1928. Drypoint, signed and numbered “100” in pencil in lower margin, 25.3 x 34cm. Slight foxing to margins. Ref: Mendelssohn #440. More

c1928. Three drypoints, each annotated with artist’s name and title by son Kerry Dundas in handwritten authentication note dated 2007 in pencil verso, 21.4 x 25.3cm to 21.6 x 26.2cm. Slight foxing overall, one image with pinholes and creases to margins. This group includes three working proofs of the Ponte..... More

1929. Drypoint, annotated “trial” and signed in ink in lower margin, 24.3 x 16.8cm. Old mount burn. This is a trial proof before the edition of 75. Ref: Wright #19, state iv/v. More

c1929. Pair of linocuts on tissue, one image monogrammed in block lower left, 10.2 x 11.6cm; 12.2 x 18.7cm. Foxing, old mount burn. Ref: Macdonald Ross, New Zealand Prints 1900-1950: An unseen heritage, University of Canterbury, 2006, p61. More

c1930s. Woodcut, 25 x 11cm. Tipped to original backing. The Cemetery of Confucius, also known under its Chinese name Kong Lin, is a cemetery of the Kong clan (the descendants of Confucius) in Confucius’ hometown of Qufu. Confucius and some of his disciples are buried there, as well as many..... More

1925/1930. Drypoint, signed and dated “Venice. 20 October 1925” in plate lower left, annotated “LXIII” and signed in ink, and annotated “80 proofs” and titled in another hand in pencil in lower margin, 40.4 x 23.8cm. Minor foxing, old mount burn. Annotated “S.S.” in an unknown hand in ink on..... More

1930. Colour lithograph, titled, editioned 3/18 and signed in pencil in lower margin, 25.9 x 35.5cm. Repaired tears to upper edge of image, slight stains to margins. Laid down on acid-free paper. Held in NGA. Illustrated and erroneously titled “St Bartholomews” on the dustjacket for Goodchild & Brooks, John C...... More

c1930s. Colour woodcut, editioned 17/75, titled and signed in pencil in lower margin, 29.9 x 44.8cm. Slight stains to margins. “Droege studied at the Düsseldorf Academy but it was Leopold von Kalckreuth (1855–1928), painter and graphic artist, who influenced Droege to turn to colour woodcuts in the early 1920s. In..... More

1931. Lithograph with original publication label, signed and dated in pencil below image, 20.7 x 32.7cm. This lithograph, published by The Print Club of Cleveland, Ohio, is accompanied with the Club’s label, with a designation of “No. 9.” Held in Smithsonian American Art Museum. The image depicts a view of..... More

1935. Colour linocut, titled, signed, dated and editioned 9/25 in pencil in lower margin, 32.5 x 23.5cm. Stains to margins. More

1936. Wood engraving, signed in block lower centre, signed, titled and annotated “100” in pencil in lower margin, 31.6 x 19.7cm. Cockling, small tears to margins, old mount burn. Ref: Mendelssohn #55. More

1937/later printing. Etching, signed in plate lower right, 33.5 x 26cm. Old mount burn. Ref: Walterskirchen #146. From Tableaux de Paris, 1937. More

1937. Drypoint, signed “Lionel Lindsay, Malaga” and titled in plate lower right and below image, signed and annotated “100” in pencil in lower margin, 27.7 x 30.2cm. Laid down on acid-free paper. Title continues “Burnt during revolution.” Ref: Mendelssohn #545. Held in NGA, NLA, NGV. Many of Malaga’s historical buildings..... More