![Cleaveland [Sic], Queensland. Miles Evergood, Australian](/pictures/thumb/CL170-6_1.JPG?v=1492493818)
1931. Pencil drawing, titled by Evergood in pencil below image, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 15.7 x 24.3cm. Minor stains to edges of image. Ref: GH169. More about Cleaveland [Sic], Queensland
1931. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 35.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p85. Ref: GH69. Exhibited in Gainsborough Gallery, Brisbane, 1932, and Argosy Gallery, Sydney, 1933. More about Flowers And Fruit
1931. Watercolour, 25.4 x 17.8cm. Ref: GH85. More about Flowers In Green Vase
![Old Creek [Queensland]. Miles Evergood, Australian](/pictures/thumb/CL170-36.JPG?v=1492493798)
c1931. Oil on board, signed by Evergood lower right, annotated by the artist’s great-niece Gael Hammer in pencil verso, 30.5 x 40.9cm. Annotation reads “This may have been illustrated in Art in Aust., 1935.” Original artist’s supply label from New York verso. Ref: GH24. More about Old Creek [Queensland
c1931. Oil on board, signed lower right, signed and titled in pencil verso, 40.6 x 30.4cm. Minor surface crazing and chips to edges. Original artist’s supply label from New York verso. Ref: GH30. More about Gladioli
![Polly [NY]. Miles Evergood, Australian](/pictures/thumb/CL170-38.JPG?v=1492493800)
c1931. Oil on board, inscription “to Polly” scratched on image lower right, signed, and annotated by the artist’s great-niece Gael Hammer in ink on authentication label verso, 40.7 x 30.5cm. Minor surface loss to edges. Annotation reads “Pauline Konitzer Romero became Miles’ de facto wife. They met in 1930 and..... More about Polly [NY
c1932. Pencil drawing, titled and signed in pencil below image, 20.5 x 17.9cm. Pinholes, soiling and foxing to margins, slight stains to upper and lower portions of image. This drawing was most likely a study for an etching for the 1932 publication Hobart: Eight etchings in facsimile by Charles Robinson... More about Winter, Franklin Square (Hobart
c1931-1932. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. Ref: GH83. More about Mount Nebo, Queensland
![Mt Nebo No. 1 [Queensland]. Miles Evergood, Australian](/pictures/thumb/CL170-39.JPG?v=1492493801)
c1931-1932. Oil on canvas, signed lower right by Evergood, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.8cm. Surface cracking overall, slight surface loss to edges, laid down on board. Ref: GH60. More about Mt Nebo No. 1 [Queensland
c1932. Oil on canvas, signed lower left, 30.3 x 40.6cm. Laid down on board. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p64. Mount Nebo is 18km north of Brisbane. Ref: GH26. More about Mount Nebo No. 2, Queensland
c1932. Oil on board, signed lower left, 30 x 40cm. Minor surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p43. Ref: GH43. More about Queensland Landscape
![Two Men Harvesting Cabbages]. P. Liekendael, Belgian](/pictures/thumb/CL168-93.JPG?v=1492489416)
1932. Oil on canvas, signed and dated lower right, 39.6 x 58.8cm. Framed. More about Two Men Harvesting Cabbages
![Winter Scene With Figure At Farm Gate]. H. Leslie Smith, Canadian](/pictures/thumb/CL175-146.JPG?v=1492660316)
1932. Oil on canvas, signed and dated lower right, 58.5 x 74.2cm. Minor crazing, some soiling and scuffing to surface. Framed. More about Winter Scene With Figure At Farm Gate
![Dorothy Thornhill]. Douglas Dundas, Aust](/pictures/thumb/CL192-30.JPG?v=1524199209)
1932. Pencil drawing, signed and dated lower right, 28.4 x 23.3cm. Slight foxing and paper loss to image centre. Image depicts the artist’s wife, painter Dorothy Thornhill. Dundas studied at the Sydney Art School with Julian Ashton. In 1927 he won the Society of Artists’ Travelling Scholarship, which enabled him... More about Dorothy Thornhill
1933. Watercolour with pencil, signed and dated in ink lower right, titled in pencil below image, 35.4 x 19.6cm. Minor stains to image, pinholes, tears and stains to margins. Under “Personals” in the Sydney Morning Herald on 29 June 1936 a classified reads “Mr H. Neville Barker, an artist, who... More about Grey Cloak
1933. Ink drawing, titled, signed and dated lower left to right, 8.4 x 17.2cm. Slight stains to image upper and lower centre, old mount burn. More about Two Boys
![Central Station, Sydney]. Robert Emerson Curtis, Australian](/pictures/thumb/CL183-35_1.JPG?v=1486091832)
1933. Pair of pencil drawings, one with ink, each captioned, dated and initialled in pencil lower right, 23.2 x 20.3cm and 25.9 x 20.3cm (paper). Minor creases. Captions read “Central Railway Station” and “Central Station Tower, Sydney.”. More about Central Station, Sydney
![Pyrmont II [NSW]. Miles Evergood, Australian](/pictures/thumb/CL170-7_1.JPG?v=1492493820)
1933. Ink and wash, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 7.4 x 10.4cm. Minor creases to lower edge. The reverse side of the image features a printed invitation from “Miss Yolande Proctor to view an exhibition of oils..... More about Pyrmont II [NSW
c1931-1933. Watercolour, 25.4 x 17.9cm. A watercolour sketch, possibly by Polly, Evergood’s de facto wife, appears verso. Ref: GH80. More about Polly In Red Dress
c1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 17.8cm. Slight mount burn to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p41. Also known as Flame Tree. Ref: GH74. More about Coral Tree, Brisbane
![“Boomerang”, Elizabeth Bay, [Sydney]. Miles Evergood, Australian](/pictures/thumb/CL170-27.JPG?v=1492493791)
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 19 x 28.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p59. Ref: GH75. Exhibited in Argosy Gallery, Sydney, 1933. More about “Boomerang”, Elizabeth Bay, [Sydney
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.5 x 17.9cm. Artist’s home depicted in image. Illustrated and referenced in Hammer, Miles Evergood: No end of passion, 2013, pages 52 and 63. Ref: GH78. More about Interior, 35 Union St, Waverton, Sydney
![Pinkenba [Brisbane, Queensland]. Miles Evergood, Australian](/pictures/thumb/CL170-29.JPG?v=1492493792)
1933. Watercolour, 13.1 x 17.2cm. Framed. Exhibited in Argosy Gallery, Sydney, 1933. Ref: GH213. More about Pinkenba [Brisbane, Queensland
c1933. Oil on board, signed by Evergood lower right, titled by the artist’s great-niece Gael Hammer in ink verso, 39.7 x 29.6cm. Slight paper remnants to upper and lower left corners. Framed. Ref: GH44. More about Gum And Wattle
![Flowers In Vase]. Miles Evergood, Australian](/pictures/thumb/CL170-43.JPG?v=1492493805)
c1933. Oil on board, signed lower left, 39.4 x 29cm. Framed. Ref: GH65. More about Flowers In Vase