c1920s. Pen and ink, signed below image, titled and captioned in ink verso, 21.5 x 24cm. Pinholes, minor creases and soiling overall. Caption reads “Sgt Brannigan: ‘Whin oi sid to the accused – did y’ siale [see all] Rines’ alleged horses last wake [week], the mahn gave me an evvoysive..... More

c1920s. Watercolour with pencil and gouache, captioned “decoration” in pencil below image, 36 x 25.3cm. Pinholes, creases and tears (some repaired) to edges, slight stains overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines..... More

c1920s. Watercolour with pencil and gouache, captioned and initialled “E.C.” in pencil below image, 17.5 x 24cm. Pinholes, slight foxing and stains to edges. Caption continues “Long after the twilight cold.” Provenance: Margaret Campbell estate. More

c1920s. Ink drawing, initialled “F.” and signed in image centre and lower right, captioned “front of book” in pencil verso, 14.5 x 20.8cm. Slight foxing, paper loss to margins not affecting image, old mount burn. A Sydney-born illustrator and cartoonist, Flanagan studied at the Royal Art Society of NSW. In..... More

c1920s. Three watercolour and pencil drawings, one signed in pencil lower left, from 14.9 x 20.9cm to 22.3 x 36cm. Slight stains, crinkles. Provenance: Sydney Ure Smith estate. More

c1920s. Pencil with pen and ink, 18.3 x 16.5cm. Crinkles, creases. Framed. A certificate of authenticity accompanies this drawing. More

c1920s. Pen, ink and wash drawing, illustration for a publication, initialled “I.R.O.” lower right, 20 x 15.5cm. Slight foxing below image. Framed. Melbourne-born Ida Rentoul (later Outhwaite) was a highly popular internationally-recognised Australian children’s fantasy illustrator, who held at least 18 one-woman exhibitions over her lifetime. During her long career..... More

c1920s. Group of five hand-painted cameo-shaped porcelain brooch panels, one with caption in image, each signed and some numbered verso, either in paint or embossed, sizes from 2.9 x 3.5cm to 5 x 3.8cm. Caption reads “Oh! Wild black swan, ‘twere a world of wonder at night to join in..... More

1921. Oil on canvas, signed and dated lower right, 39.5 x 49.2cm. Minor chips or indentations to image. There is a study for a landscape painting verso. Similar images held in AGNSW, with the comment “His well-regarded landscapes, more often in the medium of watercolour, arose from a love of..... More

c1880s-1922. (1) John Barclay Godson (Brit./Aust., 1882-1957). Henry Lawson’s House, Abbotsford, 1922. Pencil drawing, titled, signed and dated “16/9/22” in pencil lower left to right, 13.6 x 19.7cm. Foxing. Framed. (2) Phillip Street, Sydney [Showing House Of Henry Lawson’s Mother On Left] , c1880s. Albumen paper photograph, titled, dated “late..... More

c1922. Pen, ink and wash drawing, initialled “I.R.O.” lower left, 17.6 x 17.7cm. Minor retouching and old mount burn to left and right side of image. Framed. In Sleepy Bay was included in an exhibition of 55 works by Outhwaite at Preece’s Gallery, King William Street in Adelaide in November..... More

1923. Ink and wash with gouache highlights, signed upper left, publishing annotations including date in crayon verso, 26 x 47cm. Minor perforations and missing portions to edges, repaired tears to lower left corner. Annotations include “Xmas, p28. Published Xmas ’23.”. More

1924. Etching and pencil study: (a) editioned 13/20, titled, signed and dated in pencil in lower margin, 12.7 x 12.8cm. Slight mount burn; (b) signed and dated lower right, 12.7 x 12.6cm. Perforation and rubbing to image, chips to edges. Mounted together. More