c1920s. Etching, titled and monogrammed in plate lower left to right, signed, titled and editioned 5/50 in pencil in lower margin, 19.8 x 15.1cm. Slight foxing overall. Title in plate reads “Windmill Hill, Old Sydney.” Held in the National Gallery of Australia collection. See also item #116. More

c1920s. , c1960s. Letterpress and colour process screen print booklet, with sleeve of 36 fabric souvenir badges in original packaging, 15.1 x 24.9cm (booklet), 5.7 x 4.7cm (each badge). Booklet has one page missing, folds, wear to edges, slight soiling to interior and cover. Promotional booklet titled “Bondi, the playground... More

c1920s. Aquatint, editioned 1/30, signed and annotated in pencil in lower margin, 19.3 x 27.2cm. Slight foxing, old mount burn. Annotation reads “30 proofs, 2 pounds and 2 shillings.” David Barker was a founding member and a regular exhibitor with the Australian Painter-Etchers’ Society from 1921. Ref: AGNSW. More

c1920s. Colour woodcut with gouache, titled and signed in pencil in lower margin, 15.1 x 13.7cm. Old mount burn. Very uncommon image. More

c1920s. Drypoint, signed and editioned 7/40 in pencil in lower margin, 12 x 15.2cm. Slight foxing to lower margin. An influential painter, etcher, teacher and illustrator, Frank Medworth studied with fellow student Weaver Hawkins at the Camberwell School of Arts and Crafts in London from 1910 to 1914. Wounded in... More

c1920s. Soft-ground etching, sepia ink, titled, signed and annotated “soft ground” in pencil in lower margin, 22.7 x 30.1cm. Minor creases to margins, old mount burn. Castlemaine-born Frank Arthur Nankivell was an artist, printmaker and political cartoonist. He studied art in Australia before travelling to Japan and working as a...... More

c1920. Drypoint, initialled in plate lower centre, editioned 3/30, titled and signed in pencil below image, 21.4 x 17.7cm. Repaired tears to upper margin including platemark, minor paper loss to margins, old mount burn. Not illustrated in Spartalis reference on Van Raalte. London-born Henri van Raalte studied art under John... More

c1921. Drypoint, annotated “no. 3, drypoint” and signed in pencil in lower margin, 13.9 x 17.8cm. Slight foxing to image upper left, stains and paper remnants to margins. Laid down on acid-free backing. Image noted in a supplementary exhibition list by Art Gallery of NSW Curator Barry Pearce for the... More

1921. Etching, signed in plate lower left, annotated “artist’s proof ‘A’”, titled and signed in pencil in lower margin, 20.3 x 22.1cm. Slight cracks to left platemark and stains to trimmed margins. Laid down on acid-free tissue. Held in SLNSW. More

c1910-1922. Drypoint, annotated “1st [state]” by Evergood in pencil in lower margin, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 10.3 x 16.9cm. Slight foxing overall. More

c1922. Etching, titled, editioned 44/75 and signed in pencil in lower margin, 13.5 x 16.3cm. Glue stains to upper margin, minor foxing overall. More

c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More

1922. Etching in brown ink, annotated “1st state”, titled and signed in pencil in lower margin, 12.5 x 28.8cm. Repaired tears to left portion of image and margin, paper loss to image upper centre and lower margin, minor creases. Laid down on acid-free tissue, framed. Later states printed in black... More