c1930s. Pencil sketch, initialled lower right, 26 x 15.6cm. Minor crinkles, soiling and foxing overall, pinholes to corners. Provenance: Curtis estate. More

c1920s-1930s. Ink and wash, signed lower right, publishing annotations in pencil to upper margin, 18.2 x 5.5cm. Foxing and soiling overall, repaired minor paper loss. Laid down on acid-free backing. Walter Albert Lindrum, OBE (1898-1960) was an Australian professional player of English billiards who held the World Professional Billiards Championship..... More

c1930. Pen and ink with gouache, signed “Phil McLachlan” and captioned upper left and lower centre, 23.2 x 20.7cm. Slight foxing, discolouration and minor surface loss to margins. Phyllis Laishley McLachlan, on leaving school at the age of 16, studied with Thea Proctor, and at the Julian Ashton School. She..... More

1930. Pair of watercolours with pencil: a) initialled and dated “1930?” in pencil in lower margin, annotated “New York” in pencil verso, 19.5 x 8.6cm; and (b) annotated “N.Y.” in pencil in lower margin, annotated “Wiggins model” in pencil verso, 19.2 x 12.8cm. Each titled and dated on accompanying certificate..... More

c1930s. Watercolour, unsigned, “Schoellers Parole” paper blind stamp upper left, 28.9 x 39.7cm. Insect damage lower right portion, minor missing portions to edges. Provenance: artist’s estate. More

c1930s. Watercolour, unsigned, 30 x 32cm. Pinholes to edges. Provenance: artist’s estate. Information about Betty Solomons seems to be scarce. She appears to have studied pottery at the Technical Education Department in Sydney, with her name listed in the Department’s published examination results in 1923. From 1925 she was known..... More

c1930s. Watercolour, unsigned, 40.6 x 33.5cm. Pinholes to edges, slight foxing. Provenance: artist’s estate. More

c1930s. Watercolour, unsigned, 34.6 x 32.2cm. Pinholes to edges. Provenance: artist’s estate. More

c1930s. Watercolour, unsigned, 41.5 x 36cm. Pinholes to edges, minor foxing. Provenance: artist’s estate. More

c1930s. Charcoal drawing, artist’s signature stamped lower right, annotated “Bacon” and “5” in pencil and ink in unknown hand verso, 22.5 x 10cm. Foxing to image centre and edges, minor stain to image upper centre, slight discolouration to edges of paper. A faint abstract sketch appears verso. Provenance: Philip Bacon Galleries..... More

c1930s. Oil on board, signed in pencil lower right, 24.1 x 34.2cm. Minor surface dirt. William Rowell was a student of Bernard Hall and Frederick McCubbin at the National Gallery School in Melbourne. His first solo exhibition was held at the Athenæum Gallery in 1920, and that year he won..... More

c1930s. Pencil drawing, initialled lower right, 17.6 x 25.8cm. Slight foxing, uneven edges. This sketch was likely taken from the present site of Waterfront Park, Pyrmont, previously the site of the CSR Sugar Refinery. Blackwattle Bay can be seen slightly to the left. More

c1932. Pencil drawing, titled and signed in pencil below image, 20.5 x 17.9cm. Pinholes, soiling and foxing to margins, slight stains to upper and lower portions of image. This drawing was most likely a study for an etching for the 1932 publication Hobart: Eight etchings in facsimile by Charles Robinson..... More