1909. Etching, titled, annotated “16” and signed in pencil in lower margin, 30.2 x 20.2cm. Perforations to margins, minor mount burn. Held in the National Gallery of Australia collection, with alternate title Old Bridge, Mosman. More

c1910. Etching, signed “Tiger” in plate lower left, editioned 4/50, titled and signed in pencil in lower margin, 22.2 x 15.7cm. Repaired tears, minor soiling and surface loss to upper portion of image and margins. Laid down on acid-free backing. Held in the National Gallery of Australia collection. More

1910. Etching and aquatint in green ink, signed in plate lower centre and in pencil in lower margin, 15.7 x 9.9cm. Repaired creases and tears to margins. Ref: Mendelssohn #41. More

c1911. Watercolour with gouache, original postcard design, accompanied with colour process screen print postcard of the same image, titled and signed in image lower left and right, artist’s name stamped in lower margin, title and signature replicated in postcard image with the annotation “Oilette”, text in letterpress verso, 15.3 x...... More

1912. Etching, signed, annotated “first state” and editioned 8/50 in pencil in lower margin, 20.7 x 15.7cm. Minor crinkles. Ref: Mendelssohn #69. Held in NGA, NLA, NGV. The Sailor’s Return was a pub on Essex Lane, The Rocks, an area which was considered to be “a notorious address with many..... More

c1913. Colour lithograph, lithographically printed title on slip affixed to mount below image, 28.5 x 40.9cm. Slight crinkles and scuffs to centre of image. Original frame. Commissioned by the Australian Government, the HMAS Australia was the first and largest flagship in the Australian fleet in WW1. She had a crew..... More

1913. Etching and aquatint, signed and annotated “no. 21” in pencil on plate mark below image, 21.9 x 29.5cm. Repaired tears to margins. Ref: Mendelssohn #98. More

c1910-1914. Soft-ground etching, signed by the artist’s great-niece Gael Hammer in pencil and stamp with facsimile signature verso, 11.3 x 15.4cm. Slight stains and foxing overall, trimmed to edges of plate mark, minor strikethrough due to stamp verso. Exhibited at the Great Synagogue, Sydney, 1989. Held in the National Gallery..... More

c1910-1914. Etching, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 13.3 x 6.3cm. Slight tear to upper margin near plate mark due to excessive impression, foxing to margins. Working proof. Three copies are known to exist. Exhibited at the Great..... More

1914. Line-block, letterpress and colour process screen leaflet with fold-out panorama, text includes date, artists’ names and an index to key points of interest, 23 x 13cm (cover), 21.7 x 45.2cm (panorama, unfolded). Slight tears, missing portions and discolouration to edges of cover, minor tear and creases to edges of..... More

1915. Etching, titled, signed and editioned 16/50 in pencil in lower margin, 20 x 29.6cm. Held in the National Gallery of Australia collection. More

1915. Etching, signed in plate lower left, annotated “no. 10,” titled, signed and dated “Dec. 1915” in pencil in lower margin, 15.9 x 10.4cm. Pinholes to margins, old mount burn. Held in State Library of NSW, listed as The Little Ketch -Mosman’s Bay. The name of the ketch is Ruby..... More