1893. Hand-coloured lithograph, text with date and title in image, 30.1 x 39.1cm. Repaired tear to original vertical fold, some offsetting to image, slight foxing and crinkles overall, minor tears and missing portions to margins. Text includes “The Australasian Builder and Contractor’s News, June 10, 1893. Alan C. Walker, ARIBA..... More

1894. Hand-coloured lithograph, text throughout image, 30.8 x 36.8cm. Old vertical fold with tears and retouching, foxing overall, slight tears to margins. Text reads “The Australasian Builder and Contractors’ News, February 17, 1894. Tappin, Dennehy and Smart, Architects, Sydney.”. More

1894. Etching, signed and dated in plate lower left, signed and titled in pencil in lower margin, 15.2 x 22.3cm. Repaired tears to right edge of image and to margins, minor stain to upper right corner of image, slight soiling to margins. From the North Italian Set, in an edition..... More

1894. Drypoint, signed “Hop” and dated in plate lower right, 15 x 9.5cm. Faint smudge in image upper and lower left, old mount burn. Held in NGV; NPG. Livingston York Yourtee “Hop” Hopkins was an American illustrator who became a major Australian cartoonist, working for The Bulletin during the time..... More

1895. Pair of colour lithographs with letterpress, signed in image lower left, text, date and title above and below image, 39.9 x 29.8cm (each). Minor scuffing and paper remnants to images centre right. Text reads “The Sketch, Christmas Number, 1895.” Born in Newport, Monmouthshire, Harold Stephen “Hal” Ludlow was an..... More

c1896. Colour lithograph, signed in image lower left, Maîtres de l’Affiche blind stamp and text on and below image lower left to right, 32.4 x 24.4cm (image). Crease to image lower centre, slight foxing and creases to margins. Text reads “Les Maîtres de l’Affiche, Imprimerie Chaix (Encres Lorilleux & Cie).”..... More

1896. Etching, titled, signed and dated in plate lower left to right, 17.7 x 8.5cm. Ref: Rinder #233. Held in Fitzwilliam Museum (Cambridge). More

1896. Etching and mezzotint, initialled “S” lower left corner of image, artist, engraver, title and text in plate below image, signed by engraver Frank Short in pencil in lower margin, 21.6 x 27.7cm. Foxing to margins. Text includes “From an unpublished drawing for the Liber Studiorum in the possession of..... More

c1896. Colour lithograph, accompanied with original postal tube, text below image, 71.1 x 48.9cm. Foxing and ragged edges to margins, slight handling creases. Text includes “From the original painting by the late Sir John E. Millais…President of the Royal Academy in the possession of Messrs Pear. The postal tube, dated..... More

1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More

1898. Two colour lithographs, text including date and title in upper and lower margins, 46.4 x 70.7cm (approx. each). Slight foxing and crinkles. Framed. Text includes (1) Presented with Father Christmas, 1898. Printed by Orford Smith Ltd, St Albans. From a painting by Louis Wain; (2) Penny Illustrated Paper, Xmas..... More

1899. Etching and aquatint, artist, title and text “Pan, V, 2. Originalradierung [etching]” in letterpress in lower margin, 15 x 22.7cm. Slight foxing to margins. Ref: Günther #47. Held in de Young Museum, San Francisco. More

c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More