1901. Mezzotint on chine-collé, title and Jacomb-Hood’s signature replicated in plate upper and lower right, signed by Short in pencil on plate mark below image, 32.2 x 39.2cm. Framed. After a painting by George Percy Jacomb-Hood (British, 1857-1929), commissioned by the Royal Society of Painter-Etchers. Sir Francis Seymour Haden (British..... More
1860/1903. Etching, initialled in plate lower left, 16 x 12.7cm. Published in Twenty-One Etchings…, Astolat Press, London, 1903, in an edition of 150 (ten on vellum, 140 on Japan paper). Ref: Chesson #9; Beraldi #7. More
1903. Etching and drypoint, signed and dated in plate upper left, signed in pencil in lower margin, 22.6 x 19cm. Repairs to platemark verso. More
1901/ 1903. Lithograph, stamped signature and title, and annotated “no. 45-8” in pencil in unknown hand below image, 25.5 x 32.3cm. Slight foxing and creases to edges of margins. This work is from the Weber portfolio, which contained 15 facsimile prints of pen and ink drawings, published by Hans von... More
1901/1903. Lithograph, stamped signature and title, and annotated “no. 45-12” in pencil in unknown hand below image, 27.6 x 27.6cm. Slight soiling to image upper centre, slight foxing to edges of paper not affecting image. This work is from the Weber portfolio, which contained 15 facsimile prints of pen and... More
c1903. Etching, aquatint and roulette, printed à la poupée, signed in pencil in lower margin, 19.5 x 13.3cm. Crinkles, old glue stains verso. Provenance: James Fairfax estate. Held in Albertina; British Museum (uncoloured). More
1904. Etching, signed in plate lower left, signed in pencil in lower margin, 20.7 x 16.3cm. Minor foxing, old mount burn. From the Paris Set, in an edition of 35. First or second state of five. Ref: Rinder #366. More
1904. Lithograph, signed in image lower left, 17.7 x 12.4cm. Some foxing overall. Framed. From an edition of 1,000. Ref: Stella #44. More
c1904. Lithograph, signed in image lower left, 16.2 x 10.3cm. Framed. Second state, edition of 1,000. Ref: Stella #47. Provenance: Estate of Dr Constable, former trustee of Art Gallery of Western Australia. More
1904. Lithograph, signed and dated in image lower left, titled in another hand in pencil in lower margin, 18 x 15.9cm. Minor crease to margins, old mount burn. Way, an artist and lithographer in his own right, also printed Whistler’s lithographs. More
c1904. Colour and process lithograph, 48.5 x 66.2cm. Slight stains, old folds, repaired missing portion to upper margin. Laid down on acid-free tissue. Text includes “H.C. Hersey, trainer. Dan Patch eats ‘International Stock Food’ every day. Owned by International Stock Food Co., Toronto and Minneapolis.” Dan Patch (1896-1916) was a...... More
1901/1904. Colour lithograph, signed and dated “1901” in image centre right, text including date “1904” and title above and below image, 50.7 x 37.6cm. Slight foxing. Linen-backed. Text reads “Supplement to New Zealand Illustrated, the Christmas number of The Weekly Press, 1904. From the painting by C.F. Goldie, in the..... More
1871/1905. Photogravure, text with date “1905”, title and artist in plate above and below image, publisher’s blind stamp in lower margin, 41.2 x 46.6cm (image). Slight scuffs to image with small white marks to edges, slight foxing, tears and creases to margins. Text includes “London & Washington, by the Fine..... More
c1905. Drypoint, signed in pencil on image lower left, 53.9 x 33cm. Minor stains and paper loss to image lower right, old mount burn. Paul César Helleu was a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the..... More
c1905. Drypoint, signed in pencil on image lower left, 54.2 x 33.1cm. Framed. More
c1905. Colour lineblock, process screen and letterpress, annotated “76” in an unknown hand on image verso, 36.3 x 45.7cm. Slight stains and tears to edges, old folds as issued with minor missing portions. The map is overprinted with an advertisement for “The New Palace Emporium on the historic slope of..... More
1905-1906. Colour process lithographs, all captioned and some signed in image, publisher “Raphael Tuck & Sons”, series name, and description of view verso, 8.5 x 13.6cm (approx. each). Most in good condition, some postally used. Each set consists of six different images: 144 in total. A detailed list is available... More
1902/1906. Etching, signed and dated in plate upper left, signed in pencil in lower margin, 12.5 x 10cm. Slight foxing overall. Second state. Twenty-five impressions were recorded in 1906. Ref: Dodgson #100, titled in Italian. Provenance: Estate of Dr Constable, former trustee of Art Gallery of WA. Possibly inspired by... More
1906. Etching with drypoint, signed in pencil in lower margin, 9.9 x 8.1cm. Framed. Ref: Dodgson #78. Held in British Museum. More
1907. Etching, signed in pencil in lower margin, 22.3 x 35.6cm. Ref: Fine Art Society, Catalogue of the Etched Work of Frank Brangwyn, 1912; Gaunt #104. More
1907. Etching, initialled in plate lower left, signed in pencil in lower margin, 27.8 x 36.8cm. From a limited edition of 150. Ref: Fine Art Society, Catalogue of the Etched Work of Frank Brangwyn, 1912; Gaunt #108. More
1907. Drypoint, initialled in plate upper right, signed in pencil in lower margin, 25 x 17.2cm. Minor stains and crinkles to margins. Edition of 23, state iv/iv. Ref: Rinder #386. More
1907. Etching, signed in pencil in lower margin, 24.7 x 30.4cm. Ref: Gaunt #97, edition of 60. More
c1908. Photogravure, signed and annotated “NY” in image centre right, 55.8 x 35.6cm (paper). Missing portion to lower margin, repaired tears. Linen-backed. Text continues “Metropolitan Opera Company. Issued by Thomas A. Edison, Inc, Orange, NJ. 3144.” Emmy Destinn (1878-1930) was a Czech-born operatic soprano who had a career both in..... More
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