c1920s. Watercolour and gouache, captioned “Parfum des Violettes” in image, titled in pencil in lower margin, 16 x 9.3cm. Surface loss and pinholes to margins. Incomplete watercolour of a still life verso. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both..... More

c1920s. Pen and ink, signed, titled and captioned lower right and below image, 24 x 16.3cm. Repaired tears, creases and missing portions, minor stains to upper edge. Laid down on acid-free backing. Caption reads “O’Razzle: ‘Of coursh, aeroplanesh greatest invenshun of Man.’ Fitz Brewery: ‘Hardly shay that, o’man, wha’ about..... More

c1920s. Ink and wash, signed lower left, “H. Fleming” framing label attached to backing verso, 23.4 x 15.7cm. Slight foxing, minor missing portions or tears to edges, old mount burn, laid down on original glue-stained backing. Text continues “Who bolts and bans young Cupid out / Love’s of a lustre..... More

c1920s. Crayon with pencil, watercolour and gouache, titled in pencil upper left, signed in ink lower right, 34.5 x 19.3cm. Slight stains and tears to edges. Provenance: Margaret Campbell estate. More

c1920s. Coloured pencil with graphite and wash, 48.8 x 33.7cm. Missing lower left portion, tears, slight foxing, laid down on old backing. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines. Ref: JLG. More

c1920s. Two watercolours with ink, signed “Cuthbert Bryant” in ink upper right or left, 7.6 x 7.8cm and 8 x 8cm. Cuthbert Bryant was the eldest son of Rev. Harry Bryant, rector of the St Paul’s Church of England, Burwood, NSW. Ref: SMH, 26.12.1928, 22.6.1935. More

c1920s. Watercolour and pencil, 33.8 x 24.4cm. Provenance: Sydney Ure Smith estate. More

c1920s. Watercolour with gouache, monogrammed “T.W.” lower left, 10 x 45.8cm. Minor surface loss, old glue stains to edges. More

c1920s. Watercolour with pen and ink, signed in ink lower right, 28.6 x 45.1cm. Slight foxing to lower foreground. Framed. Melbourne-born Ida Rentoul (later Outhwaite) was a highly popular internationally-recognised Australian children’s fantasy illustrator, who held at least 18 one-woman exhibitions over her lifetime. During her long career, Outhwaite illustrated..... More

c1920s. Pencil drawing, stamped facsimile artist’s signature lower right, 59.1 x 55.9cm (paper). Slight foxing overall, paper remnants to upper edge. Provenance: Clive Wallis estate auction in Hunters Hill,1988. This rare drawing for a bookplate design was created in a large format to facilitate a more finely detailed image, which..... More

c1920s. Pastel with pencil, signed lower left, 42 x 25.5cm. Repaired tear to upper left corner. Danish illustrator Nielsen was among an elite group of artists, that included Arthur Rackham (Brit., 1867–1939) and Edmund Dulac (French/Brit., 1882–1953) who were part of the “golden age of illustration” during the early part of..... More

1921. Pen and ink with wash and pencil, signed and dated in ink and pencil upper right, publishing annotations in ink to margins and verso, titled in pencil by Leason and annotated in ink in another hand verso, 26 x 42.3cm. Slight foxing overall, missing portion, rubbing, pinholes and tears..... More

c1922. Pen, ink and wash drawing, initialled “I.R.O.” lower left, 17.6 x 17.7cm. Minor retouching and old mount burn to left and right side of image. Framed. In Sleepy Bay was included in an exhibition of 55 works by Outhwaite at Preece’s Gallery, King William Street in Adelaide in November..... More