c1910-1914. Drypoint, annotated “1st [state]” by Evergood in pencil in lower margin, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 11.8 x 16.7cm. Foxing and slight crinkles overall. More about Country Bridge [Red Hill, QLD

1914. Lithograph, editioned 11/30, annotated “auto-lithograph,” inscribed, titled and signed in pencil in lower margin, 18 x 30cm. Old mount burn. Inscription reads “To G. [Gayfield] Shaw, Esq. from S. Ure S. Dec. 1916.” Held in SLNSW. Lithographs by Ure Smith are uncommon, and it is also unusual for one... More about The Harbour From McMahon’s Point

1915. Etching, titled, annotated “no. 4” and signed in pencil in lower margin, 20.3 x 30.4cm. Slight mount burn and paper loss to margins. Held in the National Gallery of Aust. collection. More about In The Shade Of The Casuarina

c1916. Etching, titled, annotated “no. 17” and signed in pencil in lower margin, 12.7 x 19.9cm. Repaired tear to lower left edge of margin, minor stains and surface loss to image upper right, pinholes to margins, old mount burn. The National Library of Australia holds a sketch which was most... More about Government House, Windsor

1917. Etching, signed in plate lower left, editioned 49/50, titled and signed in pencil in lower margin, 10.5 x 22.6cm. Minor soiling to margins. Illustrated in The Etchings of Sydney Ure Smith, 1920, #39. The Dawes Point Battery, an historical fortification, was located adjacent to the southern pylon of the... More about Dawes Battery [Sydney Harbour

c1918. Woodcut, initialled in block lower right, signed and editioned 15/45 in pencil in lower margin, 25 x 14cm. Framed. Ref: Laboureur #713. Founder, in 1923, of the Société des Peintres Graveurs Indépendants, Laboureur was friend to avant-garde poet Guillaume Apollinaire and painter Marie Laurencin. At Academie Julian, a prestigious..... More about ANZACs

c1919. Etching, editioned 23/30, titled and signed in pencil in lower margin, 11.1 x 15.1cm. Minor tears and creases to margins. Artist, publisher and promoter of Australian art Sydney Ure Smith played an important part in the revival of etching in Sydney. He had a “keen interest in architecture, particularly... More about The Windsor Farm [NSW

1919. Etching, titled, signed and editioned 27/50 in pencil in lower margin, 30.3 x 20.4cm. Minor foxing, soiling and chips to margins. Held in the Art Gallery of NSW and National Gallery of Australia collections. Gas Lane’s name originates from the old gas works which were located at Darling Harbour... More about Half-Wooden House, Gas Lane, Old Sydney

1919. Etching, signed in plate lower left, signed, titled and annotated “proof c” in lower margin, 18.6 x 29.6cm. Slight foxing, old mount burn. Ref: Mendelssohn #192, listed as Girls’ High School, Castlereagh Street, Sydney. The David Jones department store now stands on this site. More about Girls’ High School [Sydney

1919. Etching, signed in plate lower left, signed and titled in pencil in lower margin, 18.4 x 29.2cm. Minor surface loss to upper right and lower left corners of image, creases overall, old mount burn. Ref: Mendelssohn #192, listed as Girls’ High School, Castlereagh Street, Sydney. Held in NGA; NGV... More about Girls’ High School

1920. Drypoint, editioned 9/20, titled, signed and dated in pencil in lower margin, 11.5 x 20.1cm. Old mount burn. More about Boat Sheds, The Spit [Mosman, NSW

c1920s. Etching, titled and monogrammed in plate lower left to right, signed, titled and editioned 5/50 in pencil in lower margin, 19.8 x 15.1cm. Slight foxing overall. Title in plate reads “Windmill Hill, Old Sydney.” Held in the National Gallery of Australia collection. See also item #116. More about Windmill Hill, Sydney Rocks