![Potts Point, Sydney Harbour, NSW]. Adelaide Perry, Australian](/pictures/thumb/CL192-129.JPG?v=1524199154)
1927. Watercolour with pencil, signed and dated in pencil lower right, 27.8 x 36.5cm. Slight stains to lower right corner. Framed. Provenance: Artarmon Galleries. Adelaide Perry also produced a linocut of this view in 1929, which is held in the NGA. More
1929. Pencil sketch, titled and dated lower left, 27.8 x 38.6cm (paper). Old crease to left portion, foxing to edges. More
![Bushscape, Victoria]. Attrib. May Butler-George, Aust](/pictures/thumb/CL183-19.JPG?v=1486091829)
c1930s. Watercolour, 30.7 x 25.3cm. Pinholes, slight surface loss and missing portions to edges. Provenance: artist’s estate. More
![Sydney Royal Easter Show]. Robert Emerson Curtis, Aust](/pictures/thumb/CL183-33_1.JPG?v=1486012769)
1930. Pair of pencil drawings, each initialled, captioned and dated lower right, 16.5 x 25.9cm and 24.8 x 18.9cm. Trimmed margins. Captions read “On the Sydney Show Ground, Easter” and “Looking towards the grand stand, Sydney Show Ground.”. More
c1930s. Ink and wash, accompanied by authentication note signed by artist’s sister Reta Morton, 24.2 x 22.3cm. Paper loss to lower edge of image. At the age of 29 in 1937, Normand H. Baker was the youngest artist to win the Archibald Prize with his self-portrait. Although relatively unknown at..... More
![Inner City Terraces Backyards]. Normand Baker, Aust](/pictures/thumb/CL176-6.JPG?v=1492661074)
c1930s. Pencil drawing, accompanied by authentication note signed by artist’s sister Reta Morton, 24 x 21.2cm. Slight foxing, discolouration to edges. More
![Trees At Water’s Edge]. Albert Collins, Aust](/pictures/thumb/CL176-17.JPG?v=1492661039)
1930. Watercolour with gouache, signed and dated in pencil upper right, 21.5 x 61.5cm. Foxing, repaired tear to upper right corner. Framed. More
![South Coast Farms, NSW]. fl. Aust., s](/pictures/thumb/CL176-98.JPG?v=1492661869)
c1930s. Watercolour, unsigned, “Schoellers Parole” paper blind stamp upper left, 28.9 x 39.7cm. Insect damage lower right portion, minor missing portions to edges. Provenance: artist’s estate. More
![Landscape With Clouds]. fl. Aust., s](/pictures/thumb/CL176-99.JPG?v=1492661869)
c1930s. Watercolour, unsigned, 32.8 x 39.1cm. Slight foxing, pinholes to edges. Provenance: artist’s estate. More
![South Coast Township, NSW]. fl. Aust., s](/pictures/thumb/CL176-104.JPG?v=1492661801)
c1930s. Watercolour, unsigned, 32.8 x 27.9cm. Pinholes to edges. Provenance: artist’s estate. More
![Winter Tree]. Percy Trompf, Aust](/pictures/thumb/CL194-132.jpg?v=1543548375)
c1930s. Oil on canvas, signed lower right, 61.1 x 45.6cm. Minor scuffing to edges, slight stains upper left. Oil paintings by Trompf rarely appear in the market. Victorian-born, Percival Albert (Percy) Trompf studied at the Ballarat Technical Art School, later joining Giles & Richards in Melbourne, where he designed chocolate..... More
![Glebe Island Wheat Silos From Pyrmont, NSW]. Robert Emerson Curtis, 1898–1996 Aust](/pictures/thumb/CL198-101.jpg?v=1576814956)
c1930s. Pencil drawing, initialled lower right, 17.6 x 25.8cm. Slight foxing, uneven edges. This sketch was likely taken from the present site of Waterfront Park, Pyrmont, previously the site of the CSR Sugar Refinery. Blackwattle Bay can be seen slightly to the left. More
![Cleaveland [Sic], Queensland. Miles Evergood, Australian](/pictures/thumb/CL170-6_1.JPG?v=1492493818)
1931. Pencil drawing, titled by Evergood in pencil below image, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 15.7 x 24.3cm. Minor stains to edges of image. Ref: GH169. More
![Old Creek [Queensland]. Miles Evergood, Australian](/pictures/thumb/CL170-36.JPG?v=1492493798)
c1931. Oil on board, signed by Evergood lower right, annotated by the artist’s great-niece Gael Hammer in pencil verso, 30.5 x 40.9cm. Annotation reads “This may have been illustrated in Art in Aust., 1935.” Original artist’s supply label from New York verso. Ref: GH24. More
c1932. Pencil drawing, titled and signed in pencil below image, 20.5 x 17.9cm. Pinholes, soiling and foxing to margins, slight stains to upper and lower portions of image. This drawing was most likely a study for an etching for the 1932 publication Hobart: Eight etchings in facsimile by Charles Robinson..... More
c1931-1932. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. Ref: GH83. More
![Mt Nebo No. 1 [Queensland]. Miles Evergood, Australian](/pictures/thumb/CL170-39.JPG?v=1492493801)
c1931-1932. Oil on canvas, signed lower right by Evergood, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.8cm. Surface cracking overall, slight surface loss to edges, laid down on board. Ref: GH60. More
c1932. Oil on canvas, signed lower left, 30.3 x 40.6cm. Laid down on board. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p64. Mount Nebo is 18km north of Brisbane. Ref: GH26. More
c1932. Oil on board, signed lower left, 30 x 40cm. Minor surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p43. Ref: GH43. More
![Central Station, Sydney]. Robert Emerson Curtis, Australian](/pictures/thumb/CL183-35_1.JPG?v=1486091832)
1933. Pair of pencil drawings, one with ink, each captioned, dated and initialled in pencil lower right, 23.2 x 20.3cm and 25.9 x 20.3cm (paper). Minor creases. Captions read “Central Railway Station” and “Central Station Tower, Sydney.”. More
![Pyrmont II [NSW]. Miles Evergood, Australian](/pictures/thumb/CL170-7_1.JPG?v=1492493820)
1933. Ink and wash, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 7.4 x 10.4cm. Minor creases to lower edge. The reverse side of the image features a printed invitation from “Miss Yolande Proctor to view an exhibition of oils..... More
c1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 17.8cm. Slight mount burn to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p41. Also known as Flame Tree. Ref: GH74. More
![“Boomerang”, Elizabeth Bay, [Sydney]. Miles Evergood, Australian](/pictures/thumb/CL170-27.JPG?v=1492493791)
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 19 x 28.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p59. Ref: GH75. Exhibited in Argosy Gallery, Sydney, 1933. More
![Tree With Fence]. Miles Evergood, Australian](/pictures/thumb/CL170-48.JPG?v=1492493811)
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.5cm. Ref: GH36. More
c1933. Oil on canvas, signed by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 30.6 x 40cm. Surface loss to image centre right. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p62. Ref: GH37. More