Sur La Terre Ennemie Les Prisonniers Russes Meurent De Faim (On Enemy Soil Russian Prisoners Are Dying Of Hunger)
1917. Lithograph, signed and dated in image centre right, 30.4 x 22cm. Held in Imperial War Museum, UK. More
1917. Lithograph, signed and dated in image centre right, 30.4 x 22cm. Held in Imperial War Museum, UK. More
1916. Pair of programmes with lithographic covers, each signed and one dated “1916” in image lower left or right, each programme with printer’s line on back page, 23.7 x 33.5cm, 33.5 x 24.3cm. Printer’s line reads “Imp. Eug. Verneau, H. Chachoin succ. 108 R. Folie Mericourt, Paris. XI Arr.” Text..... More
c1914-1918. Group of five lithographs, each signed “St.” and two captioned in image, each editioned in pencil and signed in coloured pencil below image, sizes range from 31.7 x 24cm to 26 x 37.3cm. Slight creases and minor discolouration overall. Captions include “Ou est la gare de l’Est? Gare du..... More
1919. Etching, titled, annotated “11” and signed in pencil in lower margin, 19.6 x 15.3cm. Repaired tears to upper left corner of image and to margins. Held in the National Gallery of Australia collection. More
1910. Etching, titled, annotated “no. 12” and signed in pencil in lower margin, 49.6 x 32.4cm. Minor stains and old mount burn overall. Held in the National Gallery of Australia collection. More
c1928. Etching, titled, signed and editioned 4/50 in pencil in lower margin, 22.7 x 30.2cm. Cracking to plate mark due to excessive impression, repaired tear to upper margin, slight foxing to margins, old mount burn. This image was exhibited in 1928 at the 8th Annual Exhibition of the Australian Painter-Etchers’..... More
1919. Etching, titled, signed and editioned 27/50 in pencil in lower margin, 30.3 x 20.4cm. Minor foxing, soiling and chips to margins. Held in the Art Gallery of NSW and National Gallery of Australia collections. Gas Lane’s name originates from the old gas works which were located at Darling Harbour..... More
1915. Etching, titled, signed and editioned 16/50 in pencil in lower margin, 20 x 29.6cm. Held in the National Gallery of Australia collection. More
1915. Etching, titled, annotated “no. 4” and signed in pencil in lower margin, 20.3 x 30.4cm. Slight mount burn and paper loss to margins. Held in the National Gallery of Aust. collection. More
1909. Etching, titled, annotated “16” and signed in pencil in lower margin, 30.2 x 20.2cm. Perforations to margins, minor mount burn. Held in the National Gallery of Australia collection, with alternate title Old Bridge, Mosman. More
c1890s. Gouache with watercolour, signed and titled lower left, 23.5 x 34.5cm. Period frame. More
1927. Etching, titled, editioned 31/75 and signed “E. Warner” in pencil in lower margin, 22.1 x 21.6cm. Minor paper remnants to image upper left and centre, repaired tears to image upper right and to margins, cracks to left platemark, old mount burn. Laid down on acid-free tissue. Held in NGA..... More
1931. Etching, titled, editioned 19/75 and signed “E. Warner” in pencil in lower margin, 12.9 x 16.3cm. Missing portions to margins not affecting image, old mount burn. Laid down on acid-free tissue. Held in SLNSW. More
1932. Etching, titled, editioned 75/75 and signed “E. Warner” in pencil in lower margin, 18.1 x 19.7cm. Repaired cracking to left and right platemarks, rubbing and missing portions to margins. Held in SLNSW. More
1935. Etching, signed and dated in plate lower left, editioned 31/50 and signed in pencil in lower margin, 18.2 x 23.2cm. Slight foxing to margins. Framed. From Warner’s “Men at Work” series. Held in NGA. More
1937. Etching, signed and dated in plate lower left, editioned 25/50, titled and signed “E. Warner” in pencil in lower margin, 16.1 x 23.7cm. Minor creases and stains to margins. More
1932. Etching, titled, editioned 84/90 and signed “E. Warner” in pencil in lower margin, 19.5 x 31.5cm. Old tape and repaired minor tears to edges of paper, foxing to upper margin, old mount burn. Held in SLNSW. British-born Warner trained as an engraver before first travelling to Australia in 1910..... More
1935. Etching, signed and dated in plate lower left, editioned 13/50 and signed in pencil in lower margin, 22.8 x 18.3cm. Slight stains, discolouration and creases to upper and lower margins and platemark. From Warner’s “Men at Work” series. Held in NGA. More
1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More
c1921. Etching, artist and title in plate below image, 45.5 x 34cm. Repaired tears to right margin including platemark, paper remnants to lower portion, old mount burn. Text reads “Grand civic welcome to those gallant heroes HM 19th Regiment of Foot (The Green Howards) on their return from foreign service..... More
1939. Lithograph, titled and signed in pencil below image, 11.7 x 12.3cm. Slight foxing to upper portion of image, minor stains and missing portion to edges of paper, old mount burn. Laid down on acid-free tissue. Held in NGA. Unusual, rare image by Kingston. Hobart-born painter, art teacher and theatrical..... More
1907. Drypoint, signed and dated in plate lower left, signed in pencil in lower margin, 17.6 x 12cm. Old mount burn, repaired tear to lower margin. Asplund #211. Held in The Met, (NY). At the end of the 19th century, Anders Leonard Zorn was one of the “most well-known portraitists in..... More
1917. Etching, monogrammed and dated in plate lower left, signed by Zorn and annotated “Barn Dance” in another hand in pencil in lower margin, 28.9 x 19.7cm. Old mount burn. Third state. Ref: Asplund #275. More
1949. Colour aquatint, editioned 87/165 and annotated in pencil in lower margin, 27 x 17cm (image). The annotation “by André Masson ‘49” is by art dealer Richard King. This image is one of the 33 aquatints created to illustrate Les Conquerants (The Conquerors), a 271 page book about civil unrest..... More