c1894. Letterpress and wood engraving leaflet, 31.2 x 21.7cm. Missing portion, slight tears and discolouration to edges. Text includes “Detective Cameras… Free Darkrooms. Free Lantern Rooms” and “Geo. Murray & Co., Printers and Stationers, …Clarence St, Sydney.” The Oxford Hotel was located at the top of King and Elizabeth Streets..... More
1894. Etching, signed and dated in plate lower left, signed and titled in pencil in lower margin, 15.2 x 22.3cm. Repaired tears to right edge of image and to margins, minor stain to upper right corner of image, slight soiling to margins. From the North Italian Set, in an edition..... More
1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More
1894. Drypoint, signed “Hop” and dated in plate lower right, 15 x 9.5cm. Faint smudge in image upper and lower left, old mount burn. Held in NGV; NPG. Livingston York Yourtee “Hop” Hopkins was an American illustrator who became a major Australian cartoonist, working for The Bulletin during the time..... More
1893/1895. Woodcut, printed on blue paper, titled and initialled in block lower centre, printer’s line in letterpress below image, 15.1 x 12.2cm. Minor stains to margins, old mount burn. Printer’s line reads “C. Grumbach, Leipzig.” Ref: The Graphic Work of Vallotton 1865-1925, Arts Council, 1976, #49, noting that this portrait..... More
1895. Pair of colour lithographs with letterpress, signed in image lower left, text, date and title above and below image, 39.9 x 29.8cm (each). Minor scuffing and paper remnants to images centre right. Text reads “The Sketch, Christmas Number, 1895.” Born in Newport, Monmouthshire, Harold Stephen “Hal” Ludlow was an..... More
1896. Lithograph, butterfly monogram in image upper left, letterpress below image, 17.5 x 11.6cm. Slight stains to image upper centre and margins, minor creases and tears to edge of right margin, old mount burn. Trimmed text reads “Art Journal, March, 1896.” From an edition of 3,000, printed by Thomas Way..... More
![Female Profile With Flowers]. Paul Berthon, French](/pictures/thumb/CL168-12.JPG?v=1492488912)
c1896. Colour lithograph, signed in image lower left, Maîtres de l’Affiche blind stamp and text on and below image lower left to right, 32.4 x 24.4cm (image). Crease to image lower centre, slight foxing and creases to margins. Text reads “Les Maîtres de l’Affiche, Imprimerie Chaix (Encres Lorilleux & Cie).”..... More
1896. Etching, monogrammed in plate lower left, text including artist and title in letterpress in lower margin, 26 x 15.8cm. Slight offsetting from another image to upper portion, foxing and stains to margins. Text includes “Originalradierung. Pan II, 3.” Printed by L. Angerer, Berlin, published by Pan. Held in MoMA..... More
![Une Cour Du Petit Salut, Rouen [France]. David Young Cameron, Scottish](/pictures/thumb/CL175-30.JPG?v=1492659674)
1896. Etching, titled, signed and dated in plate lower left to right, 17.7 x 8.5cm. Ref: Rinder #233. Held in Fitzwilliam Museum (Cambridge). More
1896. Lithograph, initialled and dated in image centre left, artist’s name, title, process “originallithographie” in German with publication “Pan II, no. 4” in text in lower margin, 27 x 24.5cm. Old mount burn. “Walter Crane (1845-1915) was an English artist and book illustrator. He is considered to be the most..... More
![Kingston Bank [England]. After J. M. W. Turner and Frank Short, Brit](/pictures/thumb/CL175-151.JPG?v=1492660319)
1896. Etching and mezzotint, initialled “S” lower left corner of image, artist, engraver, title and text in plate below image, signed by engraver Frank Short in pencil in lower margin, 21.6 x 27.7cm. Foxing to margins. Text includes “From an unpublished drawing for the Liber Studiorum in the possession of..... More
