![Reclining Female Nude]. Rupert Bunny, Aust](/pictures/thumb/CL176-12.JPG?v=1492661035)
[Reclining Female Nude]
c1920s. Pen and ink, monogrammed in pencil lower right, 12.3 x 26cm. Slight foxing. Framed. More
Paintings & Drawings
![Nude, Facing Right]. Rupert Bunny, Aust](/pictures/thumb/CL176-13.JPG?v=1492661036)
[Nude, Facing Right]
c1920s. Pen and ink, monogrammed in pencil lower right, 25 x 14.2cm. Slight foxing. Framed. More
Melody Of Dreams – Of Sighs – Ecstasy Of Love
c1920s. Watercolour, titled in pencil lower left, 34.4 x 19.2cm. Creases, pinholes and repaired tears to margins, foxing overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines. More
Suggestion For Perfume Bottle
c1920s. Watercolour and gouache, captioned “Parfum des Violettes” in image, titled in pencil in lower margin, 16 x 9.3cm. Surface loss and pinholes to margins. Incomplete watercolour of a still life verso. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both..... More
Into The Never-never
c1920s. Pen and ink, titled upper right, captioned in image, 13.9 x 31.8cm. Minor soiling, paper loss. Captions include “Leason Exploration Party” and “The Farthest Out Hotel.”. More
Honor Where Honor Is Due
c1920s. Pen and ink, signed, titled and captioned lower right and below image, 24 x 16.3cm. Repaired tears, creases and missing portions, minor stains to upper edge. Laid down on acid-free backing. Caption reads “O’Razzle: ‘Of coursh, aeroplanesh greatest invenshun of Man.’ Fitz Brewery: ‘Hardly shay that, o’man, wha’ about..... More
Evasive
c1920s. Pen and ink, signed below image, titled and captioned in ink verso, 21.5 x 24cm. Pinholes, minor creases and soiling overall. Caption reads “Sgt Brannigan: ‘Whin oi sid to the accused – did y’ siale [see all] Rines’ alleged horses last wake [week], the mahn gave me an evvoysive..... More
![Wine Is A Villain, Make No Doubt [Temperance Poem]. Hugh McCrae, Aust](/pictures/thumb/CL187-117.JPG?v=1496127463)
Wine Is A Villain, Make No Doubt [Temperance Poem]
c1920s. Ink and wash, signed lower left, “H. Fleming” framing label attached to backing verso, 23.4 x 15.7cm. Slight foxing, minor missing portions or tears to edges, old mount burn, laid down on original glue-stained backing. Text continues “Who bolts and bans young Cupid out / Love’s of a lustre..... More
![Art Nouveau Female With Billowing Fabric]. Margaret E. Campbell, Aust](/pictures/thumb/CL192-6.JPG?v=1524199244)
[Art Nouveau Female With Billowing Fabric]
c1920s. Watercolour with pencil and gouache, captioned “decoration” in pencil below image, 36 x 25.3cm. Pinholes, creases and tears (some repaired) to edges, slight stains overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines..... More
The Fortune Teller
c1920s. Crayon with pencil, watercolour and gouache, titled in pencil upper left, signed in ink lower right, 34.5 x 19.3cm. Slight stains and tears to edges. Provenance: Margaret Campbell estate. More
And One Lay Dreaming Of Wondrous Things
c1920s. Watercolour with pencil and gouache, captioned and initialled “E.C.” in pencil below image, 17.5 x 24cm. Pinholes, slight foxing and stains to edges. Caption continues “Long after the twilight cold.” Provenance: Margaret Campbell estate. More
![Art Nouveau Woman With Hat]. Margaret E. Campbell, 1891–1963 Australian](/pictures/thumb/CL198-77.JPG?v=1576815274)
[Art Nouveau Woman With Hat]
c1920s. Coloured pencil with graphite and wash, 48.8 x 33.7cm. Missing lower left portion, tears, slight foxing, laid down on old backing. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines. Ref: JLG. More
![Desert Wanderer With Horse In Wait]. John Richard Flanagan, 1895–1964 Aust](/pictures/thumb/CL198-78.jpg?v=1576815274)
[Desert Wanderer With Horse In Wait]
c1920s. Ink drawing, initialled “F.” and signed in image centre and lower right, captioned “front of book” in pencil verso, 14.5 x 20.8cm. Slight foxing, paper loss to margins not affecting image, old mount burn. A Sydney-born illustrator and cartoonist, Flanagan studied at the Royal Art Society of NSW. In..... More
