![Still Life With Peaches And Flowers]. fl. Aust., s](/pictures/thumb/CL176-110.JPG?v=1492661807)
1935. Watercolour, signed and dated lower right, 36.1 x 33.3cm. Insect damage lower right, slight foxing, laid down on original backing. Provenance: artist’s estate. More about Still Life With Peaches And Flowers
![Susannah]. Douglas Dundas . After Auguste Renoir, Aust., French](/pictures/thumb/CL183-47.JPG?v=1486091837)
c1936. Oil on canvas, signed in pencil on stretcher verso, 59.6 x 49.7cm. Slight scuffing and paint loss. Framed. Provenance: Dundas and Thornhill estate. The image seems to be have been inspired by one of the figures in Renoir’s 1917 painting depicting two bathers. Ref: Athenaeum (USA). Renoir’s model may..... More about Susannah
1936. Oil on canvas, signed and dated lower right, titled and signed in pencil on stretcher verso, 64.5 x 44.5cm. Minor scuffing and perforations lower right. Framed. Provenance: Dundas and Thornhill estate. Painter and teacher at the National Art School for almost forty years, Thornhill was the second wife of... More about Susannah
c1936. Oil on board, signed lower left, 30.4 x 40.6cm. Dents and slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p68. Ref: GH1. More about Bush Fire
![Beaumaris [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-56.JPG?v=1492493816)
c1936. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.5 x 40.7cm. Minor wear to edges. Annotation reads “Miles and Polly lived at 20 Surf St, Beaumaris, Melbourne, in 1936.” Ref: GH17. More about Beaumaris [Victoria
c1936. Oil on board, signed lower right, 30.5 x 40.7cm. Some crazing, slight surface loss to image. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p90. Ref: GH49. More about Marine No. 8
![Gum Trees]. Adelaide Perry, Aust](/pictures/thumb/CL192-134.JPG?v=1524199157)
1936. Oil on board, signed and dated in pencil lower left, 25.5 x 35.5cm. Minor chips to edges. More about Gum Trees
![Marine With Figure, Beaumaris [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-58.JPG?v=1492493817)
c1937. Oil on board, signed lower right, 29.2 x 39cm. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p78. Ref: GH20. More about Marine With Figure, Beaumaris [Victoria
![Seascape]. Miles Evergood, Australian](/pictures/thumb/CL170-59.JPG?v=1492493817)
c1937. Oil on board, signed lower right, 29.5 x 39.8cm. Framed. Ref: GH27. More about Seascape
![Trees With Sunlight]. Miles Evergood, Australian](/pictures/thumb/CL170-60.JPG?v=1492493818)
1937. Oil on board, signed and dated lower left, 40.3 x 50.8cm. Minor chips to edges. Ref: GH33. More about Trees With Sunlight
![Ships On Sydney Harbour]. Sydney Ure Smith, Australian](/pictures/thumb/CL166-173.JPG?v=1492487802)
1937. Pencil with watercolour, signed and dated in pencil lower right, 25.5 x 36.6cm. Slight old mount burn. More about Ships On Sydney Harbour
c1938. Watercolour with pencil, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. The oil painting Pasture is held in National Gallery of Victoria collection. Ref: GH79. More about Study For “Pasture”
![Rural Landscape]. Miles Evergood, Australian](/pictures/thumb/CL170-61.JPG?v=1492493819)
c1938. Oil on board, signed lower right, 29 x 39cm. Framed. Ref: GH59. More about Rural Landscape
c1938. Oil on board, signed lower left, 30.5 x 40.6cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p81. Ref: GH19. More about Peace
![Dandenong No. 2 From Ridge Road [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-63.JPG?v=1492493820)
c1938. Oil on board, signed lower right, 30.3 x 40.5cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p82. Ref: GH40. More about Dandenong No. 2 From Ridge Road [Victoria
![Jack Lang]. Will Mahony, Aust](/pictures/thumb/CL169-133_1.JPG?v=1492493268)
c1938. Three sets of comic strips, each consisting of four panels on two sheets of paper, ink and wash with white gouache, all signed or initialled in image, one titled in pencil “Tubsie and Big Boy”, 16.7 x 33.7cm (approx. each sheet). Slight soiling and foxing to most, creases and..... More about Jack Lang
c1938. Six watercolour sketches with gouache and ink, laid down on two panels, titled, annotated, signed “George [G...]”, dated and captioned in ink on backing below images, 12.4 x 18.9cm. Slight foxing, scuffs and surface loss to images, foxing, tears and creases to backing. Annotation includes “Suggestion. Sesquicentenary Celebrations 1938..... More about Historic Sydney [Locations Of Anthony Hordern & Sons’ Stores
1937-1939. Consisting of two pencil drawings on tracing paper and one oil on paper, each pencil drawing initialled, dated and titled below image, oil painting dated and signed in pencil verso, sizes range from 13.1 x 16.6cm to 18.8 x 18.7cm. Minor foxing. The Atlantic Union Oil Company came to... More about Mural Design For Atlantic Oil, Sydney
![Portrait]. Oswald Hall, Aust](/pictures/thumb/CL183-66.JPG?v=1486091844)
c1939. Oil on textured paper, signed lower right, cancelled correspondence in ink verso, 16 x 11.2cm. Paper loss to image centre right, crease lower left, slight foxing, minor tears and missing portions to upper edge. Melbourne painter and printmaker Oswald Hall was the son of L. Bernard Hall, a prominent... More about Portrait
1939. Pencil drawing, signed and dated lower right, titled below image, 21 x 25cm. Slight foxing and soiling to image. More about Engine Room, HMAS “Stuart”. Study For Painting
c1939. Watercolour with pencil, signed in ink lower right, titled in ink verso, 26.1 x 36.4cm. Stains to upper portion of image. More about Canberra
![South Coast Landscape, NSW]. fl. Aust., s](/pictures/thumb/CL176-111.JPG?v=1492661808)
1939. Watercolour, signed and dated lower right, 34 x 41.4cm. Minor foxing, cockling, pinholes to edges. Provenance: artist’s estate. More about South Coast Landscape, NSW
1939. Pencil sketch, titled, dated (twice), signed and captioned above and below image, 19.8 x 24.3cm. Creases, slight foxing. Framed. Caption reads “We don’t know anything about art! But! We do know what people like!” Provenance: Bloomfield Galleries. Most likely a study for Hinder’s 1939 lithograph titled “Archibald Prize [AGNSW].”..... More about Our Trustees
c1939. Ink and wash with white highlight, signed “Chatham” in image lower left, captioned “J. Saywell’s Riley Imp” erroneously in panel below image, 21 x 18.1cm. Minor cockling. Framed. “In 1939 [racing car driver] Jack Saywell, then in his late 20s, imported a 1936 3-litre Monoposto Alfa Romeo. It was..... More about Alfa Romeo
![Pelicans]. Nutter Buzacott, Aust](/pictures/thumb/CL183-20.JPG?v=1486012758)
c1940s. Watercolour with crayons, signed in ink lower right, 26.3 x 38.5cm. Born in Perth, Nutter Buzacott worked with James Flett and Mervyn Wallis at Patons Advertising Company in Melbourne during the 1930s. Prior to this Buzacott had experimented with linocuts, lithographs and etchings. In 1936 he studied at Colarossi’s..... More about Pelicans