1961. Lithograph, text in letterpress verso, 31.1 x 12cm. Ref: Lust #154. While Giacometti was a key player in the Surrealist art movement, his work is difficult to categorise. Some describe it as formalist, others argue it is expressionist. Giacometti attempted to create renditions of his models the way he..... More

1961. Lithograph, 38 x 27.9cm. From Derriere le Miroir, no. 127. Ref: Lust #151. More

c1503/18th century impression. Woodcut, monogrammed in block lower centre, 29.9 x 20.7cm. Stains to image upper right and lower portion, minor foxing overall, trimmed to border. From Dürer’s series The Life of the Virgin. Ref:Knappe #241; Kurth #189. Held in Art Institute, Chicago. More

1510/c1612. Woodcut, dated and monogrammed in block upper and lower centre, numbered “XXII” and annotated in Latin in ink in an unknown hand in upper and lower margins, letterpress text in Latin verso, 12.8 x 9.7cm. Minor foxing and creases to margins, tipped to backing. From Dürer’s series The Small..... More

1926. Wood engraving, editioned 8/50 and signed in pencil in lower margin, 17.7 x 12.7cm. Ref: Alexander Masley website. More

1926. Wood engraving, editioned 12/50 and signed in pencil in lower margin, 20.5 x 17.5cm. Soiling and stains to margins. Held in Smithsonian American Art Museum. Dr. Alexander Simeon Masley was the founder of the Art Education Program at the University of New Mexico, then the Department of Art Education..... More

1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More

1916. Pair of programmes with lithographic covers, each signed and one dated “1916” in image lower left or right, each programme with printer’s line on back page, 23.7 x 33.5cm, 33.5 x 24.3cm. Printer’s line reads “Imp. Eug. Verneau, H. Chachoin succ. 108 R. Folie Mericourt, Paris. XI Arr.” Text..... More

1919. Etching, titled, annotated “11” and signed in pencil in lower margin, 19.6 x 15.3cm. Repaired tears to upper left corner of image and to margins. Held in the National Gallery of Australia collection. More

c1928. Etching, titled, signed and editioned 4/50 in pencil in lower margin, 22.7 x 30.2cm. Cracking to plate mark due to excessive impression, repaired tear to upper margin, slight foxing to margins, old mount burn. This image was exhibited in 1928 at the 8th Annual Exhibition of the Australian Painter-Etchers’..... More

1915. Etching, titled, signed and editioned 16/50 in pencil in lower margin, 20 x 29.6cm. Held in the National Gallery of Australia collection. More

1909. Etching, titled, annotated “16” and signed in pencil in lower margin, 30.2 x 20.2cm. Perforations to margins, minor mount burn. Held in the National Gallery of Australia collection, with alternate title Old Bridge, Mosman. More

1927. Etching, titled, editioned 31/75 and signed “E. Warner” in pencil in lower margin, 22.1 x 21.6cm. Minor paper remnants to image upper left and centre, repaired tears to image upper right and to margins, cracks to left platemark, old mount burn. Laid down on acid-free tissue. Held in NGA..... More