c1920s. , c1960s. Letterpress and colour process screen print booklet, with sleeve of 36 fabric souvenir badges in original packaging, 15.1 x 24.9cm (booklet), 5.7 x 4.7cm (each badge). Booklet has one page missing, folds, wear to edges, slight soiling to interior and cover. Promotional booklet titled “Bondi, the playground... More about Bondi Beach Booklet <i>and</i> Souvenir Badges (Patches
![Reclining Nude]. Frank Reynolds, British/Australian](/pictures/thumb/CL166-151.JPG?v=1492487785)
c1920s. Lithograph, monogrammed in image lower right, annotated “337” in an unknown hand in ink in lower margin, 31.8 x 38cm. Slight creases, minor stains and repaired tears to image centre right, discolouration to upper left corner. More about Reclining Nude
![Bush Scene With Horses]. David Barker, Aust](/pictures/thumb/CL176-7.JPG?v=1492661081)
c1920s. Aquatint, editioned 1/30, signed and annotated in pencil in lower margin, 19.3 x 27.2cm. Slight foxing, old mount burn. Annotation reads “30 proofs, 2 pounds and 2 shillings.” David Barker was a founding member and a regular exhibitor with the Australian Painter-Etchers’ Society from 1921. Ref: AGNSW. More about Bush Scene With Horses
c1920s. Etching, titled, editioned 2/12 and signed in pencil in lower margin, 9.8 x 24.6cm. More about The Crossing, Parramatta River, Ryde
c1920s. Colour woodcut with gouache, titled and signed in pencil in lower margin, 15.1 x 13.7cm. Old mount burn. Very uncommon image. More about Battersea Bridge
![Parliament House [Macquarie St, Sydney]. Edward Warner, Aust](/pictures/thumb/CL176-137.JPG?v=1492661823)
c1920s. Etching, titled, editioned 25/100 and signed in pencil in lower margin, 14 x 23.3cm. Slight foxing. Held in State Library of NSW. More about Parliament House [Macquarie St, Sydney
![The Bar]. Frank Medworth, Brit./Aust](/pictures/thumb/CL192-102.JPG?v=1524199136)
c1920s. Drypoint, signed and editioned 7/40 in pencil in lower margin, 12 x 15.2cm. Slight foxing to lower margin. An influential painter, etcher, teacher and illustrator, Frank Medworth studied with fellow student Weaver Hawkins at the Camberwell School of Arts and Crafts in London from 1910 to 1914. Wounded in... More about The Bar
1920. Etching, titled, numbered “11” and signed in pencil in lower margin, 7.2 x 13.5cm. Stains and minor paper remnants to image centre, pinholes and repaired tears to upper margin, old mount burn. Held in Sydney Living Museums (SLM), with the comment “‘Elizabeth Farm House, Parramatta’ was one of 34..... More about Elizabeth Farm House, Parramatta
c1920s. Soft-ground etching, sepia ink, titled, signed and annotated “soft ground” in pencil in lower margin, 22.7 x 30.1cm. Minor creases to margins, old mount burn. Castlemaine-born Frank Arthur Nankivell was an artist, printmaker and political cartoonist. He studied art in Australia before travelling to Japan and working as a...... More about County Fair
![Gonville Chambers, North Tce [Adelaide]. C A. Russell, active 1920s Aust](/pictures/thumb/CL192-155.JPG?v=1524199173)
c1920s. Etching, titled and signed in pencil in lower margin, 15 x 19.2cm. Old mount burn. Held in SLSA. “The site of Gonville Chambers [doctors’ professional rooms] was the home of Dr Frederick Bayer, who arrived in this country in 1847, and is said to be the first man to..... More about Gonville Chambers, North Tce [Adelaide
c1920. Drypoint, initialled in plate lower centre, editioned 3/30, titled and signed in pencil below image, 21.4 x 17.7cm. Repaired tears to upper margin including platemark, minor paper loss to margins, old mount burn. Not illustrated in Spartalis reference on Van Raalte. London-born Henri van Raalte studied art under John... More about Far Hills
