c1920s. Pen and ink, signed, titled and captioned lower right and below image, 24 x 16.3cm. Repaired tears, creases and missing portions, minor stains to upper edge. Laid down on acid-free backing. Caption reads “O’Razzle: ‘Of coursh, aeroplanesh greatest invenshun of Man.’ Fitz Brewery: ‘Hardly shay that, o’man, wha’ about..... More about Honor Where Honor Is Due
c1920s. Pen and ink, signed below image, titled and captioned in ink verso, 21.5 x 24cm. Pinholes, minor creases and soiling overall. Caption reads “Sgt Brannigan: ‘Whin oi sid to the accused – did y’ siale [see all] Rines’ alleged horses last wake [week], the mahn gave me an evvoysive..... More about Evasive
![Wine Is A Villain, Make No Doubt [Temperance Poem]. Hugh McCrae, Aust](/pictures/thumb/CL187-117.JPG?v=1496127463)
c1920s. Ink and wash, signed lower left, “H. Fleming” framing label attached to backing verso, 23.4 x 15.7cm. Slight foxing, minor missing portions or tears to edges, old mount burn, laid down on original glue-stained backing. Text continues “Who bolts and bans young Cupid out / Love’s of a lustre..... More about Wine Is A Villain, Make No Doubt [Temperance Poem
![Art Nouveau Female With Billowing Fabric]. Margaret E. Campbell, Aust](/pictures/thumb/CL192-6.JPG?v=1524199244)
c1920s. Watercolour with pencil and gouache, captioned “decoration” in pencil below image, 36 x 25.3cm. Pinholes, creases and tears (some repaired) to edges, slight stains overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines..... More about Art Nouveau Female With Billowing Fabric
c1920s. Crayon with pencil, watercolour and gouache, titled in pencil upper left, signed in ink lower right, 34.5 x 19.3cm. Slight stains and tears to edges. Provenance: Margaret Campbell estate. More about The Fortune Teller
c1920s. Watercolour with pencil and gouache, captioned and initialled “E.C.” in pencil below image, 17.5 x 24cm. Pinholes, slight foxing and stains to edges. Caption continues “Long after the twilight cold.” Provenance: Margaret Campbell estate. More about And One Lay Dreaming Of Wondrous Things
![Cloudscape]. John D. Moore, Aust](/pictures/thumb/CL192-105_1.JPG?v=1524199138)
1921. Oil on canvas, signed and dated lower right, 39.5 x 49.2cm. Minor chips or indentations to image. There is a study for a landscape painting verso. Similar images held in AGNSW, with the comment “His well-regarded landscapes, more often in the medium of watercolour, arose from a love of... More about Cloudscape
c1880s-1922. (1) John Barclay Godson (Brit./Aust., 1882-1957). Henry Lawson’s House, Abbotsford, 1922. Pencil drawing, titled, signed and dated “16/9/22” in pencil lower left to right, 13.6 x 19.7cm. Foxing. Framed. (2) Phillip Street, Sydney [Showing House Of Henry Lawson’s Mother On Left] , c1880s. Albumen paper photograph, titled, dated “late..... More about Henry Lawson Family Homes
1922. Oil on board, signed and dated lower right, titled and signed with address in pencil and ink on label attached verso, 27.2 x 34.8cm. Minor soiling. Framed. Label includes “J.T. Rosendale, 74 Cairo Street, North Sydney.”. More about Chinese Gardens
![Lady And Monkey With Mirror]. Phyllis McLachlan, Australian](/pictures/thumb/CL183-116.JPG?v=1486091809)
1923. Watercolour with ink and gouache, signed “Phil McLachlan” and dated in ink lower right, 33.4 x 25.4cm. Slight stains and paper loss to margins, minor foxing. Provenance: artist’s estate. More about Lady And Monkey With Mirror
![Theatre Audience]. C H. Percival, Aust](/pictures/thumb/CL194-122.jpg?v=1543548354)
1923. Ink and wash with gouache highlights, signed upper left, publishing annotations including date in crayon verso, 26 x 47cm. Minor perforations and missing portions to edges, repaired tears to lower left corner. Annotations include “Xmas, p28. Published Xmas ’23.”. More about Theatre Audience
1924. Pencil and crayon, signed lower right, various captions in ink and pencil above and below image, stamped “published Apr. 3, ‘24” verso, 31.4 x 14.9cm. Soiling overall, slight tear to upper margin. Captions include “[Urquhart] now on an official visit south.” Frederick Charles Urquhart (1858-1935) was in office between..... More about Urquhart, Administrator Of The Northern Territory
