears to left edge, paper remnants and minor stains to margins, old mount burn. Ref: Laboureur #358. Held in Bibliothèque Nationale de France. Illustration for the Paul Morand novella, Baton Rouge about a black..... More
1927. Drypoint, signed in plate lower left, signed, inscribed “to Harold Wright”, annotated “100, final state (107 proofs)”, titled and dated in pencil in lower margin, 17.6 x 31.4cm. Crinkles to lower right corner of image, stains and creases to lower margin. Ref: Mendelssohn #412, with title “The convent of..... More
1927. Etching, signed in plate lower right, signed, titled and annotated “mat on Japanese vellum, [proposed edition of] 100” in pencil in lower margin, 26.2 x 20cm. Repaired perforation to left edge and margin, slight foxing to lower centre, old mount burn. Ref: Mendelssohn #423. Held in NLA; Te Papa..... More
1898/1926 & 1927. Pair of soft-cover books with original paper wrappers, each volume containing six drypoints by Toulouse-Lautrec, consisting of three images in two states (black and brown) totalling 12 original prints, each volume stamped with number “149” from an edition of 200 on colophon, sizes range from 17 x...... More
1927. Colour woodcut, signed and dated in pencil in lower margin, 24.5 x 18.2cm. Pinholes, old glue stains and minor creases to margins. Also known as François Maret, Frans Ermengem was a Belgian poet, painter, illustrator and art critic. Ref: Wiki. More
1928. Hand-coloured drypoint with aquatint, artist’s copyright with date, illegible “Paris” publisher’s line in plate above image, artist’s blindstamp, numbered “163” and signed in pencil below image, 49.7 x 38cm. Slight paper loss overall, minor stains and missing portions to margins, old mount burn. Ref: Holland, Catania and Isen #336..... More
1928. Etching and engraving, monogrammed and dated in plate lower right, signed in pencil in lower margin, 12.5 x 22.6cm. More
1928. Drypoint, signed in plate lower centre, signed by Tudor, and annotated “original etching” and titled in another hand in pencil in lower margin, 17.5 x 27.6cm. Stains to margins. First of a suite of twenty-five etchings, The American Football Set, published by Kennedy & Company, New York, October 1928..... More
1928. Drypoint, signed and numbered “100” in pencil in lower margin, 25.3 x 34cm. Slight foxing to margins. Ref: Mendelssohn #440. More
1928. Engraving, annotated “epreuve d’artiste (artist’s proof)” and signed in pencil in lower margin, 23.7 x 33.9cm. Paper loss to upper margin, small tear to edge of lower margin, old mount burn. From the suite entitled Atlas, which consisted of seven engravings of the continents, produced in an edition of..... More