![Item #CL199-98 Las Rejas, Toledo [Spain]. Lionel Lindsay, 1874–1961 Aust](/pictures/thumb/CL199-98.jpg?v=1585635326)
1927. Etching, signed in plate lower right, signed, titled and annotated “mat on Japanese vellum, [proposed edition of] 100” in pencil in lower margin, 26.2 x 20cm. Repaired perforation to left edge and margin, slight foxing to lower centre, old mount burn. Ref: Mendelssohn #423. Held in NLA; Te Papa..... More
![Item #CL166-111 The Convent Of Santa Eufemia, Antequera [Spain]. Lionel Lindsay, Aust](/pictures/thumb/CL166-111.JPG?v=1492487424)
1928. Drypoint, signed and numbered “100” in pencil in lower margin, 25.3 x 34cm. Slight foxing to margins. Ref: Mendelssohn #440. More
![Item #CL192-11 [House With Pine Trees On A Hill]. Josef Cisar, 1910-c1987 Amer](/pictures/thumb/CL192-11.JPG?v=1524199140)
1928. Etching, signed and dated in plate lower left, signed in pencil in lower margin, 17.7 x 29.9cm. Slight foxing overall, old mount burn. More
c1928. Three drypoints, each annotated with artist’s name and title by son Kerry Dundas in handwritten authentication note dated 2007 in pencil verso, 21.4 x 25.3cm to 21.6 x 26.2cm. Slight foxing overall, one image with pinholes and creases to margins. This group includes three working proofs of the Ponte..... More
![Item #CL192-83 Jerez De Los Caballeros [Spain]. Lionel Lindsay, Aust](/pictures/thumb/CL192-83.JPG?v=1524199264)
1928. Drypoint, signed and titled in plate lower left, signed, titled and numbered “100” in pencil in lower margin, 30.3 x 32.7cm. Slight foxing and crinkles overall. Ref: Mendelssohn #443, listed as Jerez De Los Caballeros, Estremadura, Spain. Held in NGA. Jerez de los Caballeros is a town in south-western..... More
![Item #CL192-89 The Lagoon, Corfu [Greece]. Isabel de B. Lockyer, Brit](/pictures/thumb/CL192-89.JPG?v=1524199268)
1928. Colour linocut, titled, signed, dated and editioned 10/25 in pencil in lower margin, 13.8 x 18.7cm. Slight ink deposits and stains to margins. More
1929. Drypoint, annotated “trial” and signed in ink in lower margin, 24.3 x 16.8cm. Old mount burn. This is a trial proof before the edition of 75. Ref: Wright #19, state iv/v. More
![Item #CL168-142 Saragossa [Spain]. Sidney Tushingham, Brit](/pictures/thumb/CL168-142.JPG?v=1492489832)
c1929. Drypoint, signed by Tushingham in pencil in lower margin, titled in another hand in pencil on mount below image, 25.8 x 33.9cm. Minor old mount burn. Edition of 75. Ref: Salaman, Etchings & Drypoints by S. Tushingham, #95. More
![Item #CL192-47 [Auckland Houses]. May Gilbert, active 1920s-1930s NZ](/pictures/thumb/CL192-47_1.JPG?v=1524199232)
c1929. Pair of linocuts on tissue, one image monogrammed in block lower left, 10.2 x 11.6cm; 12.2 x 18.7cm. Foxing, old mount burn. Ref: Macdonald Ross, New Zealand Prints 1900-1950: An unseen heritage, University of Canterbury, 2006, p61. More
1929. Drypoint, signed in plate lower right, signed by Lindsay and titled in another hand in pencil in lower margin, 13.7 x 17.5cm. Old mount burn. Ref: Mendelssohn #472. More
![Item #CL173-41 [Stone Statue In Cemetery Of Confucius]. Attrib. J. M. Norton](/pictures/thumb/CL173-41.JPG?v=1492651788)
c1930s. Woodcut, 25 x 11cm. Tipped to original backing. The Cemetery of Confucius, also known under its Chinese name Kong Lin, is a cemetery of the Kong clan (the descendants of Confucius) in Confucius’ hometown of Qufu. Confucius and some of his disciples are buried there, as well as many..... More
c1930s. Etching, signed by Brangwyn and titled in an unknown hand in pencil in lower margin, 34.2 x 30cm. Slight stain to left edge of image, repaired tear to upper left margin, soiling and foxing to margins, old mount burn. More
![Item #CL168-96 The Riva At Dusk [Venice]. James McBey, British](/pictures/thumb/CL168-96.JPG?v=1492489419)
