Henry Lawson
1928. Drypoint, titled, dated and signed in pencil in lower margin, 32.9 x 25.1cm. Slight stains. Framed. More
Australian
Julian Ashton Esq.
1928. Drypoint, editioned 9/30, titled, signed and dated in pencil in lower margin, 19.3 x 15.7cm. Minor surface loss to image and foxing. More
Calder House, Eveleigh
c1928. Etching, titled, signed and editioned 4/50 in pencil in lower margin, 22.7 x 30.2cm. Cracking to plate mark due to excessive impression, repaired tear to upper margin, slight foxing to margins, old mount burn. This image was exhibited in 1928 at the 8th Annual Exhibition of the Australian Painter-Etchers’..... More
Windmill St, Old Sydney
1928. Etching with aquatint, editioned 4/50, titled and signed in pencil in lower margin, 22.5 x 21.5cm. Minor paper remnants to right portion of image, repaired tears and missing portions to margins. Laid down on acid-free paper. Mendelssohn #89. Held in the National Gallery of Australia and Art Gallery of..... More
Australie
1928. Engraving, annotated “epreuve d’artiste (artist’s proof)” and signed in pencil in lower margin, 23.7 x 33.9cm. Paper loss to upper margin, small tear to edge of lower margin, old mount burn. From the suite entitled Atlas, which consisted of seven engravings of the continents, produced in an edition of..... More
Melbourne Fashion Show Invitations
1919-1928. Group of 12 pamphlets printed in letterpress with colour lineblock or process screen illustrations, all with dates in text, sizes from 17.2 x 12.2cm to 30.7 x 24.7cm. Some with slight creases or stains. Most are invitations to previews of the spring and summer fashion collections of Melbourne department..... More
![Item #CL192-57 [Two Men Drinking From A Bucket, Malta]. Weaver Hawkins aka Raokin, Brit./Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL192-57.jpg?width=320&height=427&fit=bounds&auto=webp&v=1524199242)
[Two Men Drinking From A Bucket, Malta]
c1928. Woodcut, signed “Raokin” in pencil in lower margin, 11 x 13.3cm. Slight foxing overall, old tape remnants, tears and creases to margins. Held in NGA. While living in Malta from 1927 to 1930, Hawkins adopted the name “Raokin” to avoid publicity, which described him as a “wounded artist” in..... More
The Peep Show
1928. Woodcut, initialled “P.” in block lower right, titled and signed in pencil in lower margin, 21.8 x 20.3cm. Minor creases and ink stains to margins. Framed. Ref: Butler #20. Held in AGNSW; NGA; NGV. More
The Old Captain
1929. Colour linocut, initialled in block lower left, signed, editioned 23/25 and titled in pencil in lower margin, 21.6 x 18.3cm. Minor paper loss to left edge of image. Portrait of Flett’s grandfather. Illustrated in Butler, A Survey of Australian Relief Prints 1900-1950, p44. Held in Castlemaine Art Gallery. More
![Item #CL183-59 Pittwater [NSW]. Herbert Gallop, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-59.jpg?width=320&height=427&fit=bounds&auto=webp&v=1486012803)
Pittwater [NSW]
c1929. Etching and aquatint, titled and signed in pencil in lower margin, 20.1 x 24.8cm. Repaired tears to centre and lower left, minor stains to upper portion of image, foxing to margins, slight cracking to lower platemark. Laid down on acid-free tissue. Ref: SLNSW. More
“Grant Me, Oh Lord, A Little Temptation Ere Yet It Is Too Late”
c1929. Drypoint, annotated “A/P. edition 40” and signed in pencil in lower margin, titled in pencil verso, 22.7 x 15.1cm. Minor scuffs to image and foxing to margins. More
“Ah Mr Hardy If You Only Knew All The Circumstances”
c1929. Drypoint, titled and signed in pencil in lower margin, 15 x 22.7cm. Slight stains to margins. More
“Native Legends”
1929. Letterpress booklet with process screen illustrations, 15pp, 21.6 x 13.8cm. Minor stains and crinkles overall, foxing, paper loss, tears, creases and old tape to loose cover. Text on title page includes “Hunkin, Ellis & King, Ltd., Printers and Publishers, Pirie Street, Adelaide.” The book cover features a portrait of..... More
![Item #CL176-25 Old House Near Berry’s Bay [Sydney, NSW]. Ella Dwyer, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-25.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492661044)
