c1929. Drypoint, titled and signed in pencil in lower margin, 15 x 22.7cm. Slight stains to margins. More about “Ah Mr Hardy If You Only Knew All The Circumstances”

1929. Etching, editioned 4/50, titled, annotated, signed and dated in pencil in lower margin, 18.1 x 23.5cm. Rubbing to signature and date. Annotation reads “said to have been home of ‘Commodore’ Blue. Built 1819.” Held in NGA. Billy Blue, a West-Indian convict who arrived in Australia in 1801, was granted... More about Old House Near Berry’s Bay [Sydney, NSW

c1929. Drypoint, titled and signed in pencil in lower margin, 15.1 x 21.3cm. Old mount burn. Held in National Gallery of Australia. More about Temptation No. [2]. Fortunately, Young Woman, One Has No Aesthetic Sense

c1929. Monotype with added gouache, signed in image lower right, 26.9 x 24.4cm. Tear and slight discolouration to centre of image, minor missing portion to left edge. Thomas Balfour Garrett, a church minister in Melbourne, became an artist much later in life, eventually moving to Sydney. His first exhibition was... More about Landscape

1929. Drypoint, signed and dated in plate lower left, editioned 1/50, titled and signed in pencil below image, 24.1 x 15.3cm. Minor surface loss and paper remnants to image lower left and centre right, stains and crinkles to margins, repaired tears to lower portion of image, old mount burn. Born... More about Pullen Creek, Moggil [Sic] Road [Queensland

c1930s. Etching, captioned “HM Sloop Investigator, 1802” in plate lower centre, editioned 29/50, titled and signed in ink in lower margin, 26.6 x 22.6cm. Minor foxing to margins. Image depicts Flinders’ Investigator meeting Baudin’s Le Geographe in Encounter Bay, South Australia on 7 April 1802. More about Sea Rivalry

c1930s. Etching, titled and signed in pencil in lower margin, 15 x 16.5cm. Old mount burn. Laid down on acid-free paper. More about The Fish Story

c1930s. Etching, annotated, titled and signed in pencil and ink in lower margin, 16.2 x 24.6cm. Slight cracks to plate mark due to excessive impression, tape to corners of margins. Annotations include a cancelled edition note and “Old street across Pyrmont Bridge. Etched on zinc. These houses were drawn and..... More about Old Houses, Near Pyrmont Bridge, Sydney

c1930s. Etching and aquatint, editioned 7/50, titled and signed in pencil in lower margin, 21.4 x 16.2cm. Slight old mount burn. More about The Med School Doorway [University of Sydney

c1930s. Colour linocut, monogrammed in block lower right, signed in pencil in lower margin, 18.8 x 28cm. Minor discolouration overall, laid down on original backing. More about Rural Scene

c1928-1930s. Consisting of 38 items including hand-coloured dye-line print plan, panoramic and other silver gelatin photographs, pencil drawing, etching, gouache illustration design, colour lithograph poster, certificate, and various process lithograph and process screen prints, several items signed or dated, most titled or captioned, sizes from 6 x 10.5cm to 100.3... More about Sydney Harbour Bridge Collection

c1930s. Drypoint, titled, annotated “Est. by John McArthur [sic], 1793. Final” and signed in pencil in lower margin, 18.9 x 28.8cm. Small stain to image lower centre, old mount burn. English-born printmaker, painter and art teacher Abbott migrated to Australia in 1910, eventually settling in Melbourne, Victoria, after teaching art... More about The First Sheep Station [Elizabeth Farm

c1930s. Etching and aquatint, editioned 9/25 and signed in pencil in lower margin, 29.1 x 21.5cm. Slight foxing, old mount burn. This etching is from a pen and ink wash drawing at Halvorsen’s Boatshed, which at that time was located in Neutral Bay, NSW, before relocating to Ryde in 1939... More about Drying The Sails (Halvorsen’s