![Haute-Savoie [French Alps]. Iain Macnab, British](/pictures/thumb/CL184-107.JPG?v=1486012843)
c1940s. Colour lithograph, initialled in image lower left, annotated “state 2”, titled and signed in pencil in lower margin, 27.5 x 29.4cm. Repaired tears to image upper right and lower centre, slight stains and creases to margins. Haute-Savoie is in the Auvergne-Rhône-Alpes region of eastern France. The first Winter Olympic..... More
c1940s. Group of eight works consisting of five colour linocuts, two wood engravings and one woodcut, all with artist’s name, title and medium printed in lower margin, sizes range from 10.2 x 12.7cm to 21 x 15.1cm. The four artists and their works are: 1) Rona Dyer (b.1923), The Pool..... More
![Western Tourists Sightseeing In Rickshaws In Kobe, Japan]. Hide Kawanishi, 1894–1965 Japanese](/pictures/thumb/CL202-44.jpg?v=1619760567)
c1941. Colour woodcut, artist’s seal in block lower left, 33.5 x 24.7cm. Upper corners taped to original paper mount. Image possibly from Kawanishi’s 1941 series Scenes from a Port Town. His work is held in numerous international museums, including MoMA, the Art Institute of Chicago, and the British Museum with..... More
![NZ Farm Views]. Kenneth Hassall, NZ](/pictures/thumb/CL192-55_1.JPG?v=1524199240)
c1931-1942. Three prints consisting of two linocuts and one woodcut, each monogrammed in block lower left or right, titled, editioned, signed and one dated “‘42” in pencil in lower margin, 16.2 x 12.7cm to 13.1 x 18.1cm. Foxing to woodcut, old mount burn. Titles and editions read as follows: (1)..... More
c1943. Watercolour, signed lower right, titled in ink on slip from original mat board mounted below image, 25.8 x 29.5cm. Old glue stains to margins. Warner was called up for military service in 1941, working as a camouflager and poster artist. In 1943 he was appointed an official war artist..... More
c1946. Colour linocut, titled, editioned 5/28 and signed in pencil in lower margin, 12.7 x 12.6cm. Foxing and minor creases overall, old mount burn. Held in Auckland Art Gallery. British-born Kenneth Welsh Hassall was a New Zealand architect, draughtsman, printmaker and illustrator. Ref: Artrecord. More
c1955. Etching and aquatint, printed à la poupée, editioned 6/25, titled and signed in colour pencil in lower margin, 26.4 x 17.3cm. Minor foxing to lower portion, slight old mount burn. Austrian-born artist and writer Frederick Halpern studied painting and printmaking techniques in both Vienna and Paris. Throughout his career..... More
![Old New York State – Cold Brook [Methodist Church, Main Street]. Grace Paull, Amer](/pictures/thumb/CL175-116.JPG?v=1492660297)
c1955. Lithograph, signed, titled and numbered “60” in pencil in lower margin, 32.4 x 24cm. Minor stains and creases to margin. Grace Paull, who lived in Cold Brook, a village in Herkimer County, New York, was best known as an author and illustrator of children’s books. Ref: Post-Standard, Syracuse, NY..... More
![Maison Dans La Beauce [France]. Maurice de Vlaminck, French](/pictures/thumb/CL168-145.JPG?v=1492489834)
1958. Colour lithograph, signed in image lower right, 21.7 x 28cm. Edition of 2000. Ref: Walterskirchen #274. More
![Surgeres [Cambridge]. John Piper, Brit](/pictures/thumb/CL175-125.JPG?v=1492660300)
1959. Colour lithograph, annotated “colour state,” titled and signed in pencil in lower margin, 43 x 64.6cm. Old mount burn. Provenance: Redfern Gallery, London, as per label on mount verso. More
![Rheims Cathedral]. John Piper, Brit](/pictures/thumb/CL175-126.JPG?v=1492660301)
c1969. Etching, editioned 25/50 and signed in pencil in lower margin, 69 x 54cm. Minor foxing to margins. More
1976. Soft-ground etching, annotated “artist proof”, titled, signed and dated “26.12.76” in pencil in lower margin, 9.2 x 12.9cm. Glue remnants to upper margin, old mount burn. Ref: Kolenberg #11, no recorded edition. Held in AGNSW. More
![Bicentennial Neighbors [Manhattan, NY, USA]. Gerald Geerlings, 1897–1998 American](/pictures/thumb/CL201-49_1.jpg?v=1611728318)