![Portrait Of Aboriginal Woman]. Cyril Dillon, Aust](/pictures/thumb/CL183-45.JPG?v=1486091836)
c1921. Etching, signed in pencil in lower margin, 17.8 x 14.4cm. Repaired tears and missing portions to margins. Laid down on acid-free tissue. More about Portrait Of Aboriginal Woman
c1921. Drypoint, annotated “no. 3, drypoint” and signed in pencil in lower margin, 13.9 x 17.8cm. Slight foxing to image upper left, stains and paper remnants to margins. Laid down on acid-free backing. Image noted in a supplementary exhibition list by Art Gallery of NSW Curator Barry Pearce for the... More about Evening
![Vaucluse House [NSW]. Eirene Mort, Aust](/pictures/thumb/CL192-108.JPG?v=1524199139)
c1921. Etching, titled, editioned 11/50 and signed in pencil in lower margin, 9.8 x 12.8cm. Old mount burn. “In August 1921 Mort wrote to the Vaucluse Park Trustees seeking permission to make a sketch in the courtyard at Vaucluse House, and in November 1921, following a Wentworth celebration day at... More about Vaucluse House [NSW
1921. Etching, signed in plate lower left, annotated “artist’s proof ‘A’”, titled and signed in pencil in lower margin, 20.3 x 22.1cm. Slight cracks to left platemark and stains to trimmed margins. Laid down on acid-free tissue. Held in SLNSW. More about The Hawkesbury, Windsor
1922. Wood engraving, titled and signed in block upper centre and lower left, signed and annotated “No. 24” in pencil in lower margin, 24 x 15.5cm. Minor foxing. Framed. Title includes Lawson’s birth and death dates. Ref: Mendelssohn #137. Held in NGA. More about Henry Lawson
c1910-1922. Drypoint, annotated “1st [state]” by Evergood in pencil in lower margin, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 10.3 x 16.9cm. Slight foxing overall. More about The Monument
c1922. Letterpress, handbill, 41.6 x 25.4cm. Old folds, creases and foxing overall. Text includes “In aid of general improvement of sporting facilities. To be held at New Theatre, White Horse Rd, Box Hill [Victoria] Thursday, May 18th at 8pm… Sec.: I. Fithie. Joint treas.: L. Savage and L. Lutz.”..... More about Grand Entertainment, Dramatic, Musical, Gymnastic, By Pupils Of “Horton” Girls’ Grammar School
![Old House, Rocks District [NSW]. Edward Warner, Aust](/pictures/thumb/CL166-176.JPG?v=1492487803)
c1922. Etching, titled, editioned 44/75 and signed in pencil in lower margin, 13.5 x 16.3cm. Glue stains to upper margin, minor foxing overall. More about Old House, Rocks District [NSW
1922. Etching and aquatint, annotated “Christmas” and dated in plate lower left, annotated “no. 9,” signed and titled in pencil in lower margin, 11.8 x 9.4cm. Slight foxing. Ref: Mendelssohn #266. More about Cooee
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More about Piccadilly
c1922. Colour linocut, titled, editioned 14/50 and signed in pencil in lower margin, 12.3 x 17.2cm. Illustrated in Sunshine and Shadow, Art Gallery of WA, 2004, #5. Held in National Gallery of Australia, and Art Gallery of WA. More about Nedlands, W.A
1923. Wood engraving, monogrammed in block lower right, editioned 8/50, titled, signed and dated in pencil in lower margin, 10.6 x 14cm. Old mount burn. Ref: Bloomfield (ed.), L. Roy Davies: Wood Engravings, 1978, #29, p104. More about Sheds
1923. Aquatint, signed, titled, editioned 42/75 and annotated in pencil in lower margin, 15.4 x 23.8cm. Minor foxing to margins, slight mount burn. Annotation indicates image was printed on 18th century paper, which Lionel Lindsay often used to obtain a mellow look. Ref: Mendelssohn #302. More about The Great Fig Tree, Berry’s Bay, Sydney
1923. Etching, editioned 8/40, titled, signed and dated in pencil in lower margin, 17.9 x 25.1cm. Old mount burn. More about The Orient Line, Sydney