A Street In Tours No. 1 (Brussels)
1912. Etching, signed in pencil in lower margin, 27.5 x 22.7cm. Foxing and repairs to margins. Edition of 125. Ref: Gaunt #212. More
1912. Etching, signed in pencil in lower margin, 27.5 x 22.7cm. Foxing and repairs to margins. Edition of 125. Ref: Gaunt #212. More
c1920s. Drypoint, signed and editioned 7/40 in pencil in lower margin, 12 x 15.2cm. Slight foxing to lower margin. An influential painter, etcher, teacher and illustrator, Frank Medworth studied with fellow student Weaver Hawkins at the Camberwell School of Arts and Crafts in London from 1910 to 1914. Wounded in..... More
c1930s. Etching, signed and editioned 7/40 in pencil in lower margin, 25.1 x 20cm. More
c1920s. Soft-ground etching, sepia ink, titled, signed and annotated “soft ground” in pencil in lower margin, 22.7 x 30.1cm. Minor creases to margins, old mount burn. Castlemaine-born Frank Arthur Nankivell was an artist, printmaker and political cartoonist. He studied art in Australia before travelling to Japan and working as a...... More
c1920s. Lithograph, monogrammed in image lower right, annotated “337” in an unknown hand in ink in lower margin, 31.8 x 38cm. Slight creases, minor stains and repaired tears to image centre right, discolouration to upper left corner. More
1907. Etching, monogrammed “S.” in plate lower left, signed and titled in pencil in lower margin, 17.6 x 25.1cm. Slight stains and crinkles to margins. Shows the tower of All Saints’ Church, the oldest section of which has been dated to the latter half of the 15th century. Held in..... More
1927. Colour woodcut, signed and dated in pencil in lower margin, 24.5 x 18.2cm. Pinholes, old glue stains and minor creases to margins. Also known as François Maret, Frans Ermengem was a Belgian poet, painter, illustrator and art critic. Ref: Wiki. More
1967. Aquatint with etching and drypoint, diptych, editioned 2/20, titled, signed and dated in pencil in lower margin spanning two plates, 32.8 x 55.7cm (both plates). Slight foxing, stains and mount burn. Illustrated in Weston, Franz Kempf: Graphic Works, 1984, p46. More
1932. Drypoint, editioned 20/30, titled, signed and dated in pencil in lower margin, 18 x 15.4cm. More
1927. Etching, titled, editioned 2/45, signed and dated in pencil in lower margin, 16.8 x 15.8cm. Minor foxing and rubbing to margins. Born in London, Fred Britton won a scholarship to the Slade School in 1908, and later became a teacher at the South Australian School of Arts and Crafts..... More
1926. Etching, title, editioned 1/40, signed and dated in pencil in lower margin, 12.2 x 14.1cm. Pinholes, minor creases and rubbing to margins. Held in the National Gallery of Australia collection. More
1928. Drypoint, editioned 9/30, titled, signed and dated in pencil in lower margin, 19.3 x 15.7cm. Minor surface loss to image and foxing. More
1956. Etching, editioned 11/12, signed and dated in pencil in lower margin, 15.1 x 9.9cm. Slight foxing and soiling to margins, old mount burn. Ref: Mollison #88. Held in National Gallery of Australia. More
1867. Etching, initialled in plate lower left, text including artist’s name, date and title in plate below image, collector’s stamp verso, 19.5 x 10.6cm. Slight discolouration. Text reads “Frédéric Leighton, pinx. & sculp. Royal Academy 1867. Pastorale. Gazette de Beaux-Arts. Imp. Delâtre, Paris.”. More
c1955. Etching and aquatint, printed à la poupée, editioned 6/25, titled and signed in colour pencil in lower margin, 26.4 x 17.3cm. Minor foxing to lower portion, slight old mount burn. Austrian-born artist and writer Frederick Halpern studied painting and printmaking techniques in both Vienna and Paris. Throughout his career..... More
c1941. Lithograph, signed in image lower left, titled, signed and annotated “imp.” in ink with various annotations in pencil in lower margin, 22.6 x 32.6cm. Pinholes and minor cockling to margins. Provenance: Artist’s estate. More
c1851. Hand-coloured tinted lithograph, titled and signed in image lower left to right, 24.7 x 32.6cm. Slight foxing, surface loss to lower margin. Text reads “Hullmandel & Walton’s Proeess [sic].”. More
c1877. Hand-coloured tinted lithograph, artist and title in upper and lower margins, 42.2 x 61.2cm (image). Some surface loss, slight stains to margins. In original period frame. Text includes “Woodhouse’s Australian Winners. Painted, lith. & publ. by Fred Woodhouse. Printed by Fergusson & Mitchell, Melb. Pride of the Hills, by..... More
c1920s. Colour linocut, signed and annotated in German “handdruck” [printed by hand] in pencil on image lower right, and numeric annotations in pencil in lower margin and verso, 12.2 x 10.2cm. Slight discolouration to lower margin. German artist Fritz Lang is known for his woodcuts, linocuts, lithographs, book illustrations and..... More
c1930s. Etching with hand-colouring, signed in pencil and artist’s seal in lower margin, 20 x 35cm. Old tape marks to upper margin, faint old mount burn. Japanese-born artist and illustrator Nakamizo learned printmaking from Joseph Pennell. Employed under the Federal Public Works of Art Project during the 1930s, Nakamizo’s work..... More
c1930s. Etching, signed in plate lower right, signed in pencil in lower margin, 20 x 25.3cm. Old mount burn. More