1847. Colour woodcut, signed with artist’s and censors’ seals “Muramatsu, Yoshimura” in block centre right, 36.1 x 24.4cm. Perforations to left side of image. Held in Museum of Fine Arts, Boston, with full description “Actors Bando Hikosaburo IV as Ichimonjiya Saihei [right panel], Onoe Kikujiro II as Okaru [centre panel]..... More

c1848. Four lithographs, all initialled in image lower left, title, printer’s line and captions above and below image, 35.9 x 23.7cm (paper; approx. each). Foxing and slight stains overall, minor tears to edges. Images are from series Les Alarmistes et Les Alarmés; Physionomie de l’Assemblee; Tout ce Qu’on Voudra; and..... More

1842-1849. Tinted lithograph with hand-colouring, signed, lithographer “L. Haghe” and titled in image in lower portion, 50.2 x 34.5cm. Laid down on original backing, as issued. From the first edition and first issue of David Robert’s Egypt and Nubia. More

c1850s. Hand-coloured etching, signed and titled in plate lower right and below image, 14.6 x 39.7cm (image). Old folds, slight tears, surface loss and minor stains to margins. Held in NGA; NLA; and Powerhouse Museum. More

c1850. Tinted hand-coloured lithograph, series and artist’s names and title above and below image, partially obscured and missing text in lower margin, 46.1 x 36.5cm (oval). Surface loss and missing portion to lower margin, repaired tears to edges of margins, slight stains and foxing overall, old mount burn. Laid down..... More

c1850s. Two hand-coloured lithographs, one monogrammed in image lower left, one titled in pencil in lower margin, 15.6 x 23cm and 15.2 x 25.1cm. Creases to one image, minor perforation and stain to centre of other image, old mount burn and stains to margins of both. Image titles read (1)..... More

c1851. Hand-coloured tinted lithograph, titled and signed in image lower left to right, 24.7 x 32.6cm. Slight foxing, surface loss to lower margin. Text reads “Hullmandel & Walton’s Proeess [sic].”. More

1851. Lithograph, titled in pencil in lower margin, 9 x 14cm. Stains and minor tear to image lower left, foxing, trimmed corners of margins. More

1851. Two lithographs, each monogrammed in image lower left and titled in pencil in lower margin, 20 x 14.7cm and 13.5 x 22.5cm. Slight foxing, creases, one with minor perforation and stains to edges. Both images appeared in Martens’ Sketches Illustrative of the Scenery of New South Wales, 1851. Ref..... More

1853-1854. Punch’s Pocket Book was a “travel-sized” annual publication based on the British satirical magazine Punch. It included an almanac, cash account log, a daily diary, business information, short stories, poetry, and cartoons. The Pocket Book was illustrated by prominent illustrators, including John Leech. Ref: Bandeis Uni., USA. (1) [Punch’s..... More

1854-1855. Etching, initialled in plate upper centre, 14.5 x 26cm. Minor foxing overall, slight tears, perforations and stains to margins, old mount burn. Held in The Met, NY, with the comment “Whistler made his first etching while employed as a draftsman at the U.S. Coast and Geodetic Survey in Washington..... More

1855. Sheet music, engraved cover, facsimile signature of composer and singer Henry Russell in image lower left, 34 x 24.1cm (paper). Old paper tape and tears to edges, minor foxing to image, front sheet loose. Text reads “Musical Bouquet. Written and sung by Harry Lee Carter, in his entertainment of..... More

1856. Hand-coloured lithograph, initials “S.T.G.”, title and text below image, 10.3 x 17cm. Repaired minor tears and creases to corners, slight foxing and paper remnants to image upper centre, trimmed margins. Laid down on acid-free paper. Text continues “Allan & Wigley. Lith., Syd.” Held in NLA. “The Sydney Mechanics’ School..... More