![Female Silhouette] and [The Blue Hat](/pictures/thumb/CL198-81_1.jpg?v=1576815277)
[Female Silhouette] and [The Blue Hat]
c1920s. Two watercolours with ink, signed “Cuthbert Bryant” in ink upper right or left, 7.6 x 7.8cm and 8 x 8cm. Cuthbert Bryant was the eldest son of Rev. Harry Bryant, rector of the St Paul’s Church of England, Burwood, NSW. Ref: SMH, 26.12.1928, 22.6.1935. More
![Australian Landscapes, Windsor/Richmond Area, NSW]. Sydney Ure Smith, 1887–1949 Aust](/pictures/thumb/CL199-82_1.jpg?v=1585635294)
[Australian Landscapes, Windsor/Richmond Area, NSW]
c1920s. Three watercolour and pencil drawings, one signed in pencil lower left, from 14.9 x 20.9cm to 22.3 x 36cm. Slight stains, crinkles. Provenance: Sydney Ure Smith estate. More
![Sydney Harbour From Fort Denison With Ships In Background]. Sydney Ure Smith, 1887–1949 Aust](/pictures/thumb/CL199-83.jpg?v=1585635295)
[Sydney Harbour From Fort Denison With Ships In Background]
c1920s. Watercolour and pencil, 33.8 x 24.4cm. Provenance: Sydney Ure Smith estate. More
![Seated Female Nude]. Norman Lindsay, 1879–1969 Aust](/pictures/thumb/CL199-85_1.JPG?v=1585635296)
[Seated Female Nude]
c1920s. Pencil with pen and ink, 18.3 x 16.5cm. Crinkles, creases. Framed. A certificate of authenticity accompanies this drawing. More
[English Fox Hunting Scene]
c1920s. Watercolour with gouache, monogrammed “T.W.” lower left, 10 x 45.8cm. Minor surface loss, old glue stains to edges. More
![Young Girl With Dog By A River]. Ida Rentoul Outhwaite, 1888– 1960 Aust](/pictures/thumb/CL201-30.jpg?v=1611728300)
[Young Girl With Dog By A River]
c1920s. Pen, ink and wash drawing, illustration for a publication, initialled “I.R.O.” lower right, 20 x 15.5cm. Slight foxing below image. Framed. Melbourne-born Ida Rentoul (later Outhwaite) was a highly popular internationally-recognised Australian children’s fantasy illustrator, who held at least 18 one-woman exhibitions over her lifetime. During her long career..... More
![Frog Teacher Leading Elf Pupils While Fairy Looks On With Opera Glasses]. Ida Rentoul Outhwaite,...](/pictures/thumb/CL201-31.jpg?v=1611728300)
[Frog Teacher Leading Elf Pupils While Fairy Looks On With Opera Glasses]
c1920s. Watercolour with pen and ink, signed in ink lower right, 28.6 x 45.1cm. Slight foxing to lower foreground. Framed. Melbourne-born Ida Rentoul (later Outhwaite) was a highly popular internationally-recognised Australian children’s fantasy illustrator, who held at least 18 one-woman exhibitions over her lifetime. During her long career, Outhwaite illustrated..... More
![Cloudscape]. John D. Moore, Aust](/pictures/thumb/CL192-105_1.JPG?v=1524199138)
[Cloudscape]
1921. Oil on canvas, signed and dated lower right, 39.5 x 49.2cm. Minor chips or indentations to image. There is a study for a landscape painting verso. Similar images held in AGNSW, with the comment “His well-regarded landscapes, more often in the medium of watercolour, arose from a love of..... More
Henry Lawson Family Homes
c1880s-1922. (1) John Barclay Godson (Brit./Aust., 1882-1957). Henry Lawson’s House, Abbotsford, 1922. Pencil drawing, titled, signed and dated “16/9/22” in pencil lower left to right, 13.6 x 19.7cm. Foxing. Framed. (2) Phillip Street, Sydney [Showing House Of Henry Lawson’s Mother On Left] , c1880s. Albumen paper photograph, titled, dated “late..... More
Chinese Gardens
1922. Oil on board, signed and dated lower right, titled and signed with address in pencil and ink on label attached verso, 27.2 x 34.8cm. Minor soiling. Framed. Label includes “J.T. Rosendale, 74 Cairo Street, North Sydney.”. More
In Sleepy Bay
c1922. Pen, ink and wash drawing, initialled “I.R.O.” lower left, 17.6 x 17.7cm. Minor retouching and old mount burn to left and right side of image. Framed. In Sleepy Bay was included in an exhibition of 55 works by Outhwaite at Preece’s Gallery, King William Street in Adelaide in November..... More