c1928. Woodcut, signed “Raokin” in pencil in lower margin, 11 x 13.3cm. Slight foxing overall, old tape remnants, tears and creases to margins. Held in NGA. While living in Malta from 1927 to 1930, Hawkins adopted the name “Raokin” to avoid publicity, which described him as a “wounded artist” in..... More
1928. Woodcut, initialled “P.” in block lower right, titled and signed in pencil in lower margin, 21.8 x 20.3cm. Minor creases and ink stains to margins. Framed. Ref: Butler #20. Held in AGNSW; NGA; NGV. More
1929. Colour linocut, initialled in block lower left, signed, editioned 23/25 and titled in pencil in lower margin, 21.6 x 18.3cm. Minor paper loss to left edge of image. Portrait of Flett’s grandfather. Illustrated in Butler, A Survey of Australian Relief Prints 1900-1950, p44. Held in Castlemaine Art Gallery. More
c1929. Etching and aquatint, titled and signed in pencil in lower margin, 20.1 x 24.8cm. Repaired tears to centre and lower left, minor stains to upper portion of image, foxing to margins, slight cracking to lower platemark. Laid down on acid-free tissue. Ref: SLNSW. More
c1929. Drypoint, annotated “A/P. edition 40” and signed in pencil in lower margin, titled in pencil verso, 22.7 x 15.1cm. Minor scuffs to image and foxing to margins. More
c1929. Drypoint, titled and signed in pencil in lower margin, 15 x 22.7cm. Slight stains to margins. More
1929. Letterpress booklet with process screen illustrations, 15pp, 21.6 x 13.8cm. Minor stains and crinkles overall, foxing, paper loss, tears, creases and old tape to loose cover. Text on title page includes “Hunkin, Ellis & King, Ltd., Printers and Publishers, Pirie Street, Adelaide.” The book cover features a portrait of... More
1929. Etching, editioned 4/50, titled, annotated, signed and dated in pencil in lower margin, 18.1 x 23.5cm. Rubbing to signature and date. Annotation reads “said to have been home of ‘Commodore’ Blue. Built 1819.” Held in NGA. Billy Blue, a West-Indian convict who arrived in Australia in 1801, was granted... More
c1929. Drypoint, annotated “Our Youth no. 1,” titled, and signed in pencil in lower margin, 27.7x 21.4cm. Slight foxing, old mount burn. Held in National Gallery of Australia. Title is most likely a play on the story “Susanna and the Elders” from the biblical Book of Daniel. Brother-in-law to Norman..... More
c1929. Drypoint, titled and signed in pencil in lower margin, 15.1 x 21.3cm. Old mount burn. Held in National Gallery of Australia. More
1929. Etching, editioned 31/85, titled, signed and dated in pencil, 24.6 x 14.7cm. Old mount burn. More
c1929. Monotype with added gouache, signed in image lower right, 26.9 x 24.4cm. Tear and slight discolouration to centre of image, minor missing portion to left edge. Thomas Balfour Garrett, a church minister in Melbourne, became an artist much later in life, eventually moving to Sydney. His first exhibition was... More
c1929. Linocut, 15.1 x 22.2cm. Minor paper loss to image lower centre, slight foxing to upper right corner. Provenance: Artarmon Galleries. Held in NGA; AGNSW. More
1929. Drypoint, signed and dated in plate lower left, editioned 1/50, titled and signed in pencil below image, 24.1 x 15.3cm. Minor surface loss and paper remnants to image lower left and centre right, stains and crinkles to margins, repaired tears to lower portion of image, old mount burn. Born... More
c1930s. Etching and drypoint, annotated “7” and signed in pencil in lower margin, 11.3 x 8.1cm. Foxing to margins. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p48. Ref: GH89. More
c1930s. Etching, captioned “HM Sloop Investigator, 1802” in plate lower centre, editioned 29/50, titled and signed in ink in lower margin, 26.6 x 22.6cm. Minor foxing to margins. Image depicts Flinders’ Investigator meeting Baudin’s Le Geographe in Encounter Bay, South Australia on 7 April 1802. More
c1930s. Etching, captioned “Bounty” in plate lower centre, editioned 16/50, titled and signed in ink in lower margin, 22.8 x 29cm. Depicts the mutiny on the Bounty on the morning of 28 April 1789. More
c1930s. Etching, titled and signed in pencil in lower margin, 15 x 16.5cm. Old mount burn. Laid down on acid-free paper. More
c1930s. Etching, titled and signed in pencil in lower margin, 12.3 x 19.7cm. Minor foxing, old mount burn. More
c1930s. Etching, annotated, titled and signed in pencil and ink in lower margin, 16.2 x 24.6cm. Slight cracks to plate mark due to excessive impression, tape to corners of margins. Annotations include a cancelled edition note and “Old street across Pyrmont Bridge. Etched on zinc. These houses were drawn and..... More
c1930s. Etching, editioned 9/50, titled and signed in pencil in lower margin, 13.8 x 17.6cm. Repaired tears to plate mark, old mount burn. More
c1930s. Etching and aquatint, editioned 7/50, titled and signed in pencil in lower margin, 21.4 x 16.2cm. Slight old mount burn. More
c1930s. Oil on board, signed lower right, 35 x 58cm. Original frame. Similar to a number of etchings and aquatints of Boyd’s Boatshed illustrated in Mendelssohn. More
c1928-1930. Colour linocut, monogrammed in block lower left, annotated “linocut”, titled and signed in ink in lower margin, 23.2 x 15.6cm. Slight foxing, crinkles and perforations to margins. Held in the National Gallery of Australia collection. More
c1930s. Colour linocut, monogrammed in block lower right, signed in pencil in lower margin, 18.8 x 28cm. Minor discolouration overall, laid down on original backing. More
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![Temptation No. [2]. Fortunately, Young Woman, One Has No Aesthetic Sense. Will Dyson, Aust.](/pictures/thumb/CL176-27.JPG?v=1492661046)
![[Landscape]. Thomas Balfour Garrett, Aust.](/pictures/thumb/CL192-44.JPG?v=1524199230)
![Kurrajong, The Citrus Orchard [NSW]. Adelaide Perry, Australian.](/pictures/thumb/CL192-131.JPG?v=1524199155)
![Pullen Creek, Moggil [Sic] Road [Queensland]. Edward S. Watson, Australian.](/pictures/thumb/CL192-176.JPG?v=1524199194)
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![[Rural Scene]. G A. Mattison, active 1930s Aust.](/pictures/thumb/CL166-124.JPG?v=1492487433)