1929. Etching, editioned 4/50, titled, annotated, signed and dated in pencil in lower margin, 18.1 x 23.5cm. Rubbing to signature and date. Annotation reads “said to have been home of ‘Commodore’ Blue. Built 1819.” Held in NGA. Billy Blue, a West-Indian convict who arrived in Australia in 1801, was granted..... More

c1888-1889. Four colour lithographs, two with dates of publication and all with text in margins, each with artist’s signature and title in image, sizes range from 57.5 x 39.6cm to 58.4 x 40.1cm. Repaired tears, minor stains, creases, old folds, one with small tear to image upper right (Australian Birds)..... More

c1920s. Drypoint, artist’s signature stamped in lower margin, 29.4 x 27.1cm. Slight foxing. Framed. The hand drum being played in this image is a mridangam, also known as tannumai. It is a percussion instrument from India, of ancient origin. Elyse Lord’s images “typically draw on the Art Deco movement and..... More

1932. Aquatint with etching, signed and dated in plate lower right, editioned 12/30, signed and dated in pencil in lower margin, 25.7 x 33.5cm. Minor creases and slight foxing to margins. Emil Filla was a leader of the avant-garde in Prague between WWI and WWII and was an early Cubist..... More

c1920s. Hand-coloured woodcut, initialled in block centre right, titled and signed in pencil in lower margin, 18.2 x 47.6cm. Crinkles, soiling and slight foxing to margins. During the interwar period, from 1919 to 1925, a Danish humanitarian committee was involved in relocating approximately 20,000 to 30,000 children from Vienna to..... More

c1920s. Colour woodcut with added hand-colouring, titled in pencil below image, 27.3 x 35.3cm. This image is a view of the principal imperial palace of the Habsburg dynasty, Hofburg, which is one of the biggest palace complexes in the world. It consists of 18 wings, 19 courtyards and 2600 rooms..... More

1922. Wood engraving, 16.5 x 11.5cm. Portrait of Mrs H.D.C. Pepler. From the Cleverdon edition of supplementary wood engravings. Ref: Skelton #196. H.D.C. (Hilary) Pepler, an English printer, writer and poet, was an associate of Eric Gill. More

1934/1940. Wood engraving, artist’s name and text verso, 10.5 x 5.3cm. Slight foxing. Text reads “Pray for Eric Gill, T.O.S.D. 1882-1940. Laborare est orare (To work is to pray).” This image was used as a memorial card to the artist upon his death in 1940. Originally published in The Passion..... More

1926. Wood engraving, signed and dated in block lower right, editioned 35/50, titled, signed and dated in pencil in lower margin, 8.9 x 13.2cm. Crinkles overall. More

1945. Linocut, titled, signed and dated in pencil lower centre and right, 39 x 19.1cm. Creases and slight stains to edges, old mount burn. Held in NGA with further annotation noting “the chair was made from the upswept prow of a canoe. Cut from sketches drawn on Noemfoor Is., Geelvinck..... More

c1925. Etching, signed in pencil in lower margin, 24.7 x 33.7cm. Repaired tears, missing portions and minor foxing to margins. Laid down on acid-free tissue. Shore School, North Sydney, was previously the home of famous gold miner, merchant and parliamentarian Bernhardt Otto Holtermann, who financed a major photographic project covering..... More

c1934. Group of five prints consisting of three lithographs, one with added graphite, one aquatint, and one etching with drypoint, three images titled and each signed in image lower left or right, 8.2 x 15.1cm to 19.6 x 26cm. Foxing and minor creases overall. Titles of lithographs read (1) Collins..... More