Piccadilly
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
1922. Woodcut, signed and dated in pencil in lower margin, 26.2 x 12.1cm. Slight foxing to centre and lower portion of image, old mount burn. Held in Auckland Art Gallery. “Born in England in 1880, David Payne trained as a painter, etcher, lithographer, and metal and craft worker before his..... More
1922. Linocut, initialled in block lower right, signed and dated in pencil in lower margin, 8.9 x 27cm. Old tape and glue stains verso. Held in Auckland Art Gallery. More
c1922. Colour woodcut, faded signature in pencil in lower margin, 22.5 x 16cm. Minor rubbing to small margins. Image depicts two young girls on a staircase by candlelight. Image held in the British Museum. “At age fifteen, Mabel Royds was awarded a scholarship to attend the Royal Academy in London..... More
c1918/1922. Colour woodcut, titled and signed in pencil with faint text and copyright date in letterpress in lower margin, 51.6 x 38.2cm. Slight rubbing and soiling to margins and verso. Text reads “Copyright USA 1922.” This image is illustrated in Holden, Hall Thorpe: Coloured Woodcuts, 1980, p77, with a comment that..... More
1918/1923. Lithograph, numbered “35” in plate lower left, signed in pencil lower right, 27.7 x 18.1cm. The lithograph is from the series Ecce Homo (Behold the Man), deluxe edition “A”, issued in an edition of 50. Ref: Dückers #SI, 35. More
1921/1923. Lithograph, erased number “66” in image lower left, signed in pencil below image lower right, 21.7 x 26cm. Minor stains and foxing upper and lower centre. The lithograph is from the series Ecce Homo (Behold the Man), deluxe edition “B1”, issued in an edition of 100. Ref: Dückers #SI..... More
1923/later printing. Hand-coloured etching, 8.5 x 7cm. Old mount burn. Ref: Marchesseau #67. More
c1923. Etching, signed in pencil in lower margin, 12.5 x 17.6cm. Minor foxing to image upper left and margins, old mount burn. Ref: Wootton #59. An etcher and illustrator of children’s and wildlife books, Eileen Soper is best known for her collaboration with writer Enid Blyton. Ref: Wiki. More
1923. Drypoint, signed and dated in plate lower centre, signed in pencil in lower margin, 18 x 26cm. Old horizontal crease to upper portion of image, minor glue stains to margins, old mount burn. Ref: Appleby #95. More
1923. Etching, monogrammed in plate lower left, editioned 38/50, titled and signed in pencil in lower margin, 14.7 x 15cm. Slight surface loss, repaired tears and old mount burn to margins. Held in the National Gallery of Australia collection. More
1923. Aquatint, signed, titled, editioned 42/75 and annotated in pencil in lower margin, 15.4 x 23.8cm. Minor foxing to margins, slight mount burn. Annotation indicates image was printed on 18th century paper, which Lionel Lindsay often used to obtain a mellow look. Ref: Mendelssohn #302. More
1923. Etching, editioned 8/40, titled, signed and dated in pencil in lower margin, 17.9 x 25.1cm. Old mount burn. More
c1923. Etching, editioned 14/50, titled, signed and annotated “ARCA Lond.” in pencil in lower margin, 24.4 x 18.9cm. Foxing, old mount burn. More
1923. Wood engraving, titled, editioned 10/50 and signed in pencil in lower margin, 9 x 9.6cm. Repaired incision to centre of image and lower margin, slight discolouration. Illustrated in L. Roy Davies: Wood Engravings, 1978, plate 27. Held in NGA. This is a portrait of the artist’s father. Ref: SMH..... More
c1923. Woodcut, initialled “P.” in block lower left, titled, annotated “25-11” and signed in pencil in lower margin, 7.1 x 7.5cm. Repaired tears and missing portions to margins. Verso is a trimmed partial image of the woodcut Emus. Both woodcuts were illustrated in Art in Australia, 3rd series, no. 4..... More
1923. Etching, signed in pencil in lower margin, 24.9 x 17.2cm. Slight crinkles and pinholes to margins. This etching shows the Russian ballet dancer Lydia Lopokova (1892–1981), who was famous during the early 20th century. The reflected image of her in the mirror does not correspond with her nudity, as..... More
1923. Etching, initialled and dated in plate lower right, signed, dated, titled and editioned 2/50 in pencil in lower margin, 15 x 19.8cm. Lightly inked impression, slight foxing overall. Held in SLNSW. Burdekin House in Macquarie Street, Sydney, was built in 1841 for merchant Thomas Burdekin (c1799–1844). “It was owned..... More
c1924. Drypoint, signed in pencil in lower margin, 22.5 x 30.2cm. Old mount burn. Norman Wilkinson was a British marine painter and etcher who produced about thirty drypoints between 1924 and 1930. He is known for inventing “dazzle” painting, the camouflage of merchant ships during WWI. Unlike other forms of..... More
c1924. Etching, signed in plate lower left, annotated and editioned “2nd state, 18/30”, titled and signed in pencil in lower margin, 9.6 x 23.5cm. Minor surface loss to lower margin. Image included in the Society of Artists Annual Exhibition held in 1924. Ref: NGA. More
1913-1924. Three colour process lithographs, each dated in image, two initialled “S.S.” in image lower right, 29.7 x 24.3cm (approx. each). Soiling and scuffs overall, laid down on old advertising boards. Cover pages of three issues of The Model Trader, produced by the Grace Brothers Model Store, Broadway, Sydney. Text..... More