Clearing In The Copse, Hampshire
1934. Watercolour, signed and dated in pencil lower right, signed and titled in pencil verso, 38.6 x 52.4cm. Pinholes to edges, slight mount burn. More about Clearing In The Copse, Hampshire
Australian
Interior With Polly Reading
c1933-1935. Watercolour, 25.5 x 17.7cm. Another watercolour appears verso. Polly was Evergood’s de facto wife. More about Interior With Polly Reading
Yarra No. 2
1935. Oil on board, signed and dated lower left, 30.5 x 40.5cm. Slight chips to corners. Ref: GH31. More about Yarra No. 2
Marine, Collaroy
c1935. Oil on board, signed lower right, 30.7 x 40.3cm. Crazing to surface, slight chips and surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p53. Kozminsky Gallery, Melb., label verso. Ref: GH32. More about Marine, Collaroy
Narrabeen Lakes No. 3
c1935. Oil on canvas, signed lower right by Evergood, titled by wife Polly Evergood in pencil and annotated and signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.4 x 40.5cm. Slight wear to edges, laid down on board. Annotation includes “Exhibited Athenaeum Gallery Dec. 1935..... More about Narrabeen Lakes No. 3
![Bayside]. Sybil Craig, Aust](/pictures/thumb/CL166-39.JPG?v=1492486417)
[Bayside]
1935. Pencil drawing, signed and dated in pencil lower left, 33.9 x 41.6cm. Minor foxing, soiling and crinkles overall. More about Bayside
![Still Life With Peaches And Flowers]. fl. Aust., s](/pictures/thumb/CL176-110.JPG?v=1492661807)
[Still Life With Peaches And Flowers]
1935. Watercolour, signed and dated lower right, 36.1 x 33.3cm. Insect damage lower right, slight foxing, laid down on original backing. Provenance: artist’s estate. More about Still Life With Peaches And Flowers
![Susannah]. Douglas Dundas . After Auguste Renoir, Aust., French](/pictures/thumb/CL183-47.JPG?v=1486091837)
[Susannah]
c1936. Oil on canvas, signed in pencil on stretcher verso, 59.6 x 49.7cm. Slight scuffing and paint loss. Framed. Provenance: Dundas and Thornhill estate. The image seems to be have been inspired by one of the figures in Renoir’s 1917 painting depicting two bathers. Ref: Athenaeum (USA). Renoir’s model may..... More about Susannah
Susannah
1936. Oil on canvas, signed and dated lower right, titled and signed in pencil on stretcher verso, 64.5 x 44.5cm. Minor scuffing and perforations lower right. Framed. Provenance: Dundas and Thornhill estate. Painter and teacher at the National Art School for almost forty years, Thornhill was the second wife of... More about Susannah
Bush Fire
c1936. Oil on board, signed lower left, 30.4 x 40.6cm. Dents and slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p68. Ref: GH1. More about Bush Fire
![Beaumaris [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-56.JPG?v=1492493816)
Beaumaris [Victoria]
c1936. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.5 x 40.7cm. Minor wear to edges. Annotation reads “Miles and Polly lived at 20 Surf St, Beaumaris, Melbourne, in 1936.” Ref: GH17. More about Beaumaris [Victoria
Marine No. 8
c1936. Oil on board, signed lower right, 30.5 x 40.7cm. Some crazing, slight surface loss to image. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p90. Ref: GH49. More about Marine No. 8
![Gum Trees]. Adelaide Perry, Aust](/pictures/thumb/CL192-134.JPG?v=1524199157)
[Gum Trees]
1936. Oil on board, signed and dated in pencil lower left, 25.5 x 35.5cm. Minor chips to edges. More about Gum Trees
![Marine With Figure, Beaumaris [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-58.JPG?v=1492493817)
Marine With Figure, Beaumaris [Victoria]
c1937. Oil on board, signed lower right, 29.2 x 39cm. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p78. Ref: GH20. More about Marine With Figure, Beaumaris [Victoria
![Seascape]. Miles Evergood, Australian](/pictures/thumb/CL170-59.JPG?v=1492493817)
[Seascape]
c1937. Oil on board, signed lower right, 29.5 x 39.8cm. Framed. Ref: GH27. More about Seascape
![Trees With Sunlight]. Miles Evergood, Australian](/pictures/thumb/CL170-60.JPG?v=1492493818)
[Trees With Sunlight]
1937. Oil on board, signed and dated lower left, 40.3 x 50.8cm. Minor chips to edges. Ref: GH33. More about Trees With Sunlight
![Ships On Sydney Harbour]. Sydney Ure Smith, Australian](/pictures/thumb/CL166-173.JPG?v=1492487802)
[Ships On Sydney Harbour]
1937. Pencil with watercolour, signed and dated in pencil lower right, 25.5 x 36.6cm. Slight old mount burn. More about Ships On Sydney Harbour
Study For “Pasture”
c1938. Watercolour with pencil, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. The oil painting Pasture is held in National Gallery of Victoria collection. Ref: GH79. More about Study For “Pasture”
![Rural Landscape]. Miles Evergood, Australian](/pictures/thumb/CL170-61.JPG?v=1492493819)
[Rural Landscape]
c1938. Oil on board, signed lower right, 29 x 39cm. Framed. Ref: GH59. More about Rural Landscape
Peace
c1938. Oil on board, signed lower left, 30.5 x 40.6cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p81. Ref: GH19. More about Peace
![Dandenong No. 2 From Ridge Road [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-63.JPG?v=1492493820)
Dandenong No. 2 From Ridge Road [Victoria]
c1938. Oil on board, signed lower right, 30.3 x 40.5cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p82. Ref: GH40. More about Dandenong No. 2 From Ridge Road [Victoria
![Jack Lang]. Will Mahony, Aust](/pictures/thumb/CL169-133_1.JPG?v=1492493268)
[Jack Lang]
c1938. Three sets of comic strips, each consisting of four panels on two sheets of paper, ink and wash with white gouache, all signed or initialled in image, one titled in pencil “Tubsie and Big Boy”, 16.7 x 33.7cm (approx. each sheet). Slight soiling and foxing to most, creases and..... More about Jack Lang
Historic Sydney [Locations Of Anthony Hordern & Sons’ Stores]
c1938. Six watercolour sketches with gouache and ink, laid down on two panels, titled, annotated, signed “George [G...]”, dated and captioned in ink on backing below images, 12.4 x 18.9cm. Slight foxing, scuffs and surface loss to images, foxing, tears and creases to backing. Annotation includes “Suggestion. Sesquicentenary Celebrations 1938..... More about Historic Sydney [Locations Of Anthony Hordern & Sons’ Stores
Mural Design For Atlantic Oil, Sydney
1937-1939. Consisting of two pencil drawings on tracing paper and one oil on paper, each pencil drawing initialled, dated and titled below image, oil painting dated and signed in pencil verso, sizes range from 13.1 x 16.6cm to 18.8 x 18.7cm. Minor foxing. The Atlantic Union Oil Company came to... More about Mural Design For Atlantic Oil, Sydney
![Portrait]. Oswald Hall, Aust](/pictures/thumb/CL183-66.JPG?v=1486091844)
[Portrait]
c1939. Oil on textured paper, signed lower right, cancelled correspondence in ink verso, 16 x 11.2cm. Paper loss to image centre right, crease lower left, slight foxing, minor tears and missing portions to upper edge. Melbourne painter and printmaker Oswald Hall was the son of L. Bernard Hall, a prominent... More about Portrait