![Central Station, Sydney]. Robert Emerson Curtis, Australian](/pictures/thumb/CL183-35_1.JPG?v=1486091832)
1933. Pair of pencil drawings, one with ink, each captioned, dated and initialled in pencil lower right, 23.2 x 20.3cm and 25.9 x 20.3cm (paper). Minor creases. Captions read “Central Railway Station” and “Central Station Tower, Sydney.”. More
![Pyrmont II [NSW]. Miles Evergood, Australian](/pictures/thumb/CL170-7_1.JPG?v=1492493820)
1933. Ink and wash, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 7.4 x 10.4cm. Minor creases to lower edge. The reverse side of the image features a printed invitation from “Miss Yolande Proctor to view an exhibition of oils..... More
c1931-1933. Watercolour, 25.4 x 17.9cm. A watercolour sketch, possibly by Polly, Evergood’s de facto wife, appears verso. Ref: GH80. More
c1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 17.8cm. Slight mount burn to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p41. Also known as Flame Tree. Ref: GH74. More
![“Boomerang”, Elizabeth Bay, [Sydney]. Miles Evergood, Australian](/pictures/thumb/CL170-27.JPG?v=1492493791)
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 19 x 28.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p59. Ref: GH75. Exhibited in Argosy Gallery, Sydney, 1933. More
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.5 x 17.9cm. Artist’s home depicted in image. Illustrated and referenced in Hammer, Miles Evergood: No end of passion, 2013, pages 52 and 63. Ref: GH78. More
![Pinkenba [Brisbane, Queensland]. Miles Evergood, Australian](/pictures/thumb/CL170-29.JPG?v=1492493792)
1933. Watercolour, 13.1 x 17.2cm. Framed. Exhibited in Argosy Gallery, Sydney, 1933. Ref: GH213. More
c1933. Oil on board, signed by Evergood lower right, titled by the artist’s great-niece Gael Hammer in ink verso, 39.7 x 29.6cm. Slight paper remnants to upper and lower left corners. Framed. Ref: GH44. More
![Flowers In Vase]. Miles Evergood, Australian](/pictures/thumb/CL170-43.JPG?v=1492493805)
c1933. Oil on board, signed lower left, 39.4 x 29cm. Framed. Ref: GH65. More
c1933. Oil on canvas, signed lower right, 29 x 39cm. Slight surface loss to upper left corner, laid down on board. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p47. Ref: GH192. More
![Gladioli [In Blue Vase]. Miles Evergood, Australian](/pictures/thumb/CL170-45.JPG?v=1492493807)
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 50.7 x 40.4cm. Slight surface loss to lower left corner, minor chips to edges. Ref: GH21. More
c1933. Oil on canvas, signed lower right, 51.2 x 40.8cm. Minor wear to edges. Ref: GH38. More
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 35.9 x 27.8cm. Minor crazing. Ref: GH6. More
![Tree With Fence]. Miles Evergood, Australian](/pictures/thumb/CL170-48.JPG?v=1492493811)
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.5cm. Ref: GH36. More
c1933. Oil on canvas, signed by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 30.6 x 40cm. Surface loss to image centre right. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p62. Ref: GH37. More
![Penseroso [Polly, Wife Of Artist]. Miles Evergood, Australian](/pictures/thumb/CL170-50.JPG?v=1492493814)
c1933. Oil on board, signed lower left, 40.5 x 30.1cm. Slight stains overall, chips to edges. A landscape painting appears verso. Ref: GH52. More
![Arrarra [Northern Territory]. Arthur Murch, Australian](/pictures/thumb/CL192-109.JPG?v=1524199139)
1933. Sanguine drawing, titled, signed and dated lower right, 36.7 x 56.7cm (paper). Pinholes, repaired tears, creases and missing portions, slight stains to edges. Laid down on acid-free tissue. In 1933, Arthur Murch accompanied a professor of physiology, H. Whitridge Davies, on a scientific expedition to Central Australia as a...... More
![Hotpoint [Hardtmuth Lahm, Cartoonist]. Unk White, Australian](/pictures/thumb/CL181-149.JPG?v=1486091705)
c1934. Ink and wash with white gouache, overlay to face of image, captioned lower left, signed and various annotations outside image, 29.2 x 8.2cm. Soiling, small perforations to image lower right. Annotations read “H. Lahm (Hotpoint), 1934” and “Study of an artist.” Ref: DAAO. More
c1934. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.5 x 40.7cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p60. Ref: GH62. More
1934. Watercolour, signed and dated in pencil lower right, signed and titled in pencil verso, 38.6 x 52.4cm. Pinholes to edges, slight mount burn. More
c1933-1935. Watercolour, 25.5 x 17.7cm. Another watercolour appears verso. Polly was Evergood’s de facto wife. More
1935. Oil on board, signed and dated lower left, 30.5 x 40.5cm. Slight chips to corners. Ref: GH31. More
c1935. Oil on board, signed lower right, 30.7 x 40.3cm. Crazing to surface, slight chips and surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p53. Kozminsky Gallery, Melb., label verso. Ref: GH32. More
c1935. Oil on canvas, signed lower right by Evergood, titled by wife Polly Evergood in pencil and annotated and signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.4 x 40.5cm. Slight wear to edges, laid down on board. Annotation includes “Exhibited Athenaeum Gallery Dec. 1935..... More
![Bayside]. Sybil Craig, Aust](/pictures/thumb/CL166-39.JPG?v=1492486417)