1924. Etching and pencil study: (a) editioned 13/20, titled, signed and dated in pencil in lower margin, 12.7 x 12.8cm. Slight mount burn; (b) signed and dated lower right, 12.7 x 12.6cm. Perforation and rubbing to image, chips to edges. Mounted together. More about Scarf Dance
c1924. Pen and ink sketch on “Coogee Bay Hotel” letterhead paper, inscribed and signed below image, 26 x 20.7cm (paper). Foxing and creases overall, slight tears to edges. This sketch was most likely made in 1924, based on recorded correspondence from Lambert to his wife on Coogee Bay Hotel letterhead... More about “To Record A Very Charming Meeting”
1925. Pen and ink, signed lower left, various captions in ink and pencil above and below image, stamped “Published Jan. 8, ‘25” verso, 25.9 x 10cm. Soiling overall, pinholes to margins. Cancelled captions include “Sometime Secretary of Victorian State Premier’s Department, who has been given the job of waking up..... More about G.S. McLean
1925. Pen and ink, signed lower right, publishing annotations in upper margin and verso with stamp, 29.4 x 9.8cm. Soiling and slight crinkles overall, pinholes to edges. Text continues “who is spending a few millions on new body-building works in Geelong (Victoria) and assembly plants in other states.” Stamp reads... More about P.W. Grandjean, Henry Ford’s Chief Emissary
1925. Pen and ink, signed and dated by artist lower left, titled and annotated with artist’s name in ink in another hand on accompanying original frame label, 22.9 x 20.4cm. Pinholes, slight stains and crinkles to edges of paper not affecting image. More about The Duel Ends
![Woman With Muff]. Anon](/pictures/thumb/CL184-48.JPG?v=1486091884)
1926. Ink and wash with coloured pencil, signed “Deane” and dated upper left, 27.1 x 16cm. Minor foxing overall, pinholes, tipped to original backing. More about Woman With Muff
![Woman Sewing]. Horace Brodzky, Aust](/pictures/thumb/CL183-9.JPG?v=1486091849)
1926. Watercolour, signed and dated lower left, 22.7 x 19.5cm. Pinholes, minor stain to upper left margin, old mount burn. More about Woman Sewing
![Egypt [Street Scene]. Harry J. Weston, Aust](/pictures/thumb/CL183-179.JPG?v=1486012747)
1926. Watercolour, signed, titled and dated in ink lower left, 22.5 x 33.1cm. Minor foxing and paper loss to image left edge. More about Egypt [Street Scene
1926. Watercolour and pencil, signed “Rual” and dated in image lower left and centre, 47.3 x 57.5cm. Slight foxing and crinkles. More about Norse Boat Dreamscape
![Landscape, Port Macquarie [NSW]. Cecil W. Bostock, Aust](/pictures/thumb/CL183-5.JPG?v=1486012787)
1927. Pencil drawing, titled, signed and dated lower left to right, 22.6 x 33.8cm. Paper remnants to left edge, slight surface loss lower centre. An important and influential early Australian photographer, Cecil Bostock was also a highly regarded illustrator, bookbinder and carpenter. Ref: Photo-web. More about Landscape, Port Macquarie [NSW
c1890s-1927. Group of five portraits, four inspired by Henry King’s iconic photograph:. (1) Henry King (Aust., 1855-1923). Australian Aborigine, c1890s. Albumen paper photograph, cabinet card format, titled (faint) in negative lower left, photographer’s blind stamp on image lower right, caption in letterpress on backing below image, 14.7 x 9.9cm. Slight..... More about The Laughing Man By Henry King
![Potts Point, Sydney Harbour, NSW]. Adelaide Perry, Australian](/pictures/thumb/CL192-129.JPG?v=1524199154)
1927. Watercolour with pencil, signed and dated in pencil lower right, 27.8 x 36.5cm. Slight stains to lower right corner. Framed. Provenance: Artarmon Galleries. Adelaide Perry also produced a linocut of this view in 1929, which is held in the NGA. More about Potts Point, Sydney Harbour, NSW
c1929. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.3 x 40.5cm. Slight surface loss to edges. Annotation reads “Probably from USA period, 1922-31.” Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p40. Ref: GH9. More about Unfinished Landscape