![[Pastoral Landscape With Shed]. Livingston Hopkins, Amer./Aust.](/pictures/thumb/CL166-84.JPG?v=1492486456)
[Pastoral Landscape With Shed]
1891. Etching and drypoint, signed and dated in plate lower right, 11.9 x 15.9cm. Slight foxing overall, minor cockling to image, chips and small creases to edges of margins. More
Australian
![Why Not Give Our Colonies A Chance? [Against Imports From Non-Commonwealth Countries]. William Mecham a. k. a. Tom Merry, British.](/pictures/thumb/CL181-89.JPG?v=1485926839)
Why Not Give Our Colonies A Chance? [Against Imports From Non-Commonwealth Countries]
1892. Colour lithograph, signed in image lower right, date and title above and below image, 32.5 x 47.2cm. Repaired missing portions and tears to centre of image, slight foxing to margins. Laid down on acid-free tissue. Text reads “St Stephen’s Review cartoon, May 26th, 1892.” Image favourably depicts imports from..... More
House At Strathfield, New South Wales
1892. Hand-coloured lithograph, text including date and title above and below image, 20 x 30.4cm. Minor foxing and tear to margins. Text includes “The Australasian Builder and Contractors’ News, January 23, 1892. C.H. Slatyer, Architect, Sydney. Image includes floor plan. More
Victorian Cottage Homes
1893. Hand-coloured lithograph, text with date and title in image, 30.1 x 39.1cm. Repaired tear to original vertical fold, some offsetting to image, slight foxing and crinkles overall, minor tears and missing portions to margins. Text includes “The Australasian Builder and Contractor’s News, June 10, 1893. Alan C. Walker, ARIBA... More
The Friary, Waverley, New South Wales
1894. Hand-coloured lithograph, text throughout image, 30.8 x 36.8cm. Old vertical fold with tears and retouching, foxing overall, slight tears to margins. Text reads “The Australasian Builder and Contractors’ News, February 17, 1894. Tappin, Dennehy and Smart, Architects, Sydney.”. More
The Oxford Hotel, Sydney and Amateur Photography. Baker & Rouse, Photographic Materials And Optical Lantern Goods
c1894. Letterpress and wood engraving leaflet, 31.2 x 21.7cm. Missing portion, slight tears and discolouration to edges. Text includes “Detective Cameras… Free Darkrooms. Free Lantern Rooms” and “Geo. Murray & Co., Printers and Stationers, …Clarence St, Sydney.” The Oxford Hotel was located at the top of King and Elizabeth Streets..... More
Self-portrait
1894. Drypoint, signed “Hop” and dated in plate lower right, 15 x 9.5cm. Faint smudge in image upper and lower left, old mount burn. Held in NGV; NPG. Livingston York Yourtee “Hop” Hopkins was an American illustrator who became a major Australian cartoonist, working for The Bulletin during the time..... More
Australie: Types Et Coutumes
c1900. Letterpress booklet with colour process screen illustrations, each captioned in plate below image, 24 x 32.2cm. Minor crinkles, slight stains and tears to edges of some pages, missing portions and discolouration to cover. This booklet is part 41 from the series “Autour du Monde: Aquarelles, Souvenirs, Voyages”, published in... More
Map Of The City Of Sydney
c1905. Colour lineblock, process screen and letterpress, annotated “76” in an unknown hand on image verso, 36.3 x 45.7cm. Slight stains and tears to edges, old folds as issued with minor missing portions. The map is overprinted with an advertisement for “The New Palace Emporium on the historic slope of..... More
Collection Of 24 Sets Of Postcards Of Australia And New Zealand
1905-1906. Colour process lithographs, all captioned and some signed in image, publisher “Raphael Tuck & Sons”, series name, and description of view verso, 8.5 x 13.6cm (approx. each). Most in good condition, some postally used. Each set consists of six different images: 144 in total. A detailed list is available... More
