c1505/17th century impression. Woodcut, monogrammed in block lower centre, 21 x 14.1cm. Slight foxing. A strong impression, with only two minor breaks in the border. Ref: Knappe #224; Bartsch #108. Held in The Met, NY; and NGV, with the inclusion of “Modest Woodcut 8.” The term “modest” was used by..... More
1926. Wood engraving, editioned 8/50 and signed in pencil in lower margin, 17.7 x 12.7cm. Ref: Alexander Masley website. More
1929. Wood engraving, editioned 5/50, signed and dated in pencil in lower margin, 18 x 23.2cm. Ref: Alexander Masley website. More
1926. Wood engraving, editioned 12/50 and signed in pencil in lower margin, 20.5 x 17.5cm. Soiling and stains to margins. Held in Smithsonian American Art Museum. Dr. Alexander Simeon Masley was the founder of the Art Education Program at the University of New Mexico, then the Department of Art Education..... More
1915. Colour lithograph, signed and dated in and below image lower left and right with remarque, titled and annotated “EA” [artist’s proof] in pencil in lower margin, 39.2 x 26.4cm. Minor foxing and soiling overall. More
1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More
1917. Lithograph, signed and dated in image centre right, 30.4 x 22cm. Held in Imperial War Museum, UK. More
![WWI Fund Raising Concerts]. Alexandre Théophile Steinlen, French](/pictures/thumb/CL184-150_1.JPG?v=1486091870)
1916. Pair of programmes with lithographic covers, each signed and one dated “1916” in image lower left or right, each programme with printer’s line on back page, 23.7 x 33.5cm, 33.5 x 24.3cm. Printer’s line reads “Imp. Eug. Verneau, H. Chachoin succ. 108 R. Folie Mericourt, Paris. XI Arr.” Text..... More
![WWI Soldiers And Peasants]. Alexandre Théophile Steinlen, French](/pictures/thumb/CL184-149_1.JPG?v=1486091868)
c1914-1918. Group of five lithographs, each signed “St.” and two captioned in image, each editioned in pencil and signed in coloured pencil below image, sizes range from 31.7 x 24cm to 26 x 37.3cm. Slight creases and minor discolouration overall. Captions include “Ou est la gare de l’Est? Gare du..... More
1919. Etching, titled, annotated “11” and signed in pencil in lower margin, 19.6 x 15.3cm. Repaired tears to upper left corner of image and to margins. Held in the National Gallery of Australia collection. More
1910. Etching, titled, annotated “no. 12” and signed in pencil in lower margin, 49.6 x 32.4cm. Minor stains and old mount burn overall. Held in the National Gallery of Australia collection. More
c1928. Etching, titled, signed and editioned 4/50 in pencil in lower margin, 22.7 x 30.2cm. Cracking to plate mark due to excessive impression, repaired tear to upper margin, slight foxing to margins, old mount burn. This image was exhibited in 1928 at the 8th Annual Exhibition of the Australian Painter-Etchers’..... More
1919. Etching, titled, signed and editioned 27/50 in pencil in lower margin, 30.3 x 20.4cm. Minor foxing, soiling and chips to margins. Held in the Art Gallery of NSW and National Gallery of Australia collections. Gas Lane’s name originates from the old gas works which were located at Darling Harbour..... More
1915. Etching, titled, signed and editioned 16/50 in pencil in lower margin, 20 x 29.6cm. Held in the National Gallery of Australia collection. More
1915. Etching, titled, annotated “no. 4” and signed in pencil in lower margin, 20.3 x 30.4cm. Slight mount burn and paper loss to margins. Held in the National Gallery of Aust. collection. More
1909. Etching, titled, annotated “16” and signed in pencil in lower margin, 30.2 x 20.2cm. Perforations to margins, minor mount burn. Held in the National Gallery of Australia collection, with alternate title Old Bridge, Mosman. More
![Gibraltar Near Algeciras [Spain]. Alfred East, British](/pictures/thumb/CL175-48.JPG?v=1492659693)
c1890s. Gouache with watercolour, signed and titled lower left, 23.5 x 34.5cm. Period frame. More
![Argyle Cut [The Rocks, Sydney]. Alfred Edward Warner, Ernest, Aust](/pictures/thumb/CL183-171.JPG?v=1486091825)
1927. Etching, titled, editioned 31/75 and signed “E. Warner” in pencil in lower margin, 22.1 x 21.6cm. Minor paper remnants to image upper left and centre, repaired tears to image upper right and to margins, cracks to left platemark, old mount burn. Laid down on acid-free tissue. Held in NGA..... More
![Bridge St [Sydney]. Alfred Edward Warner, Ernest, Aust](/pictures/thumb/CL183-173.JPG?v=1486012744)
1931. Etching, titled, editioned 19/75 and signed “E. Warner” in pencil in lower margin, 12.9 x 16.3cm. Missing portions to margins not affecting image, old mount burn. Laid down on acid-free tissue. Held in SLNSW. More
1932. Etching, titled, editioned 75/75 and signed “E. Warner” in pencil in lower margin, 18.1 x 19.7cm. Repaired cracking to left and right platemarks, rubbing and missing portions to margins. Held in SLNSW. More
![Feller [Tree Felling]. Alfred Edward Warner, Ernest, Aust](/pictures/thumb/CL192-174.JPG?v=1524199191)
1935. Etching, signed and dated in plate lower left, editioned 31/50 and signed in pencil in lower margin, 18.2 x 23.2cm. Slight foxing to margins. Framed. From Warner’s “Men at Work” series. Held in NGA. More
1937. Etching, signed and dated in plate lower left, editioned 25/50, titled and signed “E. Warner” in pencil in lower margin, 16.1 x 23.7cm. Minor creases and stains to margins. More
![Phillip St [Sydney]. Alfred Edward Warner, Ernest, Aust](/pictures/thumb/CL183-175.JPG?v=1486012745)
1932. Etching, titled, editioned 84/90 and signed “E. Warner” in pencil in lower margin, 19.5 x 31.5cm. Old tape and repaired minor tears to edges of paper, foxing to upper margin, old mount burn. Held in SLNSW. British-born Warner trained as an engraver before first travelling to Australia in 1910..... More
![The Prospector [Gold-mining]. Alfred Edward Warner, Ernest, Aust](/pictures/thumb/CL192-175.JPG?v=1524199193)
1935. Etching, signed and dated in plate lower left, editioned 13/50 and signed in pencil in lower margin, 22.8 x 18.3cm. Slight stains, discolouration and creases to upper and lower margins and platemark. From Warner’s “Men at Work” series. Held in NGA. More
1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More