![Chocolat Masson/Chocolat Mexicain [The Four Seasons]. Alphonse Mucha, Czech](/pictures/thumb/CL194-80_04.JPG?v=1543548744)
1896. Four colour lithographs, each signed in image lower right, 31.2 x 14.2cm (approx. each). Cropped calendars, minor foxing. Framed. Designed as the 1897 calendar for Chocolat Masson/Chocolat Mexicain. Each lithograph is missing a top panel with company name, and a lower panel with three calendar months (for winter, autumn..... More
1897. Colour lithograph, signed in image lower right, magazine blindstamp “The Studio, London” below image, 21.1 x 14.8cm. Slight stains overall. From The Studio magazine, issue 57. The Beggarstaff Brothers, James Pryde and William Nicholson or “J. & W. Beggarstaff”, were brothers-in-law who collaborated on poster designs between 1894 and..... More
1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More
![Aux Champs Elysées [Paris, France]. Henri Edmond Cross, French](/pictures/thumb/CL192-19.JPG?v=1524199199)
1898. Colour lithograph, 20 x 25.8cm. Slight foxing to image overall. Framed. Provenance: William Weston Gallery. Held in The Met, NY; Art Institute Chicago. More
1898. Two colour lithographs, text including date and title in upper and lower margins, 46.4 x 70.7cm (approx. each). Slight foxing and crinkles. Framed. Text includes (1) Presented with Father Christmas, 1898. Printed by Orford Smith Ltd, St Albans. From a painting by Louis Wain; (2) Penny Illustrated Paper, Xmas..... More
1898. Colour woodcut with embossing, signed, artist’s seal, publisher’s line and block-cutter in Japanese characters in block upper portion and margins, 33.1 x 21.2cm. Stains to image centre. Held in Honolulu Museum of Art. Tokugawa Ieyasu (1543–1616) was the founder and first shogun of the Tokugawa shogunate of Japan. Ref..... More
1899. Etching and aquatint, artist, title and text “Pan, V, 2. Originalradierung [etching]” in letterpress in lower margin, 15 x 22.7cm. Slight foxing to margins. Ref: Günther #47. Held in de Young Museum, San Francisco. More
1899. Colour lithograph, signed and annotated “serie 2/no. 1” in pencil in lower margin, 31 x 40.9cm. Framed. This is a colour variant proof of the second (final) state, before the edition of 100. Printed by Atelier Auguste Clot and published by Ambroise Vollard, Paris. Provenance: Stadia Graphics, Sydney, 1985..... More
![Four Seasons]. Anon](/pictures/thumb/CL175-5.JPG?v=1492659695)
c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More
c1900. Letterpress booklet with colour process screen illustrations, each captioned in plate below image, 24 x 32.2cm. Minor crinkles, slight stains and tears to edges of some pages, missing portions and discolouration to cover. This booklet is part 41 from the series “Autour du Monde: Aquarelles, Souvenirs, Voyages”, published in..... More
1901. Colour lithograph with letterpress, signed in image lower right, 64 x 76.9cm. Repaired tears, creases and minor missing portions to margins, slight foxing. Linen-backed. Text continues “Supplement to the Christmas number of The New Zealand Graphic, Dec. 18th, 1901. Printed by The Brett Printing Co. Ltd, Auckland, NZ.” Held..... More
c1901. Three lithographs, two hand-coloured, German text including caption above and below each image, 34.1 x 43cm (approx. each). Old vertical fold, minor tears, stains, creases. Captions in German include “The capture of Tientsin”, “The battle for Tientsin in June [sic] 1900”, and “The taking of Wei-Hai-Mai.” Text includes nos..... More
1901. Bound folio of thirty (30) etchings, some with aquatint, all with tissue guards, each etching signed or initialled in plate lower left or right, 43 x 34.2cm. Missing original cloth boards, stains to paper wrappers and frontispiece etching, tears to edges of all pages not affecting image. Published by..... More