1925/1930. Drypoint, signed and dated “Venice. 20 October 1925” in plate lower left, annotated “LXIII” and signed in ink, and annotated “80 proofs” and titled in another hand in pencil in lower margin, 40.4 x 23.8cm. Minor foxing, old mount burn. Annotated “S.S.” in an unknown hand in ink on..... More
c1930s. Mezzotint, printed à la poupée, blind stamp on image lower left, titled, annotated and signed by L. Mornly [?] in pencil on plate mark in lower margin, 25.2 x 19.6cm. Slight surface loss and repaired tears to margins, old mount burn. Title continues “After J. McNeill Whistler.” Stamp reads..... More
![Item #CL192-48 Adelphi Arches [Strand, London]. John Goodchild, Aust](/pictures/thumb/CL192-48.JPG?v=1524199233)
1930. Colour lithograph, titled, editioned 3/18 and signed in pencil in lower margin, 25.9 x 35.5cm. Repaired tears to upper edge of image, slight stains to margins. Laid down on acid-free paper. Held in NGA. Illustrated and erroneously titled “St Bartholomews” on the dustjacket for Goodchild & Brooks, John C...... More
![Item #CL192-106 Franz Josef Glacier And Mountains [New Zealand]. John Lysaught Moore, NZ](/pictures/thumb/CL192-106.JPG?v=1524199138)
c1930s. Colour woodblock, signed and annotated “design & print” in ink on image lower left, 19.2 x 27.3cm. Slight foxing to upper portion and minor creases to centre of image. Held in Puke Ariki Museum, NZ. “John L. Moore was a New Zealand artist who studied under Dorothy Richmond and..... More
c1930s. Colour woodcut, editioned 17/75, titled and signed in pencil in lower margin, 29.9 x 44.8cm. Slight stains to margins. “Droege studied at the Düsseldorf Academy but it was Leopold von Kalckreuth (1855–1928), painter and graphic artist, who influenced Droege to turn to colour woodcuts in the early 1920s. In..... More
1905-1931. Seven colour process screens, letterpress text with date and caption above and below each image, 30.6 x 44.6cm to 46.7 x 66.6cm. Missing portions, creases, minor scuffing and repaired tears. Linen-backed. Titles read 1). The Story of the Fire God; 2). Where Christmas comes in summer’s reign: holiday-time beside..... More
![Item #CL201-38 City On A Rock [Cohoes, NY, USA]. Louis Lozowick, 1892–1973 Amer](/pictures/thumb/CL201-38_1.jpg?v=1611728302)
1931. Lithograph with original publication label, signed and dated in pencil below image, 20.7 x 32.7cm. This lithograph, published by The Print Club of Cleveland, Ohio, is accompanied with the Club’s label, with a designation of “No. 9.” Held in Smithsonian American Art Museum. The image depicts a view of..... More
1933. Colour linocut, titled, signed, dated “June 2nd, ’33,” editioned 6/25 and annotated in pencil in lower and right margins, 26.5 x 35cm. Tears to edges of margins. Annotation includes a list of printing instructions for colours, as well as notes on edition numbering. More
1935. Colour linocut, titled, signed, dated and editioned 9/25 in pencil in lower margin, 32.5 x 23.5cm. Stains to margins. More
![Item #CL175-111 [Queensboro Bridge – From Manhattan]. Fuji Nakamizo, Japanese/Amer](/pictures/thumb/CL175-111.JPG?v=1492660293)
c1935. Etching, monogrammed in plate upper right, signed in pencil in lower margin, 22.6 x 27.8cm. Tape to upper margin, evidence of printer’s ink fingerprints to margins, old mount burn. More
1936. Wood engraving, signed in block lower centre, signed, titled and annotated “100” in pencil in lower margin, 31.6 x 19.7cm. Cockling, small tears to margins, old mount burn. Ref: Mendelssohn #55. More
![Item #CL184-163 Rue De La Glaciere [Tableaux De Paris]. Maurice de Vlaminck, French](/pictures/thumb/CL184-163.JPG?v=1486091873)
1937. Etching, signed in plate lower right, 33.4 x 25.7cm. Minor foxing overall, old mount burn. Ref: Walterskirchen #146. Held in de Young Museum, San Francisco. More
![Item #CL175-154 La Rue De La Glacière [France]. Maurice de Vlaminck, French](/pictures/thumb/CL175-154.JPG?v=1492660322)
1937/later printing. Etching, signed in plate lower right, 33.5 x 26cm. Old mount burn. Ref: Walterskirchen #146. From Tableaux de Paris, 1937. More