Mount Nebo, Queensland
c1931-1932. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. Ref: GH83. More about Mount Nebo, Queensland
Australian
![Mt Nebo No. 1 [Queensland]. Miles Evergood, Australian](/pictures/thumb/CL170-39.JPG?v=1492493801)
Mt Nebo No. 1 [Queensland]
c1931-1932. Oil on canvas, signed lower right by Evergood, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.8cm. Surface cracking overall, slight surface loss to edges, laid down on board. Ref: GH60. More about Mt Nebo No. 1 [Queensland
Mount Nebo No. 2, Queensland
c1932. Oil on canvas, signed lower left, 30.3 x 40.6cm. Laid down on board. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p64. Mount Nebo is 18km north of Brisbane. Ref: GH26. More about Mount Nebo No. 2, Queensland
Queensland Landscape
c1932. Oil on board, signed lower left, 30 x 40cm. Minor surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p43. Ref: GH43. More about Queensland Landscape
![Dorothy Thornhill]. Douglas Dundas, Aust](/pictures/thumb/CL192-30.JPG?v=1524199209)
[Dorothy Thornhill]
1932. Pencil drawing, signed and dated lower right, 28.4 x 23.3cm. Slight foxing and paper loss to image centre. Image depicts the artist’s wife, painter Dorothy Thornhill. Dundas studied at the Sydney Art School with Julian Ashton. In 1927 he won the Society of Artists’ Travelling Scholarship, which enabled him... More about Dorothy Thornhill
Grey Cloak
1933. Watercolour with pencil, signed and dated in ink lower right, titled in pencil below image, 35.4 x 19.6cm. Minor stains to image, pinholes, tears and stains to margins. Under “Personals” in the Sydney Morning Herald on 29 June 1936 a classified reads “Mr H. Neville Barker, an artist, who... More about Grey Cloak
![Central Station, Sydney]. Robert Emerson Curtis, Australian](/pictures/thumb/CL183-35_1.JPG?v=1486091832)
[Central Station, Sydney]
1933. Pair of pencil drawings, one with ink, each captioned, dated and initialled in pencil lower right, 23.2 x 20.3cm and 25.9 x 20.3cm (paper). Minor creases. Captions read “Central Railway Station” and “Central Station Tower, Sydney.”. More about Central Station, Sydney
![Pyrmont II [NSW]. Miles Evergood, Australian](/pictures/thumb/CL170-7_1.JPG?v=1492493820)
Pyrmont II [NSW]
1933. Ink and wash, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 7.4 x 10.4cm. Minor creases to lower edge. The reverse side of the image features a printed invitation from “Miss Yolande Proctor to view an exhibition of oils..... More about Pyrmont II [NSW
Polly In Red Dress
c1931-1933. Watercolour, 25.4 x 17.9cm. A watercolour sketch, possibly by Polly, Evergood’s de facto wife, appears verso. Ref: GH80. More about Polly In Red Dress
Coral Tree, Brisbane
c1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 17.8cm. Slight mount burn to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p41. Also known as Flame Tree. Ref: GH74. More about Coral Tree, Brisbane
![“Boomerang”, Elizabeth Bay, [Sydney]. Miles Evergood, Australian](/pictures/thumb/CL170-27.JPG?v=1492493791)
“Boomerang”, Elizabeth Bay, [Sydney]
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 19 x 28.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p59. Ref: GH75. Exhibited in Argosy Gallery, Sydney, 1933. More about “Boomerang”, Elizabeth Bay, [Sydney
Interior, 35 Union St, Waverton, Sydney
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.5 x 17.9cm. Artist’s home depicted in image. Illustrated and referenced in Hammer, Miles Evergood: No end of passion, 2013, pages 52 and 63. Ref: GH78. More about Interior, 35 Union St, Waverton, Sydney
![Pinkenba [Brisbane, Queensland]. Miles Evergood, Australian](/pictures/thumb/CL170-29.JPG?v=1492493792)
Pinkenba [Brisbane, Queensland]
1933. Watercolour, 13.1 x 17.2cm. Framed. Exhibited in Argosy Gallery, Sydney, 1933. Ref: GH213. More about Pinkenba [Brisbane, Queensland
Gum And Wattle
c1933. Oil on board, signed by Evergood lower right, titled by the artist’s great-niece Gael Hammer in ink verso, 39.7 x 29.6cm. Slight paper remnants to upper and lower left corners. Framed. Ref: GH44. More about Gum And Wattle
![Flowers In Vase]. Miles Evergood, Australian](/pictures/thumb/CL170-43.JPG?v=1492493805)
[Flowers In Vase]
c1933. Oil on board, signed lower left, 39.4 x 29cm. Framed. Ref: GH65. More about Flowers In Vase
Roses And Delphiniums — Dynamic Symmetry
c1933. Oil on canvas, signed lower right, 29 x 39cm. Slight surface loss to upper left corner, laid down on board. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p47. Ref: GH192. More about Roses And Delphiniums — Dynamic Symmetry
![Gladioli [In Blue Vase]. Miles Evergood, Australian](/pictures/thumb/CL170-45.JPG?v=1492493807)
Gladioli [In Blue Vase]
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 50.7 x 40.4cm. Slight surface loss to lower left corner, minor chips to edges. Ref: GH21. More about Gladioli [In Blue Vase
Red Apples
c1933. Oil on canvas, signed lower right, 51.2 x 40.8cm. Minor wear to edges. Ref: GH38. More about Red Apples
Study Of Flowers In A Blue Vase
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 35.9 x 27.8cm. Minor crazing. Ref: GH6. More about Study Of Flowers In A Blue Vase
![Tree With Fence]. Miles Evergood, Australian](/pictures/thumb/CL170-48.JPG?v=1492493811)
[Tree With Fence]
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.5cm. Ref: GH36. More about Tree With Fence
The Red House
c1933. Oil on canvas, signed by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 30.6 x 40cm. Surface loss to image centre right. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p62. Ref: GH37. More about The Red House
![Penseroso [Polly, Wife Of Artist]. Miles Evergood, Australian](/pictures/thumb/CL170-50.JPG?v=1492493814)
Penseroso [Polly, Wife Of Artist]
c1933. Oil on board, signed lower left, 40.5 x 30.1cm. Slight stains overall, chips to edges. A landscape painting appears verso. Ref: GH52. More about Penseroso [Polly, Wife Of Artist
![Arrarra [Northern Territory]. Arthur Murch, Australian](/pictures/thumb/CL192-109.JPG?v=1524199139)
Arrarra [Northern Territory]
1933. Sanguine drawing, titled, signed and dated lower right, 36.7 x 56.7cm (paper). Pinholes, repaired tears, creases and missing portions, slight stains to edges. Laid down on acid-free tissue. In 1933, Arthur Murch accompanied a professor of physiology, H. Whitridge Davies, on a scientific expedition to Central Australia as a.... More about Arrarra [Northern Territory
![Hotpoint [Hardtmuth Lahm, Cartoonist]. Unk White, Australian](/pictures/thumb/CL181-149.JPG?v=1486091705)
Hotpoint [Hardtmuth Lahm, Cartoonist]
c1934. Ink and wash with white gouache, overlay to face of image, captioned lower left, signed and various annotations outside image, 29.2 x 8.2cm. Soiling, small perforations to image lower right. Annotations read “H. Lahm (Hotpoint), 1934” and “Study of an artist.” Ref: DAAO. More about Hotpoint [Hardtmuth Lahm, Cartoonist
Gum Blossom And Wattle
c1934. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.5 x 40.7cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p60. Ref: GH62. More about Gum Blossom And Wattle