c1910-1914. Etching, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 13.3 x 6.3cm. Slight tear to upper margin near plate mark due to excessive impression, foxing to margins. Working proof. Three copies are known to exist. Exhibited at the Great..... More about Self Portrait [2

1914. Line-block, letterpress and colour process screen leaflet with fold-out panorama, text includes date, artists’ names and an index to key points of interest, 23 x 13cm (cover), 21.7 x 45.2cm (panorama, unfolded). Slight tears, missing portions and discolouration to edges of cover, minor tear and creases to edges of... More about Aeroplane View Of Sydney

1915. Etching, titled, signed and editioned 16/50 in pencil in lower margin, 20 x 29.6cm. Held in the National Gallery of Australia collection. More about The Home Of An Ancient Mariner

1915. Lithograph, signed in pencil lower right, 28.6 x 36.4cm. Minor repairs to edges. There is no known edition for this image, which was exhibited in 1919 and 1921 in Melbourne and Sydney respectively. This is Thea Proctor’s first lithograph and first print. Proctor was a close friend of George... More about Portrait Of Mrs G.W. Lambert And Constance Lambert

c1916. Etching, titled, annotated “no. 17” and signed in pencil in lower margin, 12.7 x 19.9cm. Repaired tear to lower left edge of margin, minor stains and surface loss to image upper right, pinholes to margins, old mount burn. The National Library of Australia holds a sketch which was most... More about Government House, Windsor

1917. Etching, signed in plate lower left, editioned 49/50, titled and signed in pencil in lower margin, 10.5 x 22.6cm. Minor soiling to margins. Illustrated in The Etchings of Sydney Ure Smith, 1920, #39. The Dawes Point Battery, an historical fortification, was located adjacent to the southern pylon of the... More about Dawes Battery [Sydney Harbour

1918. Etching, signed in plate lower left, editioned 33/50, titled and signed in pencil in lower margin, 9 x 29.4cm. Old mount burn. Illustrated in The Etchings of Sydney Ure Smith, 1920, #49, p26. More about The Waterfront [Milson’s Point

c1919. Colour lithograph, signed in pencil lower right, 28 x 27.5cm. From an edition of 50, which was not completed, and is rarely seen in the market. The man depicted on the balcony is Maurice, the son of artist George Lambert. Ref: Butler #9. More about The Balcony

1919. Drypoint, signed in plate lower left, signed and annotated “No. 53” in pencil in lower margin, 24.3 x 17.4cm. Minor foxing and rubbing. Framed. Ref: Mendelssohn #204. Held in NGA. This image was issued as an Australian postage stamp on 17 June 1949, as reported in the SMH that day. More about Henry Lawson Profile

1919. Etching, titled, annotated “11” and signed in pencil in lower margin, 19.6 x 15.3cm. Repaired tears to upper left corner of image and to margins. Held in the National Gallery of Australia collection. More about Admiralty House, Sydney, From Dawes Point

1919. Drypoint, annotated “‘17’, drypoint”, titled and signed in pencil in lower margin, 30.2 x 20.2cm. Minor cockling and foxing to upper and lower margins. Framed. Held in NGA. This print was included in the 1983 Gruner exhibition at the Art Gallery of NSW. It is Gruner’s largest drypoint..... More about The Barn

1919. Etching, signed in plate upper left, editioned “no. 23 of 50 proofs”, titled and signed in pencil in lower margin, 10.6 x 15.8cm. Slight foxing overall, minor surface loss to left portion of image, paper loss to right margin not affecting image. Held in SLNSW. Illustrated in The Etchings... More about Old Government House, Windsor [NSW

c1920s. Drypoint, editioned 11/25, titled and signed in pencil in lower margin, 15 x 12.6cm. More about William Street [Sydney