c1900. Oil on canvas, 44.5 x 53cm. Slight perforations to image edges and paint loss to lower portion, minor soiling to upper portion of image. Period frame. More

c1930s. Nine pen and ink drawings, most with white gouache, one with watercolour, each signed “M. Thomassen” in image, all titled in ink and most numbered, annotated “W.A.P.” in ink or pencil on backing below image, 15.6 x 11.7cm to 12.5 x 17.1cm. Slight foxing overall, each tipped to original..... More

c1930s. (1) Walter Jardine (Australian, 1884-1970). [Dr William Gilbert “W.G.” Grace]. c1930s. Watercolour, signed upper left, 18.2 x 13.2cm. Slight soiling. Design for the accompanying card, An Ideal Cricket Eleven Series. No. 1: Dr W.G. Grace, based on a 1908 photograph of Grace when he made his final first-class appearance..... More

c1880s. Watercolour with gouache, signed “G.W. Whiter” in pencil lower left, titled in ink in another hand on original accompanying label mounted below image, 43.2 x 59cm. Minor paper loss to image edges. One of the last ships built for the New Zealand Shipping Company, the Scottish-built Wanganui made her..... More

1940. Pen and ink with gouache, signed [Will Mahony (Aust., 1905-1989)] in gouache and titled in pencil with publishing annotations on image and margins, publishing stamp with date verso, 34.2 x 41.6cm. Missing portions and slight soiling to margins. Caption in image reads “During his war cabinet visit to Brisbane..... More

c1870s. Pencil drawing, titled and annotated lower left, 13.5 x 31.1cm. Old folds, minor creases, discolouration. Annotation reads “Copy of Conrad Martens sketch, about 1847.” This drawing is most likely by Rosalie Ann Thorne (Aust., 1850-1927), reputedly a pupil of Conrad Martens. She was a friend of his daughter, Rebecca..... More

1870. Pencil drawing, titled, dated “April 12th, 1870” and annotated lower left, 20.5 x 27.7cm. Reinforced fold to centre, slight discolouration. Annotation reads “From ‘Manyung’ grounds.” This drawing is most likely by Rosalie Ann Thorne (Aust., 1850-1927), reputedly a pupil of Conrad Martens. She was a friend of his daughter..... More

1829. Pair of watercolours with ink and gouache, captioned and dated “Oct 21st, 1829” or “Nov’r 14th, 1829” in ink throughout, 32 x 23.3cm, 27.5 x 18.6cm. Minor foxing and stains. Framed. Captions read “Peruvian Flycatcher, inhabits Paraguay; Crimson Bellied Flycatcher, inhabits N.S. Wales; Duree Finch, inhabits Bengal” and “Banksain..... More

1816. Double-sided watercolour with ink and pencil, one image in panorama format with two images verso titled, dated “March 1st” or “March 17th, 1816” with obscured signature “D. Rob…” in ink lower right, 18.7 x 16.9cm (panorama). Old vertical fold, missing portions to corners and fold, pinholes, slight foxing and..... More

c1863. Pen and ink drawing, 21 x 22cm. Missing portions, tears and stains to edges and image, old glue stains verso. This drawing is a partial study for plate number 4, which was one of the 20 illustrations from Samuel Taylor Coleridge’s poem The Rime of the Ancient Mariner. The..... More

c1930s. Watercolour, 30.7 x 25.3cm. Pinholes, slight surface loss and missing portions to edges. Provenance: artist’s estate. More

c1870s-1890s. Pencil and wash, annotated and captioned in pencil upper right, 41.7 x 59.4cm. Old vertical fold, minor creases, some perforations to image, tears to edges. Annotations include notes for colours such as “Grey clouds, some sky near horizon. Water greyish colour, breeze south-west. P. Sienna sea weed on some..... More

c1851. Pencil drawing, titled lower right, 14 x 20.7cm. Minor foxing, soiling and creases. Ref: State Library of NSW. More