Marine No. 8
c1936. Oil on board, signed lower right, 30.5 x 40.7cm. Some crazing, slight surface loss to image. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p90. Ref: GH49. More
c1936. Oil on board, signed lower right, 30.5 x 40.7cm. Some crazing, slight surface loss to image. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p90. Ref: GH49. More
1936. Oil on board, signed and dated in pencil lower left, 25.5 x 35.5cm. Minor chips to edges. More
c1937. Oil on board, signed lower right, 29.2 x 39cm. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p78. Ref: GH20. More
c1937. Oil on board, signed lower right, 29.5 x 39.8cm. Framed. Ref: GH27. More
1937. Oil on board, signed and dated lower left, 40.3 x 50.8cm. Minor chips to edges. Ref: GH33. More
1937. Pencil with watercolour, signed and dated in pencil lower right, 25.5 x 36.6cm. Slight old mount burn. More
c1937. Two pencil drawings, both initialled, one captioned and dated “1937?” lower right, annotated and initialled verso, 25.1 x 20.2cm and 12 x 24.6cm. Slight stains, foxing and creases. Caption and annotations include “On Bogan Gate land” and “Sowing wheat. Sketched on Paddy’s land, Bogan Gate.” Bogan Gate is a...... More
c1938. Watercolour with pencil, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. The oil painting Pasture is held in National Gallery of Victoria collection. Ref: GH79. More
c1938. Oil on board, signed lower right, 29 x 39cm. Framed. Ref: GH59. More
c1938. Oil on board, signed lower right, 30.3 x 40.5cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p82. Ref: GH40. More
c1938. Three sets of comic strips, each consisting of four panels on two sheets of paper, ink and wash with white gouache, all signed or initialled in image, one titled in pencil “Tubsie and Big Boy”, 16.7 x 33.7cm (approx. each sheet). Slight soiling and foxing to most, creases and..... More
c1938. Six watercolour sketches with gouache and ink, laid down on two panels, titled, annotated, signed “George [G...]”, dated and captioned in ink on backing below images, 12.4 x 18.9cm. Slight foxing, scuffs and surface loss to images, foxing, tears and creases to backing. Annotation includes “Suggestion. Sesquicentenary Celebrations 1938..... More
1937-1939. Consisting of two pencil drawings on tracing paper and one oil on paper, each pencil drawing initialled, dated and titled below image, oil painting dated and signed in pencil verso, sizes range from 13.1 x 16.6cm to 18.8 x 18.7cm. Minor foxing. The Atlantic Union Oil Company came to..... More
c1939. Oil on textured paper, signed lower right, cancelled correspondence in ink verso, 16 x 11.2cm. Paper loss to image centre right, crease lower left, slight foxing, minor tears and missing portions to upper edge. Melbourne painter and printmaker Oswald Hall was the son of L. Bernard Hall, a prominent..... More
1939. Pencil drawing, signed and dated lower right, titled below image, 21 x 25cm. Slight foxing and soiling to image. More
1939. Watercolour, signed and dated lower right, 34 x 41.4cm. Minor foxing, cockling, pinholes to edges. Provenance: artist’s estate. More
1939. Pencil sketch, titled, dated (twice), signed and captioned above and below image, 19.8 x 24.3cm. Creases, slight foxing. Framed. Caption reads “We don’t know anything about art! But! We do know what people like!” Provenance: Bloomfield Galleries. Most likely a study for Hinder’s 1939 lithograph titled “Archibald Prize [AGNSW].”..... More
c1939. Ink and wash with white highlight, signed “Chatham” in image lower left, captioned “J. Saywell’s Riley Imp” erroneously in panel below image, 21 x 18.1cm. Minor cockling. Framed. “In 1939 [racing car driver] Jack Saywell, then in his late 20s, imported a 1936 3-litre Monoposto Alfa Romeo. It was..... More
1939. Two pencil drawings, one captioned “board rider”, both initialled and dated lower right, 22.5 x 11.5cm and 16 x 24cm. Slight foxing. More
c1940s. Watercolour with crayons, signed in ink lower right, 26.3 x 38.5cm. Born in Perth, Nutter Buzacott worked with James Flett and Mervyn Wallis at Patons Advertising Company in Melbourne during the 1930s. Prior to this Buzacott had experimented with linocuts, lithographs and etchings. In 1936 he studied at Colarossi’s..... More
1940. Watercolour, charcoal and pencil with accompanying pencil study which includes marginalia lower left, the painting is signed and dated in pencil lower left and annotated in ink verso, 33.8 x 42cm (paper) and 33.9 x 42.2cm. Each with minor stains and foxing, study with minor perforation upper left. The..... More
c1940s. Pencil drawing, signed lower left, 35 x 24.8cm. Slight foxing overall. More
c1940s. Watercolour with pencil on folded paper, annotations concerning colours in margins, titled overleaf, 24.9 x 19.5cm. Pinholes and slight stains to margins. Paolo and Francesca da Rimini were adulterous lovers who were portrayed in Dante Aligheri’s The Divine Comedy. In the poem, they are condemned to the second circle..... More