[Flowers In Vases]
c1980s. Drypoint, annotated “EA” (artist’s proof), editioned 29/30 and signed in pencil in lower margin, 65.6 x 50.6cm. Minor soiling to margins. Framed. More
c1980s. Drypoint, annotated “EA” (artist’s proof), editioned 29/30 and signed in pencil in lower margin, 65.6 x 50.6cm. Minor soiling to margins. Framed. More
1933. Wood engraving, titled, editioned 12/12, signed, dated and annotated in pencil in lower margin, 11.6 x 17cm. Minor surface loss to edge of image centre right, tears and slight foxing to lower margin. Annotation reads “From the Lamentations of Jeremiah.” Hughes-Stanton won the International Prize for Engraving at the..... More
c1929. Lithograph, signed in pencil below image, 31.4 x 23.7cm. Likely from a portfolio of lithographs published in two volumes in Paris, 1929. Ref: British Museum. Boris Lovet-Lorski worked as an architect in Russia until 1920, when he immigrated to the United States, settling in New York. His sculpture and..... More
1930. Colour woodcut, signed, dated and annotated “No. 7” on image lower right, 35.4 x 41.9cm. Original frame. Born in Bolzano in northern Italy, Carl Moser studied at the Academy of Fine Arts in Munich and the Académie Julian in Paris, later travelling to Germany, Italy, Corsica and Brittany. Influenced by..... More
c1920s. Colour woodcut, titled and signed in pencil in lower margin, 14.8 x 17.5cm. Slight creases overall, old tape to edges of margins. Styria is a mountainous, forested state in southern Austria, known for its wine, spas and castles. More
1968. Colour screenprint, titled, editioned 42/100, signed and dated in pencil with printer’s blind stamp in lower margin, 49.9 x 64.9cm. Slight creases with minor surface cracking to lower right corner of image and right margin. Stamp reads “Hand-printed in collaboration with the artist. Paddington Print Studio, Australia.”. More
c1920s. Etching, editioned 1/75 and signed in pencil in lower margin, 20.9 x 27.6cm. Old mount burn. More
1860/1903. Etching, initialled in plate lower left, 16 x 12.7cm. Published in Twenty-One Etchings…, Astolat Press, London, 1903, in an edition of 150 (ten on vellum, 140 on Japan paper). Ref: Chesson #9; Beraldi #7. More
1917. Lithograph, signed in image lower centre, 35.3 x 46cm. This is no. 61 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
1917. Lithograph, signed in image lower centre, 35.5 x 46cm. This is no. 66 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
1917. Lithograph, signed and dated in image lower right, 35.5 x 46cm. This is no. 64 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
c1874. Pair of lithographs, each signed and titled in image lower right and centre, approx. 56.6 x 43.6cm (paper). Repaired creases and tears, slight soiling and foxing. Linen-backed. Text continues “Lith. 62 Collins St, E. Melbourne.” The image of Mrs Eliza Bates is held in State Library of Victoria. These..... More
1933. Lithograph, signed in image lower left, Studio magazine logo below image, 24.5 x 16.5cm. Slight crinkling. From The Studio magazine, no. 481, vol. CV. More
1966. Monotype, titled with faded signature and date in pencil and ink on image lower left to right, 40.7 x 30.7cm. Foxing overall, paper remnants verso. A cancelled monotype appears verso, showing figures praying in front of a cross. More
c1920s. Etching, inscribed “to Muriel Hayes” and signed in pencil in lower margin, 19.3 x 24.5cm. Old mount burn. More
c1920s. Etching, inscribed “to Muriel Hayes” and signed in pencil in lower margin, 20.4 x 25cm. Old mount burn. More
c1930s. Lithograph and pencil study, editioned 15/75 and initialled in pencil in lower margin in lithograph; monogrammed in lower left in drawing, 24.6 x 20.6cm (approx. each). Ink stain to image lower centre, slight foxing and soiling. More
c1930s. Watercolour with gouache study, artist’s name by an unknown hand below image, 14 x 10.6cm. Uneven, ragged margins. More
1923. Etching, signed in pencil in lower margin, 24.9 x 17.2cm. Slight crinkles and pinholes to margins. This etching shows the Russian ballet dancer Lydia Lopokova (1892–1981), who was famous during the early 20th century. The reflected image of her in the mirror does not correspond with her nudity, as..... More
1932. Etching, signed in pencil below image, annotated and titled in lower margin, 27.2 x 21.9cm. Old mount burn. Text reads “75 proofs in edition.” Ref: Bolling and Withington #67. More
1922. Linocut, initialled in block lower right, signed and dated in pencil in lower margin, 8.9 x 27cm. Old tape and glue stains verso. Held in Auckland Art Gallery. More
1922. Woodcut, signed and dated in pencil in lower margin, 26.2 x 12.1cm. Slight foxing to centre and lower portion of image, old mount burn. Held in Auckland Art Gallery. “Born in England in 1880, David Payne trained as a painter, etcher, lithographer, and metal and craft worker before his..... More
1839. Hand-coloured lithograph, titled, dated and signed in image lower right, 35.2 x 50.7cm. Slight stain to image upper right, laid down on original backing, as issued. From the first edition and first issue of David Robert’s Holy Land. More
1848. Tinted lithograph, titled, signed and lithographer “L. Haghe” in image in lower portion, publisher’s line with date and title in lower margin, 32.9 x 49cm. Tear to edge of right margin. More
1847. Tinted lithograph, titled, signed and lithographer “L. Haghe” in image in lower portion, publisher’s line with date and title in lower margin, 34.4 x 51.5cm. Mark with minor dents to upper right portion, creases, repaired tear to margins. More