c1928. Woodcut, signed “Raokin” in pencil in lower margin, 11 x 13.3cm. Slight foxing overall, old tape remnants, tears and creases to margins. Held in NGA. While living in Malta from 1927 to 1930, Hawkins adopted the name “Raokin” to avoid publicity, which described him as a “wounded artist” in..... More about Two Men Drinking From A Bucket, Malta

1929. Colour linocut, initialled in block lower left, signed, editioned 23/25 and titled in pencil in lower margin, 21.6 x 18.3cm. Minor paper loss to left edge of image. Portrait of Flett’s grandfather. Illustrated in Butler, A Survey of Australian Relief Prints 1900-1950, p44. Held in Castlemaine Art Gallery. More about The Old Captain

c1929. Drypoint, annotated “A/P. edition 40” and signed in pencil in lower margin, titled in pencil verso, 22.7 x 15.1cm. Minor scuffs to image and foxing to margins. More about “Grant Me, Oh Lord, A Little Temptation Ere Yet It Is Too Late”

1929. Letterpress booklet with process screen illustrations, 15pp, 21.6 x 13.8cm. Minor stains and crinkles overall, foxing, paper loss, tears, creases and old tape to loose cover. Text on title page includes “Hunkin, Ellis & King, Ltd., Printers and Publishers, Pirie Street, Adelaide.” The book cover features a portrait of... More about “Native Legends”

c1929. Drypoint, annotated “Our Youth no. 1,” titled, and signed in pencil in lower margin, 27.7x 21.4cm. Slight foxing, old mount burn. Held in National Gallery of Australia. Title is most likely a play on the story “Susanna and the Elders” from the biblical Book of Daniel. Brother-in-law to Norman..... More about Susannah And The Youngers [Includes Artists Lionel And Norman Lindsay

1929. Etching, editioned 31/85, titled, signed and dated in pencil, 24.6 x 14.7cm. Old mount burn. More about Three Kookaburras

c1929. Linocut, 15.1 x 22.2cm. Minor paper loss to image lower centre, slight foxing to upper right corner. Provenance: Artarmon Galleries. Held in NGA; AGNSW. More about Kurrajong, The Citrus Orchard [NSW

c1930s. Colour woodcut, initialled in block lower left, 20.1 x 22.8cm. Artist, printmaker and teacher Jordan is best known for his bookplates and woodcuts. His work is held in numerous Australian institutions, including the National Library, National Gallery of Art, Hamilton Art Gallery and Benalla Art Gallery. More about Parrots

c1930s. Etching, captioned “HM Sloop Investigator, 1802” in plate lower centre, editioned 29/50, titled and signed in ink in lower margin, 26.6 x 22.6cm. Minor foxing to margins. Image depicts Flinders’ Investigator meeting Baudin’s Le Geographe in Encounter Bay, South Australia on 7 April 1802. More about Sea Rivalry

c1930s. Etching, titled and signed in pencil in lower margin, 15 x 16.5cm. Old mount burn. Laid down on acid-free paper. More about The Fish Story

c1930s. Etching, annotated, titled and signed in pencil and ink in lower margin, 16.2 x 24.6cm. Slight cracks to plate mark due to excessive impression, tape to corners of margins. Annotations include a cancelled edition note and “Old street across Pyrmont Bridge. Etched on zinc. These houses were drawn and..... More about Old Houses, Near Pyrmont Bridge, Sydney

c1930s. Etching and aquatint, editioned 7/50, titled and signed in pencil in lower margin, 21.4 x 16.2cm. Slight old mount burn. More about The Med School Doorway [University of Sydney

c1928-1930. Colour linocut, monogrammed in block lower left, annotated “linocut”, titled and signed in ink in lower margin, 23.2 x 15.6cm. Slight foxing, crinkles and perforations to margins. Held in the National Gallery of Australia collection. More about Blue Wrens