Triton’s Call
1966. Aquatint, titled, editioned 2/6, signed and dated in pencil in lower margin, 30.2 x 20cm. Slight stains to margins, mount burn. More
1966. Aquatint, titled, editioned 2/6, signed and dated in pencil in lower margin, 30.2 x 20cm. Slight stains to margins, mount burn. More
1967. Aquatint with etching and drypoint, diptych, editioned 2/20, titled, signed and dated in pencil in lower margin spanning two plates, 32.8 x 55.7cm (both plates). Slight foxing, stains and mount burn. Illustrated in Weston, Franz Kempf: Graphic Works, 1984, p46. More
1966-1968. Etching with aquatint, titled, annotated “artist’s proof 3”, signed and dated in pencil in lower margin, 30 x 44.9cm. Old mount burn. In order to expand the Bradfield Highway approach to the Sydney Harbour Bridge, the old railway arch bridge, as depicted in this image, had to be dismantled..... More
1968. Etching and aquatint, editioned 10/10, signed and dated in pencil in lower margin, 13.5 x 11.8cm. Glue stains to margins. Armstrong’s images may have been inspired by his stay in hospital due to a heart attack and subsequent surgery. Ref: Wiki. More
1968. Etching and aquatint, editioned 4/10, signed and dated in pencil in lower margin, 13.4 x 11.7cm. Glue stains to margins. More
1968. Linocut, greeting card format, titled, signed and dated in pencil on image lower left to right, 20.5 x 14.6cm (paper, folded). Slight old mount burn. Illustrated in The Christmas Linocuts of Eric Thake, 1941-1975, u.p. More
1969. Colour screenprint, annotated “artist’s proof”, titled, signed and dated in pencil with printer’s blind stamp in lower margin, 41.8 x 52.2cm. Slight stains and foxing to margins. Stamp reads “Hand-printed in collaboration with the artist. Paddington Print Studio, Australia.” Illustrated in Bannon, Australian Printmaker: An Aspect of Australian Art..... More
1969. Colour screenprint, editioned “V 9/25”, titled, signed and dated in pencil on image lower left to right, printer’s blind stamp in lower margin, 40.5 x 57.3cm. Minor stains to image lower centre, slight soiling and crinkles to margins. Stamp reads “Hand-printed in collaboration with the artist. Paddington Print Studio..... More
c1969. Colour linocut, editioned 5/30, titled and signed in ink in lower margin, 34.5 x 45.7cm. Slight stains and paper and glue remnants to upper margin. Image held in the National Gallery of Australia. Born in Melbourne, Vaughan Murray Griffin “studied drawing and painting at the National Gallery School, Melbourne..... More
1970. Colour process lithograph poster, 139.5 x 100.2cm. Old folds, tears, creases, stains and foxing to margins. Poster published to promote the Italian release of Tony Richardson’s controversial 1970 film, Ned Kelly, starring Mick Jagger. Ref: Wiki. More
1970. Process lithograph, editioned 3/50, titled, signed and dated in pencil in lower margin, 46.4 x 43.3cm. Minor foxing and slight creases to edges. More
c1970s. Etching in blue ink, annotated “A/P”, titled and signed in pencil in lower margin, 25.1 x 19.7cm. Foxing to upper portion of image, centre and margins, old mount burn. Held in SLNSW. Welsh-born Pixie O’Harris was an Australian “artist, newspaper, magazine and book illustrator, author, broadcaster, caricaturist and cartoonist..... More
1972. Etching, editioned 7/20, signed and dated in pencil in lower margin, 9.8 x 9.8cm. Old mount burn. More
1972. Etching, editioned 8/20, signed and dated in pencil in lower margin, 18.1 x 6cm. Schmeisser’s work is held in AGNSW. “Jörg Schmeisser was born in Stolp, Pomerania and studied at the Hamburg Fine Art Academy, Germany 1962-67, majoring in printmaking under Paul Wunderlich. In 1967 he received a scholarship..... More
c1973. Lithograph, titled and signed in pencil below image, 40.4 x 65.5cm. Repaired tears to left and right edges, slight paper loss to image lower left, old mount burn. The town is most likely Hammond in South Australia. More
1973. Screenprint, editioned 43/70 and signed in pencil in lower margin, blind stamp of a man’s profile to lower right corner of image, printer’s stamp “K8128” verso, 76.2 x 75.8cm. From the “Landscape” series. Held in Tate Gallery. More
1974. Four-plate photo-etching, editioned 12/60, signed and dated in pencil in lower margin, 17.3 x 59.6cm (overall). Slight stains to margins. “Bea Maddock was one of the most significant Australian printmakers from the 1970s, during which time her pioneering use of photo-etching had a broad impact in Australia, especially during..... More
1975. Etching, editioned 15/40, titled signed and dated in pencil in lower margin, 50 x 33.5cm. Slight foxing to margins. Louis Kahan had a long artistic career, commencing in Paris, where he first worked for a renowned couturier. He designed costumes and fashion for Josephine Baker, Collette and the Folies..... More
c1976. Ink drawing, signed “Victoria Roberts Roth” in image lower right, 13.7 x 13.8cm. Victoria Roberts is an illustrator for The New Yorker magazine and an author of children’s books. She studied at National Art School in Sydney between 1974 and 1976. Ref: DAAO. More
1976. Ink drawing, initialled and dated lower right, 18.8 x 11.6cm. Foxing to image centre left and lower right. More