c1936. Oil on board, signed lower right, 30.5 x 40.7cm. Some crazing, slight surface loss to image. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p90. Ref: GH49. More

c1937. Oil on board, signed lower right, 29.2 x 39cm. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p78. Ref: GH20. More

1937. Oil on board, signed and dated lower left, 40.3 x 50.8cm. Minor chips to edges. Ref: GH33. More

c1937. Two pencil drawings, both initialled, one captioned and dated “1937?” lower right, annotated and initialled verso, 25.1 x 20.2cm and 12 x 24.6cm. Slight stains, foxing and creases. Caption and annotations include “On Bogan Gate land” and “Sowing wheat. Sketched on Paddy’s land, Bogan Gate.” Bogan Gate is a...... More

c1938. Oil on board, signed lower right, 29 x 39cm. Framed. Ref: GH59. More

c1938. Oil on board, signed lower right, 30.3 x 40.5cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p82. Ref: GH40. More

c1938. Six watercolour sketches with gouache and ink, laid down on two panels, titled, annotated, signed “George [G...]”, dated and captioned in ink on backing below images, 12.4 x 18.9cm. Slight foxing, scuffs and surface loss to images, foxing, tears and creases to backing. Annotation includes “Suggestion. Sesquicentenary Celebrations 1938..... More

c1939. Oil on textured paper, signed lower right, cancelled correspondence in ink verso, 16 x 11.2cm. Paper loss to image centre right, crease lower left, slight foxing, minor tears and missing portions to upper edge. Melbourne painter and printmaker Oswald Hall was the son of L. Bernard Hall, a prominent..... More

c1939. Watercolour with pencil, signed in ink lower right, titled in ink verso, 26.1 x 36.4cm. Stains to upper portion of image. More

1939. Pencil sketch, titled, dated (twice), signed and captioned above and below image, 19.8 x 24.3cm. Creases, slight foxing. Framed. Caption reads “We don’t know anything about art! But! We do know what people like!” Provenance: Bloomfield Galleries. Most likely a study for Hinder’s 1939 lithograph titled “Archibald Prize [AGNSW].”..... More

1939. Two pencil drawings, one captioned “board rider”, both initialled and dated lower right, 22.5 x 11.5cm and 16 x 24cm. Slight foxing. More

1940. Watercolour, charcoal and pencil with accompanying pencil study which includes marginalia lower left, the painting is signed and dated in pencil lower left and annotated in ink verso, 33.8 x 42cm (paper) and 33.9 x 42.2cm. Each with minor stains and foxing, study with minor perforation upper left. The..... More

c1940s. Watercolour with pencil on folded paper, annotations concerning colours in margins, titled overleaf, 24.9 x 19.5cm. Pinholes and slight stains to margins. Paolo and Francesca da Rimini were adulterous lovers who were portrayed in Dante Aligheri’s The Divine Comedy. In the poem, they are condemned to the second circle..... More