c1910-1914. Etching, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 13.3 x 6.3cm. Slight tear to upper margin near plate mark due to excessive impression, foxing to margins. Working proof. Three copies are known to exist. Exhibited at the Great..... More
c1910-1914. Drypoint, annotated “1st [state]” by Evergood in pencil in lower margin, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 11.8 x 16.7cm. Foxing and slight crinkles overall. More
1914. Line-block, letterpress and colour process screen leaflet with fold-out panorama, text includes date, artists’ names and an index to key points of interest, 23 x 13cm (cover), 21.7 x 45.2cm (panorama, unfolded). Slight tears, missing portions and discolouration to edges of cover, minor tear and creases to edges of... More
1914. Lithograph, editioned 11/30, annotated “auto-lithograph,” inscribed, titled and signed in pencil in lower margin, 18 x 30cm. Old mount burn. Inscription reads “To G. [Gayfield] Shaw, Esq. from S. Ure S. Dec. 1916.” Held in SLNSW. Lithographs by Ure Smith are uncommon, and it is also unusual for one... More
1915. Etching, titled, signed and editioned 16/50 in pencil in lower margin, 20 x 29.6cm. Held in the National Gallery of Australia collection. More
1915. Etching, titled, annotated “no. 4” and signed in pencil in lower margin, 20.3 x 30.4cm. Slight mount burn and paper loss to margins. Held in the National Gallery of Aust. collection. More
1915. Lithograph, signed in pencil lower right, 28.6 x 36.4cm. Minor repairs to edges. There is no known edition for this image, which was exhibited in 1919 and 1921 in Melbourne and Sydney respectively. This is Thea Proctor’s first lithograph and first print. Proctor was a close friend of George... More
1915. Etching, signed in plate lower left, annotated “no. 10,” titled, signed and dated “Dec. 1915” in pencil in lower margin, 15.9 x 10.4cm. Pinholes to margins, old mount burn. Held in State Library of NSW, listed as The Little Ketch -Mosman’s Bay. The name of the ketch is Ruby..... More
c1916. Etching, titled, annotated “no. 17” and signed in pencil in lower margin, 12.7 x 19.9cm. Repaired tear to lower left edge of margin, minor stains and surface loss to image upper right, pinholes to margins, old mount burn. The National Library of Australia holds a sketch which was most... More
1916. Etching, signed in plate lower left, editioned 31/50, titled and signed in pencil in lower margin, 13.7 x 17.6cm. Minor stains to lower left corner of image and to upper margin. Ref: Mendelssohn #120. Held in NGV and NGA collections. More
1917. Etching, signed in plate lower left, editioned 49/50, titled and signed in pencil in lower margin, 10.5 x 22.6cm. Minor soiling to margins. Illustrated in The Etchings of Sydney Ure Smith, 1920, #39. The Dawes Point Battery, an historical fortification, was located adjacent to the southern pylon of the... More
1917. Etching, signed in plate upper left, annotated “no. 6,” titled, signed and dated in pencil in lower margin, 25 x 17.5cm. Old mount burn. This image shows The Sun newspaper office in Castlereagh St as seen from Moore St. This etching, which had a run of only 15 prints... More
1918. Etching, signed in plate lower left, editioned 33/50, titled and signed in pencil in lower margin, 9 x 29.4cm. Old mount burn. Illustrated in The Etchings of Sydney Ure Smith, 1920, #49, p26. More
c1918. Woodcut, initialled in block lower right, signed and editioned 15/45 in pencil in lower margin, 25 x 14cm. Framed. Ref: Laboureur #713. Founder, in 1923, of the Société des Peintres Graveurs Indépendants, Laboureur was friend to avant-garde poet Guillaume Apollinaire and painter Marie Laurencin. At Academie Julian, a prestigious..... More
c1919. Colour lithograph, signed in pencil lower right, 28 x 27.5cm. From an edition of 50, which was not completed, and is rarely seen in the market. The man depicted on the balcony is Maurice, the son of artist George Lambert. Ref: Butler #9. More
c1919. Etching, editioned 23/30, titled and signed in pencil in lower margin, 11.1 x 15.1cm. Minor tears and creases to margins. Artist, publisher and promoter of Australian art Sydney Ure Smith played an important part in the revival of etching in Sydney. He had a “keen interest in architecture, particularly... More
1919. Drypoint, signed in plate lower left, signed and annotated “No. 53” in pencil in lower margin, 24.3 x 17.4cm. Minor foxing and rubbing. Framed. Ref: Mendelssohn #204. Held in NGA. This image was issued as an Australian postage stamp on 17 June 1949, as reported in the SMH that day. More
1919. Etching, titled, signed and editioned 27/50 in pencil in lower margin, 30.3 x 20.4cm. Minor foxing, soiling and chips to margins. Held in the Art Gallery of NSW and National Gallery of Australia collections. Gas Lane’s name originates from the old gas works which were located at Darling Harbour... More
1919. Etching, titled, annotated “11” and signed in pencil in lower margin, 19.6 x 15.3cm. Repaired tears to upper left corner of image and to margins. Held in the National Gallery of Australia collection. More
1919. Etching, signed in plate lower left, signed, titled and annotated “proof c” in lower margin, 18.6 x 29.6cm. Slight foxing, old mount burn. Ref: Mendelssohn #192, listed as Girls’ High School, Castlereagh Street, Sydney. The David Jones department store now stands on this site. More
1919. Drypoint, annotated “‘17’, drypoint”, titled and signed in pencil in lower margin, 30.2 x 20.2cm. Minor cockling and foxing to upper and lower margins. Framed. Held in NGA. This print was included in the 1983 Gruner exhibition at the Art Gallery of NSW. It is Gruner’s largest drypoint..... More
1919. Etching, signed in plate lower left, signed and titled in pencil in lower margin, 18.4 x 29.2cm. Minor surface loss to upper right and lower left corners of image, creases overall, old mount burn. Ref: Mendelssohn #192, listed as Girls’ High School, Castlereagh Street, Sydney. Held in NGA; NGV... More
1919. Etching, signed in plate upper left, editioned “no. 23 of 50 proofs”, titled and signed in pencil in lower margin, 10.6 x 15.8cm. Slight foxing overall, minor surface loss to left portion of image, paper loss to right margin not affecting image. Held in SLNSW. Illustrated in The Etchings... More
1920. Drypoint, editioned 9/20, titled, signed and dated in pencil in lower margin, 11.5 x 20.1cm. Old mount burn. More
c1920s. Drypoint, editioned 11/25, titled and signed in pencil in lower margin, 15 x 12.6cm. More
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