Old Mosman Bridge, Sydney
1909. Etching, titled, annotated “16” and signed in pencil in lower margin, 30.2 x 20.2cm. Perforations to margins, minor mount burn. Held in the National Gallery of Australia collection, with alternate title Old Bridge, Mosman. More
Argyle Cut, Sydney
1910. Etching, titled, annotated “no. 12” and signed in pencil in lower margin, 49.6 x 32.4cm. Minor stains and old mount burn overall. Held in the National Gallery of Australia collection. More
Clearing
c1910. Etching, signed “Tiger” in plate lower left, editioned 4/50, titled and signed in pencil in lower margin, 22.2 x 15.7cm. Repaired tears, minor soiling and surface loss to upper portion of image and margins. Laid down on acid-free backing. Held in the National Gallery of Australia collection. More
Native Flora Of New South Wales
1911. Letterpress and process screen print folio with original board wrappers, each image captioned in plate, 35.8 x 28.5cm. Slight crinkles and foxing overall, some pages annotated in pencil, soiling and wear to cover. Cover includes “Department of Public Instruction, New South Wales. Photographed from selected specimens. Brief botanical description... More
Australia. The Telegraph Messenger
c1911. Watercolour with gouache, original postcard design, accompanied with colour process screen print postcard of the same image, titled and signed in image lower left and right, artist’s name stamped in lower margin, title and signature replicated in postcard image with the annotation “Oilette”, text in letterpress verso, 15.3 x...... More
The Ballroom, Bamorough Castle
1912. Lithograph, initialled in image lower left, 26.4 x 32.3cm. Repaired tears, slight stains to image. Framed. More
Bathers By A Stream
c1910-1913. Monotype with added crayon, signed by the artist’s great-niece Gael Hammer in pencil and stamp with facsimile signature verso, 15.8 x 12.7cm. Repaired tear to upper edge of image. Ref: GH176. More
HMAS “Australia”
c1913. Colour lithograph, lithographically printed title on slip affixed to mount below image, 28.5 x 40.9cm. Slight crinkles and scuffs to centre of image. Original frame. Commissioned by the Australian Government, the HMAS Australia was the first and largest flagship in the Australian fleet in WW1. She had a crew... More
Fort Dawes, Sydney
1913. Etching, signed in pencil in lower margin, 10.7 x 16.5cm. Slight old mount burn. Ref: Mendelssohn #90. Held in the Art Gall ery of NSW and National Gallery of Australia collections. More
Union Club, Sydney
1913. Etching and aquatint, signed and annotated “no. 21” in pencil on plate mark below image, 21.9 x 29.5cm. Repaired tears to margins. Ref: Mendelssohn #98. More
The Carpenter
1914. Etching, signed in plate lower left, signed, titled and annotated “19” in pencil in lower margin, 10.3 x 13.4cm. Slight cracking to platemark. Ref: Mendelssohn #103. Held in NGV. More
![Country Bridge II [Red Hill, QLD]. Miles Evergood, Australian.](/pictures/thumb/CL170-11.JPG?v=1492493775)
Country Bridge II [Red Hill, QLD]
c1910-1914. Soft-ground etching, signed by the artist’s great-niece Gael Hammer in pencil and stamp with facsimile signature verso, 11.3 x 15.4cm. Slight stains and foxing overall, trimmed to edges of plate mark, minor strikethrough due to stamp verso. Exhibited at the Great Synagogue, Sydney, 1989. Held in the National Gallery..... More
![Self Portrait [1]. Miles Evergood, Australian.](/pictures/thumb/CL170-12.JPG?v=1492493776)
Self Portrait [1]
c1910-1914. Etching, signed by the artist’s great-niece Gael Hammer in pencil and stamp with facsimile signature verso, 15.3 x 11.4cm. Minor rubbing to image lower centre, slight cockling and foxing overall, strikethrough due to stamp verso. Exhibited in Kozminsky Galleries, Melb., 2001. Ref: GH95. More