1976. Lithograph, captioned, dated, titled and signed in pencil below image, 29.5 x 24.1cm. Old mount burn. Caption reads “Water and Broad Streets, Lower Manhattan.” Image depicts the Financial District located in the Lower East Side of the New York City. Accompanying this lithograph is the original exhibition catalogue, Gerald..... More
![Tree And Figure In The Square]. Noel Counihan, Aust](/pictures/thumb/CL166-36.JPG?v=1492486416)
1981. Lithograph, signed and dated in image lower left, annotated “Image 3”, editioned 4/40, signed and dated in pencil with Druckma Press blind stamp and Lana watermark in lower margin, 58.5 x 44.5cm. Framed. Illustrated in Smith, Noel Counihan Prints 1931-1981: A Catalogue Raisonné, 1981, plate 123. From the series..... More
![Hong Kong Harbour]. Peter Kingston, b.1943 Aust](/pictures/thumb/CL183-85.JPG?v=1486091847)
c1987. Etching, annotated “A/P” and signed in pencil in lower margin, 60.3 x 44.6cm. Framed. Only a few proofs were printed; no edition was produced. Kingston visited Hong Kong in 1973 and participated in a group exhibition there in 1987. Ref: Wilson, Harbourlights: The art and times of Peter Kingston..... More
c1834–1840. One aquatint and one lithograph, both hand-coloured, one with artist, title and publisher below image, 17.5 x 26.5cm (approx. each). Slight foxing, minor crinkles, one trimmed to margins and laid down on backing. Both framed. (1) After Jean Dubois (Swiss, 1789–1849). French text reads “J. Du Bois pinx. [obscured]..... More
![Convent, Los Capucins, Seville [Spain]. Lionel Lindsay, 1874–1961 Aust](/pictures/thumb/CL199-66_1.jpg?v=1585635251)
1908–1909. Etching, monogrammed in plate lower left, 10.5 x 13.5cm. Slight foxing. Ref: Mendelssohn #24, listing alternative title “Los Capucins Monastery.” Held in NLA; NGA. More
1850. Etching, initialled in plate below image, 11.2 x 9cm. Minor cockling, discolouration. Framed. Ref: Lister, Samuel Palmer & His Etchings, 1969, plate 3, p100. More
1866/1874. Etching, number “246” in plate upper right, artist, publisher, title and printer in plate below image, 16 x 23.9cm. Repaired tear to lower margin. Text reads “Paris, Cadart & Luquet, Editeurs Imp. Delatre, Rue St Jacques, 303, Paris.” This print is the second state of three, prior to the..... More
![Le Soir [La Jétee De Flessingue, Netherlands]. Paul Signac, French](/pictures/thumb/CL192-157.JPG?v=1524199174)
1898. Colour lithograph, 20.1 x 25.8cm. Minor cockling, fading. Framed. Provenance: William Weston Gallery. Ref: Kornfeld & Wick #20. Held in MoMA. More
![Grandes Cascades, Parc de Saint-Cloud, Paris, France]. René Lorrain, 1873-c1949 French](/pictures/thumb/CL175-96.JPG?v=1493185757)
c1900. Colour aquatint, printed à la poupée, signed in pencil in lower margin, 40 x 58cm. Minor foxing to margins. René Lorrain, a lifetime resident of Nancy, France, was a student of Gustave Moreauat at the École des Beaux-Arts, Paris. Lorrain first exhibited at a salon in Nancy and then..... More
![Rue Lafitte, Showing The Church Of Notre Dame De Lorette And The Sacré-Coeur Basilica, Paris]....](/pictures/thumb/CL175-95.JPG?v=1493185757)
c1910. Colour aquatint, printed à la poupée, signed by Lorrain and titled “Notre Dame de Lorette” in pencil in another hand in lower margin, 36.4 x 26cm. Minor foxing to margins. René Lorrain, who resided in Nancy, France, was a student of Gustave Moreauat at the École des Beaux-Arts, Paris..... More
c1912. Drypoint, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 4.9 x 12.5cm. Minor surface loss to edges of image, slight tears to plate mark due to excessive impression, strikethrough due to stamp verso, some foxing to margins, old mount..... More
1912. Lithograph, printed in brown ink, initialled in image lower left, 26.4 x 32.3cm. Repaired tears and slight stains to image. Framed. More
1912. Lithograph, initialled in image lower left, 21.5 x 26.9cm. Paper loss and minor foxing to margins. Edition of 12. Printed by Thomas Way. Illustrated in Butler, Printed Images by Australian Artists 1885-1995, p43. The same view, as a painting, was illustrated in Ure Smith (ed.), The Art of Arthur..... More