1910. Etching, signed and dated in plate upper right, signed in pencil in lower margin, 35 x 27.8cm. Minor crinkles, rubbing, glue remnants and slight mount burn to margins. Image held in the National Gallery of Victoria, and the Art Gallery of NSW, with variant title The Central Station, Melbourne..... More

c1911. Watercolour with gouache, original postcard design, accompanied with colour process screen print postcard of the same image, titled and signed in image lower left and right, artist’s name stamped in lower margin, title and signature replicated in postcard image with the annotation “Oilette”, text in letterpress verso, 15.3 x...... More

1912. Etching, signed, annotated “first state” and editioned 8/50 in pencil in lower margin, 20.7 x 15.7cm. Minor crinkles. Ref: Mendelssohn #69. Held in NGA, NLA, NGV. The Sailor’s Return was a pub on Essex Lane, The Rocks, an area which was considered to be “a notorious address with many..... More

1913. Etching, signed in pencil in lower margin, 10.7 x 16.5cm. Slight old mount burn. Ref: Mendelssohn #90. Held in the Art Gall ery of NSW and National Gallery of Australia collections. More

1914. Etching, signed in plate lower left, signed, titled and annotated “19” in pencil in lower margin, 10.3 x 13.4cm. Slight cracking to platemark. Ref: Mendelssohn #103. Held in NGV. More

1914. Lithograph, editioned 11/30, annotated “auto-lithograph,” inscribed, titled and signed in pencil in lower margin, 18 x 30cm. Old mount burn. Inscription reads “To G. [Gayfield] Shaw, Esq. from S. Ure S. Dec. 1916.” Held in SLNSW. Lithographs by Ure Smith are uncommon, and it is also unusual for one..... More

1915. Etching, titled, annotated “no. 4” and signed in pencil in lower margin, 20.3 x 30.4cm. Slight mount burn and paper loss to margins. Held in the National Gallery of Aust. collection. More

c1916. Etching, titled, annotated “no. 17” and signed in pencil in lower margin, 12.7 x 19.9cm. Repaired tear to lower left edge of margin, minor stains and surface loss to image upper right, pinholes to margins, old mount burn. The National Library of Australia holds a sketch which was most..... More

1917. Etching, signed in plate lower left, editioned 49/50, titled and signed in pencil in lower margin, 10.5 x 22.6cm. Minor soiling to margins. Illustrated in The Etchings of Sydney Ure Smith, 1920, #39. The Dawes Point Battery, an historical fortification, was located adjacent to the southern pylon of the..... More

1917. Etching, signed in plate lower left, signed, titled and annotated “no. 24” in pencil in lower margin, 13.8 x 17.5cm. Minor stain to image centre. Ref: Mendelssohn #137, with alternative title “Ashmore House, Old Kent Street, Sydney, demolished 1912.” Held in NGA, NLA, NGV. More

1918. Etching, signed and dated in plate lower right, editioned “No. 1, second state. 30 prints” and signed in pencil in lower margin, 31.6 x 9.2cm. Minor rubbing to upper edge of image, slight foxing and soiling to margins with framing annotations in pencil. Image held in the National Gallery..... More

1919. Drypoint, signed in plate lower left, signed and annotated “No. 53” in pencil in lower margin, 24.3 x 17.4cm. Minor foxing and rubbing. Framed. Ref: Mendelssohn #204. Held in NGA. This image was issued as an Australian postage stamp on 17 June 1949, as reported in the SMH that..... More

1919. Etching, titled, annotated “11” and signed in pencil in lower margin, 19.6 x 15.3cm. Repaired tears to upper left corner of image and to margins. Held in the National Gallery of Australia collection. More