![Arrarra [Northern Territory]. Arthur Murch, Australian](/pictures/thumb/CL192-109.JPG?v=1524199139)
1933. Sanguine drawing, titled, signed and dated lower right, 36.7 x 56.7cm (paper). Pinholes, repaired tears, creases and missing portions, slight stains to edges. Laid down on acid-free tissue. In 1933, Arthur Murch accompanied a professor of physiology, H. Whitridge Davies, on a scientific expedition to Central Australia as a...... More
1934. Watercolour, signed and dated in pencil lower right, signed and titled in pencil verso, 38.6 x 52.4cm. Pinholes to edges, slight mount burn. More
1935. Oil on board, signed and dated lower left, 30.5 x 40.5cm. Slight chips to corners. Ref: GH31. More
c1935. Oil on board, signed lower right, 30.7 x 40.3cm. Crazing to surface, slight chips and surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p53. Kozminsky Gallery, Melb., label verso. Ref: GH32. More
c1935. Oil on canvas, signed lower right by Evergood, titled by wife Polly Evergood in pencil and annotated and signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.4 x 40.5cm. Slight wear to edges, laid down on board. Annotation includes “Exhibited Athenaeum Gallery Dec. 1935..... More
![Beaumaris [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-56.JPG?v=1492493816)
c1936. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.5 x 40.7cm. Minor wear to edges. Annotation reads “Miles and Polly lived at 20 Surf St, Beaumaris, Melbourne, in 1936.” Ref: GH17. More
c1936. Oil on board, signed lower right, 30.5 x 40.7cm. Some crazing, slight surface loss to image. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p90. Ref: GH49. More
![Gum Trees]. Adelaide Perry, Aust](/pictures/thumb/CL192-134.JPG?v=1524199157)
1936. Oil on board, signed and dated in pencil lower left, 25.5 x 35.5cm. Minor chips to edges. More
![Marine With Figure, Beaumaris [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-58.JPG?v=1492493817)
c1937. Oil on board, signed lower right, 29.2 x 39cm. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p78. Ref: GH20. More
![Seascape]. Miles Evergood, Australian](/pictures/thumb/CL170-59.JPG?v=1492493817)
c1937. Oil on board, signed lower right, 29.5 x 39.8cm. Framed. Ref: GH27. More
![Trees With Sunlight]. Miles Evergood, Australian](/pictures/thumb/CL170-60.JPG?v=1492493818)
1937. Oil on board, signed and dated lower left, 40.3 x 50.8cm. Minor chips to edges. Ref: GH33. More
![Ships On Sydney Harbour]. Sydney Ure Smith, Australian](/pictures/thumb/CL166-173.JPG?v=1492487802)
1937. Pencil with watercolour, signed and dated in pencil lower right, 25.5 x 36.6cm. Slight old mount burn. More
![Rural Landscape]. Miles Evergood, Australian](/pictures/thumb/CL170-61.JPG?v=1492493819)
c1938. Oil on board, signed lower right, 29 x 39cm. Framed. Ref: GH59. More
![Dandenong No. 2 From Ridge Road [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-63.JPG?v=1492493820)
c1938. Oil on board, signed lower right, 30.3 x 40.5cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p82. Ref: GH40. More
c1938. Six watercolour sketches with gouache and ink, laid down on two panels, titled, annotated, signed “George [G...]”, dated and captioned in ink on backing below images, 12.4 x 18.9cm. Slight foxing, scuffs and surface loss to images, foxing, tears and creases to backing. Annotation includes “Suggestion. Sesquicentenary Celebrations 1938..... More
![South Coast Landscape, NSW]. fl. Aust., s](/pictures/thumb/CL176-111.JPG?v=1492661808)
1939. Watercolour, signed and dated lower right, 34 x 41.4cm. Minor foxing, cockling, pinholes to edges. Provenance: artist’s estate. More
![Houses Along Port Phillip Bay]. Sybil Craig, Aust](/pictures/thumb/CL183-31_1.JPG?v=1486012767)
1940. Watercolour, charcoal and pencil with accompanying pencil study which includes marginalia lower left, the painting is signed and dated in pencil lower left and annotated in ink verso, 33.8 x 42cm (paper) and 33.9 x 42.2cm. Each with minor stains and foxing, study with minor perforation upper left. The..... More
![Suburbia]. Gladys Gibbons, Australian](/pictures/thumb/CL166-65.JPG?v=1492486441)
c1940s. Watercolour, signed in pencil lower right, 27 x 25.4cm. Framed. More
![Farmer’s Centenary [Department Store, Sydney.]. Robert Emerson Curtis, 1898–1996 Aust](/pictures/thumb/CL198-118.jpg?v=1576815068)
c1940. Transfer drawing, titled and captioned lower left, 19.7 x 25.6cm. Old folds, slight foxing, trimmed left edge and corners. Caption reads “Period 1880. [Centenary] 1840 to 1940.” Shows the Garden Palace, purpose-built for the Sydney International Exhibition in 1879. This drawing is a study for a mural for Farmer..... More
![The Three Sisters, Katoomba, NSW]. H. Nevill-Smith, active 1930s-1950s Aust](/pictures/thumb/CL192-116.JPG?v=1524199143)
c1943. Watercolour with pencil, signed lower right, 35.6 x 28cm. Slight foxing to lower edge. Nevill-Smith was a finalist for the 1943 Wynne Prize with a painting titled “Blue Mountain Ranges.”. More
![Church Point [Boatshed, Pittwater, NSW]. Geoffrey Myers](/pictures/thumb/CL183-125.JPG?v=1486012707)
1945. Watercolour, titled, dated “10.11.45” and signed lower left to right, 26.7 x 36.7cm. Slight tears to right edge. More
![Bayside]. Sybil Craig, Aust](/pictures/thumb/CL166-39.JPG?v=1492486417)
