c1920s. Pen and ink, monogrammed in pencil lower right, 25 x 14.2cm. Slight foxing. Framed. More

c1920s. Watercolour, titled in pencil lower left, 34.4 x 19.2cm. Creases, pinholes and repaired tears to margins, foxing overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines. More

c1920s. Pen and ink, titled upper right, captioned in image, 13.9 x 31.8cm. Minor soiling, paper loss. Captions include “Leason Exploration Party” and “The Farthest Out Hotel.”. More

c1920s. Pen and ink, signed below image, titled and captioned in ink verso, 21.5 x 24cm. Pinholes, minor creases and soiling overall. Caption reads “Sgt Brannigan: ‘Whin oi sid to the accused – did y’ siale [see all] Rines’ alleged horses last wake [week], the mahn gave me an evvoysive..... More

c1920s. Watercolour with pencil and gouache, captioned “decoration” in pencil below image, 36 x 25.3cm. Pinholes, creases and tears (some repaired) to edges, slight stains overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines..... More

c1920s. Watercolour with pencil and gouache, captioned and initialled “E.C.” in pencil below image, 17.5 x 24cm. Pinholes, slight foxing and stains to edges. Caption continues “Long after the twilight cold.” Provenance: Margaret Campbell estate. More

c1920s. Ink drawing, initialled “F.” and signed in image centre and lower right, captioned “front of book” in pencil verso, 14.5 x 20.8cm. Slight foxing, paper loss to margins not affecting image, old mount burn. A Sydney-born illustrator and cartoonist, Flanagan studied at the Royal Art Society of NSW. In..... More

1921. Oil on canvas, signed and dated lower right, 39.5 x 49.2cm. Minor chips or indentations to image. There is a study for a landscape painting verso. Similar images held in AGNSW, with the comment “His well-regarded landscapes, more often in the medium of watercolour, arose from a love of..... More

1922. Oil on board, signed and dated lower right, titled and signed with address in pencil and ink on label attached verso, 27.2 x 34.8cm. Minor soiling. Framed. Label includes “J.T. Rosendale, 74 Cairo Street, North Sydney.”. More

1923. Watercolour with ink and gouache, signed “Phil McLachlan” and dated in ink lower right, 33.4 x 25.4cm. Slight stains and paper loss to margins, minor foxing. Provenance: artist’s estate. More

1924. Pencil and crayon, signed lower right, various captions in ink and pencil above and below image, stamped “published Apr. 3, ‘24” verso, 31.4 x 14.9cm. Soiling overall, slight tear to upper margin. Captions include “[Urquhart] now on an official visit south.” Frederick Charles Urquhart (1858-1935) was in office between..... More

c1924. Pen and ink sketch on “Coogee Bay Hotel” letterhead paper, inscribed and signed below image, 26 x 20.7cm (paper). Foxing and creases overall, slight tears to edges. This sketch was most likely made in 1924, based on recorded correspondence from Lambert to his wife on Coogee Bay Hotel letterhead..... More

1925. Pen and ink, signed lower right, publishing annotations in upper margin and verso with stamp, 29.4 x 9.8cm. Soiling and slight crinkles overall, pinholes to edges. Text continues “who is spending a few millions on new body-building works in Geelong (Victoria) and assembly plants in other states.” Stamp reads..... More