[Vase Of Peonies]
c1920s. Colour woodcut, text and artist’s seal in Japanese in block centre right, numbered “no. 15” and signed in English in pencil in lower margin, 27.2 x 20.3cm. More
c1920s. Colour woodcut, text and artist’s seal in Japanese in block centre right, numbered “no. 15” and signed in English in pencil in lower margin, 27.2 x 20.3cm. More
c1920s. Etching and drypoint, signed in pencil on plate mark below image, titled in another hand in pencil in lower margin, 15 x 30.2cm. Slight old mount burn. More
c1920s. Lithograph, signed in image lower right, 14.3 x 17.9cm. Minor rubbing and creases to margins. More
c1920s. Drypoint, signed in pencil in lower margin, 16.3 x 37.8cm. Slight foxing overall, old mount burn. More
c1920s. Etching, signed in pencil in lower margin, inscribed “R. Hodges” in ink verso, 10.7 x 32.9cm. Minor old mount burn. More
c1920s. Etching, editioned 3/30, titled and signed in lower margin, 17.5 x 22.6cm. Slight stains to image lower centre, repaired missing portions to margins, old mount burn. Provenance: Artist’s son, Adrian Ashton. More
c1920s. Lithograph, signed in ink in lower margin, 32.2 x 24.3cm. Minor foxing and paper loss to margins. More
c1920s. Colour woodcut with gouache, titled and signed in pencil in lower margin, 15.1 x 13.7cm. Old mount burn. Very uncommon image. More
c1920s. Colour metal relief, signed in block lower right, titled in pencil below image, 35.6 x 22.8cm. The Quedlinburg castle complex was founded by King Henry and built up by Emperor Otto I in 936 AD. In 1944 the medieval court and old town of Quedlinburg were put on the..... More
c1920s. Etching, inscribed “to Muriel Hayes” and signed in pencil in lower margin, 19.3 x 24.5cm. Old mount burn. More
c1920s. Etching, inscribed “to Muriel Hayes” and signed in pencil in lower margin, 20.4 x 25cm. Old mount burn. More
c1920. Drypoint, signed in plate upper right, editioned 31/100 and signed in pencil in lower margin, 16.3 x 14cm. More
c1920s. Etching, titled in image lower left, signed in pencil in lower margin, 29 x 18.1cm. Slight foxing to lower margin. More
1920. Colour woodcut, titled, initialled and dated in block lower right, signed in pencil on image lower right, 34.5 x26.6cm. More
c1920s. Wood engraving, editioned 7/25 and signed in pencil in lower margin, 14.6 x 19.6cm. Slight mount burn. More
c1920s. Etching, signed in pencil in lower margin, 21.2 x 30cm. Discolouration and pin-holes to edges of margins. More
c1920s. Drypoint, artist’s blind stamp and titled in ink in lower margin, 7.5 x 11.1cm. Blind stamp reads “Original drypoint etching by J. Francis Smith.”. More
c1920s. Drypoint with etching, aquatint and soft-ground, editioned 60/93, initialled and signed by Walcot and titled by publisher in pencil in lower margin, 18.7 x 29.4cm. Held in de Young Museum, San Francisco. Born at Lustdorf, near Odessa in a mixed Scottish-Russian family, Walcot was a British architect graphic artist..... More
c1920s. Drypoint, signed in pencil in lower margin, 12.4 x 32.5cm. More
c1920s. Etching, signed by Wyllie in pencil in lower margin, titled in pencil in another hand on original mount fragment verso, 35.2 x 25.2cm. Tear to right margin not affecting image. More
c1920s. Etching with drypoint, 30.1 x 17.5cm. Slight foxing to lower portion of image and margins. This etching appears to be a working proof. Held in Auckland Art Gallery. Trevor Lloyd was a pioneer of etching in New Zealand and one of the country’s leading political cartoonists. Initially, he was..... More
1920. Lithograph, captioned and dated “30 April 1920” in image centre right, signed in pencil below image, 31.5 x 21.5cm. Slight paper loss and stains to edges not affecting image. This image appears as plate 1 from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time). Held..... More
c1920s. Drypoint, artist’s signature stamped in lower margin, 29.4 x 27.1cm. Slight foxing. Framed. The hand drum being played in this image is a mridangam, also known as tannumai. It is a percussion instrument from India, of ancient origin. Elyse Lord’s images “typically draw on the Art Deco movement and..... More
c1920s. Pencil and pastel drawing, monogrammed in block lower right, 28 x 25.5cm. Minor perforation to image lower centre. Framed. “The sarod is a stringed instrument, used mainly in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments.” Ref: Wiki..... More
c1920s. Drypoint, signed in pencil below image, typed title in exhibition label verso, 22.4 x 37.8cm. Slight foxing, old mount burn. Framed. Exhibition label includes “Royal Exchange Art Gallery, London.” Described as “the most distinguished marine artist of his day”, William Lionel Wyllie was a prolific English painter of maritime..... More