Old House Near Berry’s Bay [Sydney, NSW]
1929. Etching, editioned 4/50, titled, annotated, signed and dated in pencil in lower margin, 18.1 x 23.5cm. Rubbing to signature and date. Annotation reads “said to have been home of ‘Commodore’ Blue. Built 1819.” Held in NGA. Billy Blue, a West-Indian convict who arrived in Australia in 1801, was granted..... More
![Item #CL176-26 Susannah And The Youngers [Includes Artists Lionel And Norman Lindsay]. Will...](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-26.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492661045)
Susannah And The Youngers [Includes Artists Lionel And Norman Lindsay]
c1929. Drypoint, annotated “Our Youth no. 1,” titled, and signed in pencil in lower margin, 27.7x 21.4cm. Slight foxing, old mount burn. Held in National Gallery of Australia. Title is most likely a play on the story “Susanna and the Elders” from the biblical Book of Daniel. Brother-in-law to Norman..... More
![Item #CL176-27 Temptation No. [2]. Fortunately, Young Woman, One Has No Aesthetic Sense....](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-27.jpg?width=320&height=427&fit=bounds&auto=webp&v=1492661046)
Temptation No. [2]. Fortunately, Young Woman, One Has No Aesthetic Sense
c1929. Drypoint, titled and signed in pencil in lower margin, 15.1 x 21.3cm. Old mount burn. Held in National Gallery of Australia. More
Three Kookaburras
1929. Etching, editioned 31/85, titled, signed and dated in pencil, 24.6 x 14.7cm. Old mount burn. More
![Item #CL192-44 [Landscape]. Thomas Balfour Garrett, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL192-44.jpg?width=320&height=427&fit=bounds&auto=webp&v=1524199230)
[Landscape]
c1929. Monotype with added gouache, signed in image lower right, 26.9 x 24.4cm. Tear and slight discolouration to centre of image, minor missing portion to left edge. Thomas Balfour Garrett, a church minister in Melbourne, became an artist much later in life, eventually moving to Sydney. His first exhibition was..... More
![Item #CL192-131 Kurrajong, The Citrus Orchard [NSW]. Adelaide Perry, Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL192-131.jpg?width=320&height=427&fit=bounds&auto=webp&v=1524199155)
Kurrajong, The Citrus Orchard [NSW]
c1929. Linocut, 15.1 x 22.2cm. Minor paper loss to image lower centre, slight foxing to upper right corner. Provenance: Artarmon Galleries. Held in NGA; AGNSW. More
![Item #CL192-176 Pullen Creek, Moggil [Sic] Road [Queensland]. Edward S. Watson, Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL192-176.jpg?width=320&height=427&fit=bounds&auto=webp&v=1524199194)
Pullen Creek, Moggil [Sic] Road [Queensland]
1929. Drypoint, signed and dated in plate lower left, editioned 1/50, titled and signed in pencil below image, 24.1 x 15.3cm. Minor surface loss and paper remnants to image lower left and centre right, stains and crinkles to margins, repaired tears to lower portion of image, old mount burn. Born..... More
Sea Rivalry
c1930s. Etching, captioned “HM Sloop Investigator, 1802” in plate lower centre, editioned 29/50, titled and signed in ink in lower margin, 26.6 x 22.6cm. Minor foxing to margins. Image depicts Flinders’ Investigator meeting Baudin’s Le Geographe in Encounter Bay, South Australia on 7 April 1802. More
Sea Ruffians
c1930s. Etching, captioned “Bounty” in plate lower centre, editioned 16/50, titled and signed in ink in lower margin, 22.8 x 29cm. Depicts the mutiny on the Bounty on the morning of 28 April 1789. More
The Fish Story
c1930s. Etching, titled and signed in pencil in lower margin, 15 x 16.5cm. Old mount burn. Laid down on acid-free paper. More
Gentlemen Of Consequence
c1930s. Etching, titled and signed in pencil in lower margin, 12.3 x 19.7cm. Minor foxing, old mount burn. More
Old Houses, Near Pyrmont Bridge, Sydney
c1930s. Etching, annotated, titled and signed in pencil and ink in lower margin, 16.2 x 24.6cm. Slight cracks to plate mark due to excessive impression, tape to corners of margins. Annotations include a cancelled edition note and “Old street across Pyrmont Bridge. Etched on zinc. These houses were drawn and..... More