c1930s. Watercolour, unsigned, 34.6 x 32.2cm. Pinholes to edges. Provenance: artist’s estate. More

c1930s. Watercolour, unsigned, 41.5 x 36cm. Pinholes to edges, minor foxing. Provenance: artist’s estate. More

c1910-c1930s. (1) [Mark Foy’s Building, Sydney], c1910. Vintage silver gelatin photograph, 26.2 x 31cm. Slight silvering, minor foxing, crazing. Framed. Mark Foy’s Department Store, known as “The Piazza”, opened in 1909 on the block bounded by Liverpool, Elizabeth and Castlereagh Streets, Sydney. Since 1985 the building has operated as The..... More

c1930s. Charcoal drawing, signed in pencil lower right, 32.1 x 23.3cm. Minor paper loss to image upper left, repaired tears to lower edge, missing portion to right edge. Melbourne-born Ron Meadows “studied at the National Gallery School between 1929 and 1933. In 1934 he was a student at the Melbourne..... More

c1930s. Watercolour, signed lower left, partially illegible caption in pencil verso, 39 x 56.7cm. Pinholes. More

c1930s. Watercolour, signed in ink lower left, captioned in pencil verso, 37.3 x 49.7cm. Pinholes, slight foxing to image left. More

c1930s. Oil on board, signed in pencil lower right, 24.1 x 34.2cm. Minor surface dirt. William Rowell was a student of Bernard Hall and Frederick McCubbin at the National Gallery School in Melbourne. His first solo exhibition was held at the Athenæum Gallery in 1920, and that year he won..... More

c1930s. Oil on canvas, signed lower right, 61.1 x 45.6cm. Minor scuffing to edges, slight stains upper left. Oil paintings by Trompf rarely appear in the market. Victorian-born, Percival Albert (Percy) Trompf studied at the Ballarat Technical Art School, later joining Giles & Richards in Melbourne, where he designed chocolate..... More

c1930s. Ink with crayon and gouache, signed upper right, 26.2 x 44.3cm. Slight stains. George Finey’s caricatures were captioned as “the man of the week” in Smith’s Weekly where his work was published from 1921 to 1931. “In fearless portraits he distorted people’s features so that their characteristics and temperament..... More

1931. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 35.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p85. Ref: GH69. Exhibited in Gainsborough Gallery, Brisbane, 1932, and Argosy Gallery, Sydney, 1933. More

c1931. Oil on board, signed by Evergood lower right, annotated by the artist’s great-niece Gael Hammer in pencil verso, 30.5 x 40.9cm. Annotation reads “This may have been illustrated in Art in Aust., 1935.” Original artist’s supply label from New York verso. Ref: GH24. More

c1931. Oil on board, inscription “to Polly” scratched on image lower right, signed, and annotated by the artist’s great-niece Gael Hammer in ink on authentication label verso, 40.7 x 30.5cm. Minor surface loss to edges. Annotation reads “Pauline Konitzer Romero became Miles’ de facto wife. They met in 1930 and..... More

c1931-1932. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. Ref: GH83. More