1898/1926 & 1927. Pair of soft-cover books with original paper wrappers, each volume containing six drypoints by Toulouse-Lautrec, consisting of three images in two states (black and brown) totalling 12 original prints, each volume stamped with number “149” from an edition of 200 on colophon, sizes range from 17 x...... More
c1896. Colour lithograph, accompanied with original postal tube, text below image, 71.1 x 48.9cm. Foxing and ragged edges to margins, slight handling creases. Text includes “From the original painting by the late Sir John E. Millais…President of the Royal Academy in the possession of Messrs Pear. The postal tube, dated..... More
c1906. Etching and drypoint, signed in plate centre right, signed in pencil below image, titled “Head of Granger” and annotated in ink and pencil in various hands in lower margin, 12.8 x 11.5cm. Slight foxing to margins, old mount burn. Annotations include “Plate no. 71.” Ref: Dodgson #15. Variant image..... More
1906/1925. Drypoint, engraved text in plate lower right, letterpress in German and annotation in pencil and ink on accompanying slip, 19.9 x 14.3cm. Slight discolouration to margins. Text in plate reads “Bruno Cassirer Verlag.” Text on slip includes artist’s name, “Knabenkopf” (boy’s head) and published in Kunst und Kunstler, Berlin..... More
1815-1820. Lithograph, each portrait signed and dated “1815” in image and captioned with sitters’ names, birth and death dates, 51 x 40.6cm. Minor crinkles and foxing. Captions read “(1) Katherine Anne (North) Lady Glenbervie. Nat. 16 Feb. 1760. Mort 6 Feb. 1817; (2) Sylvester (Douglas) Lord Glenbervie. Nat. 13 May..... More
1920. Lithograph, captioned and dated “30 April 1920” in image centre right, signed in pencil below image, 31.5 x 21.5cm. Slight paper loss and stains to edges not affecting image. This image appears as plate 1 from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time). Held..... More
c1910–1950s. Fifty-six (56) items comprising 30 watercolour illustrations in a softcover book, 15 colour linocuts, nine colour lithograph postcards, one watercolour with pencil, and one relief carved lino tile; book illustrations, linocuts and watercolour signed in image or in pencil by Hans Kleiss or Yvonne Kleiss-Herzig, 9.5 x 7.8cm to..... More
1955/1956. Etching, caption “cuivre rayé après tirage (scratched copper after print)” in letterpress in right margin, 20.5 x 6.7cm. Slight foxing and minor tears to margins. The sitter is the artist’s wife, Annette Giacometti. This image was first issued in an edition of 50, signed by the artist. This etching..... More
1906. Etching with drypoint, signed in pencil in lower margin, 9.9 x 8.1cm. Framed. Ref: Dodgson #78. Held in British Museum. More
c1903. Etching, aquatint and roulette, printed à la poupée, signed in pencil in lower margin, 19.5 x 13.3cm. Crinkles, old glue stains verso. Provenance: James Fairfax estate. Held in Albertina; British Museum (uncoloured). More
![Man In A High Cap [Portrait Of Rembrandt’s Father]. Rembrandt van Rijn, 1606–1669 Dutch](/pictures/thumb/CL203-1.jpg?v=1633911425)
1630/c1800 impression. Etching, initialled and dated in plate upper left, 10.1 x 8.5cm. Ref: Bartsch #321/iii/iii, Hind #22/iii/iii, Nowell-Usticke #321/v/vi. This etching was made the year Rembrandt’s father died. A prosperous miller and a supportive father of nine children, Harmen Gerritszoon van Rijn (1568–1630) was the model for numerous paintings..... More
