c1920s. Etching, titled in image lower left, signed in pencil in lower margin, 29 x 18.1cm. Slight foxing to lower margin. More

c1920s. Etching, titled in plate lower right, signed in pencil in lower margin, 22.3 x 30.9cm. Minor stains to right and lower margins. Albany Howarth was an etcher and water-colour painter. Around 1905, Howarth emerged as a major etcher, frequently exhibiting at the Fine Arts Society, the Royal Academy and..... More

c1922. Etching, titled in plate lower centre, signed in pencil in lower margin, 30.3 x 40.1cm. Slight creases and stains overall, tears, missing portions and discolouration to margins. State prior to edition with date. More

1961. Lithograph, 38 x 28cm. Minor discolouration to edges of paper. From Derriere le Miroir, no. 127. Ref: Lust #149. More

1961. Lithograph, text in letterpress verso, 31.1 x 12cm. Ref: Lust #154. While Giacometti was a key player in the Surrealist art movement, his work is difficult to categorise. Some describe it as formalist, others argue it is expressionist. Giacometti attempted to create renditions of his models the way he..... More

1961. Lithograph, 38 x 27.9cm. From Derriere le Miroir, no. 127. Ref: Lust #151. More

c1503/18th century impression. Woodcut, monogrammed in block lower centre, 29.9 x 20.7cm. Stains to image upper right and lower portion, minor foxing overall, trimmed to border. From Dürer’s series The Life of the Virgin. Ref:Knappe #241; Kurth #189. Held in Art Institute, Chicago. More

1510/c1612. Woodcut, dated and monogrammed in block upper and lower centre, numbered “XXII” and annotated in Latin in ink in an unknown hand in upper and lower margins, letterpress text in Latin verso, 12.8 x 9.7cm. Minor foxing and creases to margins, tipped to backing. From Dürer’s series The Small..... More

1926. Wood engraving, editioned 8/50 and signed in pencil in lower margin, 17.7 x 12.7cm. Ref: Alexander Masley website. More

1926. Wood engraving, editioned 12/50 and signed in pencil in lower margin, 20.5 x 17.5cm. Soiling and stains to margins. Held in Smithsonian American Art Museum. Dr. Alexander Simeon Masley was the founder of the Art Education Program at the University of New Mexico, then the Department of Art Education..... More

1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More

1916. Pair of programmes with lithographic covers, each signed and one dated “1916” in image lower left or right, each programme with printer’s line on back page, 23.7 x 33.5cm, 33.5 x 24.3cm. Printer’s line reads “Imp. Eug. Verneau, H. Chachoin succ. 108 R. Folie Mericourt, Paris. XI Arr.” Text..... More

c1890s. Gouache with watercolour, signed and titled lower left, 23.5 x 34.5cm. Period frame. More