1919. Drypoint, annotated “‘17’, drypoint”, titled and signed in pencil in lower margin, 30.2 x 20.2cm. Minor cockling and foxing to upper and lower margins. Framed. Held in NGA. This print was included in the 1983 Gruner exhibition at the Art Gallery of NSW. It is Gruner’s largest drypoint. More

1919. Etching, signed in plate upper left, editioned “no. 23 of 50 proofs”, titled and signed in pencil in lower margin, 10.6 x 15.8cm. Slight foxing overall, minor surface loss to left portion of image, paper loss to right margin not affecting image. Held in SLNSW. Illustrated in The Etchings..... More

1920. Drypoint, editioned 9/20, titled, signed and dated in pencil in lower margin, 11.5 x 20.1cm. Old mount burn. More

c1920s. Etching, titled and monogrammed in plate lower left to right, signed, titled and editioned 5/50 in pencil in lower margin, 19.8 x 15.1cm. Slight foxing overall. Title in plate reads “Windmill Hill, Old Sydney.” Held in the National Gallery of Australia collection. See also item #116. More

c1920s. , c1960s. Letterpress and colour process screen print booklet, with sleeve of 36 fabric souvenir badges in original packaging, 15.1 x 24.9cm (booklet), 5.7 x 4.7cm (each badge). Booklet has one page missing, folds, wear to edges, slight soiling to interior and cover. Promotional booklet titled “Bondi, the playground..... More

c1920s. Aquatint, editioned 1/30, signed and annotated in pencil in lower margin, 19.3 x 27.2cm. Slight foxing, old mount burn. Annotation reads “30 proofs, 2 pounds and 2 shillings.” David Barker was a founding member and a regular exhibitor with the Australian Painter-Etchers’ Society from 1921. Ref: AGNSW. More

c1920s. Etching, titled, editioned 25/100 and signed in pencil in lower margin, 14 x 23.3cm. Slight foxing. Held in State Library of NSW. More

1920. Etching, titled, numbered “11” and signed in pencil in lower margin, 7.2 x 13.5cm. Stains and minor paper remnants to image centre, pinholes and repaired tears to upper margin, old mount burn. Held in Sydney Living Museums (SLM), with the comment “‘Elizabeth Farm House, Parramatta’ was one of 34..... More

c1920s. Etching, titled and signed in pencil in lower margin, 15 x 19.2cm. Old mount burn. Held in SLSA. “The site of Gonville Chambers [doctors’ professional rooms] was the home of Dr Frederick Bayer, who arrived in this country in 1847, and is said to be the first man to..... More

c1920s. Pair of etchings, (a) titled, annotated “from the original Bulletin drawing”, editioned 12/50; and (b) titled, editioned “No. 1 (first state)”; and both signed in pencil in lower margin, 20.8 x 36.4cm, 23.3 x 35.6cm. One with slight foxing, minor rubbing and paper loss to upper margin. Framed. Sydney cartoonist, illustrator..... More

c1921. Etching, titled, editioned 11/50 and signed in pencil in lower margin, 9.8 x 12.8cm. Old mount burn. “In August 1921 Mort wrote to the Vaucluse Park Trustees seeking permission to make a sketch in the courtyard at Vaucluse House, and in November 1921, following a Wentworth celebration day at..... More

1921. Etching, titled, monogramed and dated in plate lower right, numbered “1” [of an unknown edition], titled and signed in pencil in lower margin, 16.4 x 25.5cm. Minor surface loss due to insect damage to upper and lower edges of image, glue remnants and missing portions to margins. Image held..... More