Figure With Eyes And Ram
1962-1963. Drypoint, editioned 7/25 and signed in pencil in lower margin, 17.8 x 20.3cm. Framed. Ref: Maltzahn #41. More
Australian
Christian Building Since Christ’s Death III
c1961-1965. Perspex engraving with colour screenprint, initialled in plate lower left, titled, editioned 14/30 and signed in lower margin, 32 x 44.5cm. Minor paper remnants to image centre. Ref: Klepac #306. More
Friendly Mechanism
1965. Colour lithograph, signed, dated, titled and annotated “artist’s proof 2 (master)” in pencil on image lower left to right, 80.2 x 54.1cm. Slight discolouration to edges of image, minor surface loss verso. More
The Stars In My True Love’s Eyes
1965. Colour lithograph, signed, dated, titled and annotated “artist’s proof 3 (master)” in pencil on image lower left to right, 80.1 x 57.5cm. Slight discolouration to edges of image, minor surface loss verso. More
![Item #CL183-141 Up Hill, Essex Street [The Rocks, Sydney]. Elizabeth Rooney, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-141.jpg?width=320&height=427&fit=bounds&v=1486091815)
Up Hill, Essex Street [The Rocks, Sydney]
1966. Etching, titled, editioned 11/30, signed and dated in pencil in lower margin, 54.1 x 29.8cm. Minor foxing to image centre, lower right and margins. More
Triton’s Call
1966. Aquatint, titled, editioned 2/6, signed and dated in pencil in lower margin, 30.2 x 20cm. Slight stains to margins, mount burn. More
Out Of The Darkness
1967. Aquatint with etching and drypoint, diptych, editioned 2/20, titled, signed and dated in pencil in lower margin spanning two plates, 32.8 x 55.7cm (both plates). Slight foxing, stains and mount burn. Illustrated in Weston, Franz Kempf: Graphic Works, 1984, p46. More
![Item #CL183-142 The Night The Bridge Came Down [Old Railway Arch Bridge, North Sydney]....](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-142.jpg?width=320&height=427&fit=bounds&v=1486012721)
The Night The Bridge Came Down [Old Railway Arch Bridge, North Sydney]
1966-1968. Etching with aquatint, titled, annotated “artist’s proof 3”, signed and dated in pencil in lower margin, 30 x 44.9cm. Old mount burn. In order to expand the Bradfield Highway approach to the Sydney Harbour Bridge, the old railway arch bridge, as depicted in this image, had to be dismantled..... More
![Item #CL166-1 [Nurse Writing]. Ian Armstrong, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-1.jpg?width=320&height=427&fit=bounds&v=1492485856)
[Nurse Writing]
1968. Etching and aquatint, editioned 10/10, signed and dated in pencil in lower margin, 13.5 x 11.8cm. Glue stains to margins. Armstrong’s images may have been inspired by his stay in hospital due to a heart attack and subsequent surgery. Ref: Wiki. More
![Item #CL166-2 [Nurse With Medications]. Ian Armstrong, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-2.jpg?width=320&height=427&fit=bounds&v=1492485865)
[Nurse With Medications]
1968. Etching and aquatint, editioned 4/10, signed and dated in pencil in lower margin, 13.4 x 11.7cm. Glue stains to margins. More
“Where’s All Your 30,000 Jim?” “Well, You Remember Those Chops We Had For Tea Last Night?”
1968. Linocut, greeting card format, titled, signed and dated in pencil on image lower left to right, 20.5 x 14.6cm (paper, folded). Slight old mount burn. Illustrated in The Christmas Linocuts of Eric Thake, 1941-1975, u.p. More
The Embrace
1969. Colour screenprint, annotated “artist’s proof”, titled, signed and dated in pencil with printer’s blind stamp in lower margin, 41.8 x 52.2cm. Slight stains and foxing to margins. Stamp reads “Hand-printed in collaboration with the artist. Paddington Print Studio, Australia.” Illustrated in Bannon, Australian Printmaker: An Aspect of Australian Art..... More
I Love Tom Jones
1969. Colour screenprint, editioned “V 9/25”, titled, signed and dated in pencil on image lower left to right, printer’s blind stamp in lower margin, 40.5 x 57.3cm. Minor stains to image lower centre, slight soiling and crinkles to margins. Stamp reads “Hand-printed in collaboration with the artist. Paddington Print Studio..... More
![Item #CL203-64 Chestnut Teal [Duck]. Murray Griffin, 1903–1992 Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL203-64.jpg?width=320&height=427&fit=bounds&v=1633911522)
Chestnut Teal [Duck]
c1969. Colour linocut, editioned 5/30, titled and signed in ink in lower margin, 34.5 x 45.7cm. Slight stains and paper and glue remnants to upper margin. Image held in the National Gallery of Australia. Born in Melbourne, Vaughan Murray Griffin “studied drawing and painting at the National Gallery School, Melbourne..... More
I Fratelli Kelly [The Ned Kelly Brothers]
1970. Colour process lithograph poster, 139.5 x 100.2cm. Old folds, tears, creases, stains and foxing to margins. Poster published to promote the Italian release of Tony Richardson’s controversial 1970 film, Ned Kelly, starring Mick Jagger. Ref: Wiki. More
Soup Portions
1970. Process lithograph, editioned 3/50, titled, signed and dated in pencil in lower margin, 46.4 x 43.3cm. Minor foxing and slight creases to edges. More
Limpets
c1970s. Etching in blue ink, annotated “A/P”, titled and signed in pencil in lower margin, 25.1 x 19.7cm. Foxing to upper portion of image, centre and margins, old mount burn. Held in SLNSW. Welsh-born Pixie O’Harris was an Australian “artist, newspaper, magazine and book illustrator, author, broadcaster, caricaturist and cartoonist..... More
![Item #CL183-153 [Nude Holding Damaged Vase]. Jorg Schmeisser, German/Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-153.jpg?width=320&height=427&fit=bounds&v=1486012730)
[Nude Holding Damaged Vase]
1972. Etching, editioned 7/20, signed and dated in pencil in lower margin, 9.8 x 9.8cm. Old mount burn. More
![Item #CL192-156 [Sea Foam Nude]. Jorg Schmeisser, German/Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL192-156.jpg?width=320&height=427&fit=bounds&v=1524199173)
[Sea Foam Nude]
1972. Etching, editioned 8/20, signed and dated in pencil in lower margin, 18.1 x 6cm. Schmeisser’s work is held in AGNSW. “Jörg Schmeisser was born in Stolp, Pomerania and studied at the Hamburg Fine Art Academy, Germany 1962-67, majoring in printmaking under Paul Wunderlich. In 1967 he received a scholarship..... More
Ghost Town
c1973. Lithograph, titled and signed in pencil below image, 40.4 x 65.5cm. Repaired tears to left and right edges, slight paper loss to image lower left, old mount burn. The town is most likely Hammond in South Australia. More
Miner Smoking
1973. Screenprint, editioned 43/70 and signed in pencil in lower margin, blind stamp of a man’s profile to lower right corner of image, printer’s stamp “K8128” verso, 76.2 x 75.8cm. From the “Landscape” series. Held in Tate Gallery. More