Fashion
Reflected Kimono
1998/2003. Toned silver gelatin photograph, dated in pencil verso, 48.2 x 33.3cm. Slight crinkles overall. More
[Fashion Photographs, Melbourne]
1948. Pair of vintage silver gelatin photographs, one with annotations in pencil in an unknown hand including caption and date “9.1.’48”, both with photographer’s stamps verso, 24.8 x 17cm, 24.8 x 18.9cm. Minor handling crinkles to corners, small chips to edges of margins. Caption reads “Eye-catching detail. New polo model by Adelyn.”..... More
Fashion Illustration For Fibremakers [Parkes Radio Telescope]
1967. Vintage silver gelatin photograph, captioned, dated and signed in pencil verso, 28.1 x 23.9cm. Glue remnants to upper left corner, slight creases overall with some surface cracking, minor chips to edges. Caption continues “For Pacific Photographic Fair. Costume designed by Jon Finlayson. Model: Jackie Holme. Photographed at Parkes NSW..... More
Fashion Illustration For “Fibremakers”
1967. Vintage silver gelatin photograph, titled, dated, annotated and signed in pencil verso, 29.3 x 24.4cm. Crinkles to edges, creases to upper centre and lower left corner. Annotation reads “Model: Maggie Eckhardt photographed at oil refinery, Melbourne. Series for Pacific Photographic Fair. Series received [the] Award of Distinction.”. More
Hiroko In Cardin
1965/1998. Silver gelatin photograph, captioned, annotated, dated and signed in pencil in lower margin, 19.8 x 19.6cm. Slight soiling to lower margin. Annotation reads “For Jardin des Modes.” “Le Jardin des Modes was a women’s fashion magazine published monthly in France between 1922 and 1997.” Ref: Wiki. More
Joanne Barrett Studio Shot, Melbourne
1970. Vintage silver gelatin photograph, titled, signed and dated in ink verso, 42.6 x 30.6cm. Joanne Barrett was Australia’s Miss Universe entrant in 1969, placing as 2nd runner up. Ref: Wiki. More
Model Maggi Eckardt Photographed At Fibremakers Factory
1967. Vintage silver gelatin photograph, titled, annotated and signed in pencil verso, 28.2x 23.7cm. Slight creases with cracking and retouching to corners of image. Annotation reads “Costume designed by Jon Finlayson. Fashion illustration ‘67, for Fibremakers, series for Pacific Photographic Fair.”. More
Spike Milligan And Kaia Stanford For Everglaze
1962/1991. Silver gelatin photograph, captioned, dated and signed in pencil in lower margin, 37.8 x 29cm. This photograph was taken while British comedian Spike Milligan was in Australia in 1962, filming a comedy series for the ABC. The image was part of the promotion for a major charity event on..... More
Janice Wakely In Hong Kong
1960. Vintage silver gelatin photograph, titled, dated and signed (twice) in ink and pencil verso, 29.7 x 25.8cm. Minor tears, chips and creases to upper edge, slight scuffing, developing flaw to image lower left. “Janice Wakely [née McIllree], fashion model and photographer, began her modelling career in Melbourne in 1954..... More
Susy Cuthbert
1968. Vintage C-type photograph, titled, annotated “Melb.”, signed and dated in ink verso, 38.3 x 28.5cm. Minor retouching and crinkles to image overall, slight surface cracking to upper edge. More
Maggie Eckardt, Melbourne
1967. Vintage silver gelatin photograph, signed, titled, dated and annotated in pencil verso, 29.4 x 24.2cm. Slight stains and creases. Annotation includes “Series of 6 for British Nylon Spinners [Fibremakers]. Pacific Photographic Fair, Award of Distinction.” Eckardt is shown leaning against an IBM System/360, a mainframe computer. More
Marietta Nagel, Half-Indonesian Model, Likes Playing Football
c1960s. Vintage silver gelatin photograph, estate and photographer’s stamps with title in ink verso, 29.3 x 24.8cm. Slight creases and scuffs to image. Stamps include “Studio Ten, 149 Castlereagh St, Sydney, 2000.” Provenance: Laurence Le Guay estate. More
[Model With Spiny Plant]
c1960s. Vintage silver gelatin photograph, estate stamp and signed in ink verso, 25.8 x 35.7cm. Crease with cracking to left edge, slight crinkles overall, uneven emulsion surface and minor foxing to upper portion. Provenance: Laurence Le Guay estate. More
[Australian Model In Front Of Sydney Opera House]
c1970. Vintage silver gelatin photograph, annotated “L3-40, p72” in pencil with photographer’s estate stamp verso, 29.7 x 24.2cm. Minor creases. More
[Quintet Of Bikinis]
c1960s. Vintage silver gelatin photograph, photographer’s estate stamp verso, 29.2 x 22.4cm. Slight retouching to image upper left. More
[Woman In Hat Decorated With Peanuts]
c1930s. Vintage silver gelatin photograph, photographer’s stamp verso, 48.8 x 37cm. Minor cracking to upper and lower edges of image. Framed. Stamp includes “Max Dupain, 49 Clarence St, Sydney.” Held in the Art Gallery of NSW. This image was published in The Home magazine, as a fashion shot. More
[Beachwear Fashion Shot III]
c1938. Vintage silver gelatin photograph, 37.1 x 30.3cm. Minor scuffs to image and chips to edges, laid down on original backing. Provenance: Cotton estate. The model depicted is Phyl Riley. Variant image illustrated in two books by Helen Ennis on Olive Cotton, published by NLA, 1995, p27, and AGNSW, 2000..... More
[Model’s Shadow On Sand]
c1937. Vintage silver gelatin photograph, 29.7 x 29.9cm. Minor surface loss to lower right edge of image, pinholes and slight soiling to margins. Most likely taken at Cronulla sand dunes during a Max Dupain fashion shoot. Provenance: Estate of Olive Cotton. More
Fashion Consultation At Hampton Court Hotel, Kings Cross, Sydney
1965. Vintage C-type photograph, titled, dated, annotated “EC-3660-ERA” and signed in ink with photographer’s stamp verso, 20.7 x 25.4cm. Stamp includes “Wolfgang Sievers, Photographer. 52 Edward Street, Sandringham, 3191. Melb., Australia.” Held in NGA with variant title “Interior of Hampton Court Hotel, Kings Cross, Syd., 1965, 1.”. More
Out of stock
[Beachwear Fashion Shot III]
c1938. Vintage silver gelatin photograph, 37.1 x 30.3cm. Minor scuffs to image and chips to edges, laid down on original backing. Provenance: Cotton estate. The model depicted is Phyl Riley. Variant image illustrated in two books by Helen Ennis on Olive Cotton, NLA, 1995, p27, and AGNSW, 2000, p20. More